Hans Christian Andersen

Yes, Hans Christian Andersen and Charles Dickens did meet in person. They first met in 1847 and developed a friendship that lasted for several years. Andersen visited Dickens at his home in England, and they even collaborated on writing projects together.

In the fairy tale "The Princess and the Pea," Griselda is a servant sent by the queen to test the true identity of the princess claiming to be a true princess. Griselda places a pea under twenty mattresses to see if the princess can feel it, thus proving her royal sensitivity and authenticity.

Hans Christian Andersen began writing in the early 19th century, around the 1820s. His first works were primarily poetry and plays before he later gained recognition for his fairy tales.

Hans Christian Anderson was born April 2, 1805 in Odense, Denmark. He is most known for writing "The Little Mermaid" "Thumbelina" "The Little Match Girl" "The Princess and the Pea" and "The Ugly Duckling".

The Disney scriptwriters. They took considerable liberties with the Andersen tale and toned down the sacrificial elements almost to a mere (Manhattan afternoon shadow from east to west) a little shadow, no real loss. The original was far more morbid and brooding, and more or less(as, depending on the version) the Mermaid character(Not called Ariel in the Andersen tale) either dies or is fairly seriously handicapped (she loses her voice) for defying the anti-Miscegeneation edict of Father Neptune. (or whatever they call the Sea-God, I would guess Neptune, Poseidon is the Greek variant (For example Poseidon Adventure, a disaster film) and Neptune is better known. The cartoon film had all kinds of typical Disney anti-religious flak- a Minister is shown as a leering sexually aroused dirty old man-in comparison the satire on nuns in Sleeping Beauty- identified withthe life forces of nature- rather than the probable originals Faith, Hope, and Charity, is benign. The costumes suggest religious habits sans crosses. This is not right!- Disney was always putting the knock on religion.

In "The Emperor's New Clothes," there isn't a specific character portrayed as evil. The story centers around the vain emperor and the dishonest weavers who convince him they are making him special clothes that only the wise can see. The story is more about deception and vanity rather than a traditional evil character.

whn thumbelina married prince cornelius...

Basically, the princess sleeps on twenty mattresses and blankets, and feels the pea so they know she's delicate enough to be a real princess. She marries the prince and they live happily ever after.

In "The Princess and the Pea," the symbols include the pea itself, representing sensitivity and delicacy; the bed, symbolizing luxury and royal status; and the many mattresses piled on top of the pea, illustrating the lengths to which people will go to prove a point or uphold tradition.

The antagonist in "The Princess and the Pea" is not a typical villain character. The story focuses more on the princess and her royal qualities being tested, rather than a traditional conflict with a clear antagonist.

In "The Princess and the Pea," the resolution occurs when the princess proves her royal status by feeling the pea hidden under multiple mattresses, proving her sensitivity and therefore her royal lineage to the prince. The prince then marries the princess, and they live happily ever after.

The story of "The Princess and the Pea" was written by Danish author Hans Christian Andersen, so it originated in Denmark.

In the story of "The Princess and the Pea," the princess proved her royal status by being sensitive enough to feel a pea hidden under multiple mattresses. As a result, the prince was convinced of her true identity and they were able to live happily ever after.

A verbal irony in "The Emperor's New Clothes" occurs when the characters pretend to see the nonexistent clothes out of fear of being perceived as foolish. The irony lies in the fact that they praise something that doesn't even exist, highlighting their own gullibility and vanity.

Princess and the Pea is a fairy tale about a Princess and an allergy or something to a pea in her bed- and a succession of decked mattresses... as far as I know it is only a fairy tale and not based on any real people- such as Anastasia or Princess Diana.

Here's my guess: the story tells us that we should look at people's hearts, not their appearance. And that it doesn't matter what others think of you, as long as you set a good goal for yourself. The duckling wished to be as beautiful as a swan, but what he didn't know was that he already had it in him, but to see it he had to endure many hardships. If he had given up all hope and let himself die during winter, he wouldn't have seen himself become a beautiful swan in the end.

The duckling wasn't really ugly, he just didn't belong with the other ducks and geese. He was in fact different, and more beautiful, but they thought him ugly and stupid. Sometimes people don't understand, and mock others who are perhaps better than them. Andersen was known to not have much luck with the ladies, and the sad tone to many of his stories are probably the result of his real life heartaches.

One moral lesson in the fairy tale Thumbelina is the value of kindness and compassion towards others, regardless of their appearance or circumstances. Thumbelina's kindness towards the creatures she meets along her journey ultimately leads to her own happy ending. Additionally, the tale emphasizes the importance of perseverance and resilience in the face of challenges.

"The Emperor's New Clothes" is a fairy tale by Hans Christian Andersen. It satirizes vanity, social conformity, and the fear of speaking out. The story highlights the importance of critical thinking, honesty, and the courage to challenge authority.

The conflict is that you do not have to look or be like something as long as you believe in yourself than you can be wathever you think you are.Take note that this was written by an eleven year old.

The emperor shows pride, vanity, and insecurity during the march with no clothes. Despite knowing he is not wearing any clothes, he continues to parade to avoid admitting his mistake and appearing foolish in front of his subjects.

A vain emperor, always on the lookout for the latest fashion, employs two men claiming to be such great tailors that they can make magic clothes. These clothes cannot be seen by stupid people, or those unfit for their job.

After a while, the emperor sends his trusted advisor to check up on the tailors' work. They show him around the empty room, with machines sowing without a thread, and ask him to say if he likes the design of the fabric. The advisor can't see any of it and gets scared. He starts praising their work, so that people won't think he's stupid or should be removed from his position. And he goes to the emperor to tell him that the colours and patterns are wonderful.

After a while, the two charlatans tell the emperor that they finished their job, and pretend to bring him the clothes. The emperor can't see them, so he starts worrying. He reckons he's not stupid, but then that would mean he's not fit to be emperor. So he asks his servants to help him undress and put on the magic clothes. Then, he goes outside for all the people to see him.

Of course, nobody can see the clothes on him, but they all think that all the others can see, and are too afraid to tell the truth. But then a small child says "The emperor is naked," and this quickly spreads to all the crowd. Soon, they all shout "The emperor is naked," and the emperor knows this to be true, but he goes on parading in the clothes that nobody could see, because there weren't any.

The illustrator of "The Princess and the Pea" fairy tale is not definitively known as it has been illustrated by many artists over the years. Some well-known illustrators of this classic story include Edmund Dulac, Arthur Rackham, and H.C. Andersen.

In the exposition of "The Princess and the Pea," a princess arrives at a kingdom seeking shelter during a storm. The queen decides to test the princess's sensitivity by placing a pea under several layers of mattresses to see if she can feel it.

The conflict in "The Princess and the Pea" revolves around determining whether or not the girl claiming to be a princess is actually of royal blood. The queen places a pea under twenty mattresses to test the girl's sensitivity, as only a true princess would be bothered by such a small discomfort.