She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exists a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

Her time or reign was 1508-1458 BC. Seven before that she served as a regent.

yes she did

She was pharaoh for 15 years, from 1473 to 1458 BC. Before becoming pharaoh, she ruled for several years with her half brother Thutmose II, who she had married, and then with his son Thutmose III.

Trade

He had 7-Amenmhat,Amentotep ii BEKETAMUN, Iset, Menkhepere, Meryetamun, Siamun :)

For the looks on the statues, she looks like a Nubian to me. And now that the Mummy was identified, for more reasons I say she looks like a Nubian. Identifying Hatshepsut in 2014, we could the age and the state and being of heath. She died of natural causes Hatshepsut was the longest reigning female pharaoh in Egypt, ruling for 20 years in the 14th century B.C. She is considered one of Egypt's most successful pharaohs. In recent years, scientists have speculated the cause of her death to be related to an ointment or salve used to alleviate a chronic genetic skin condition a treatment that contained a toxic ingredient. Testing of artifacts near her tomb has revealed traces of a carcinogenic substance. Helmut Wiedenfeld of the University of Bonn's pharmaceutical institute has asserted, "If you imagine that the queen had a chronic skin disease and that she found short-term improvement from the salve, she may have exposed herself to a great risk over the years."

they were women rulers

In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs.

villian

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs.

Her time or reign was 1508-1458 BC. She was the fifth pharaoh of the Eighteenth dynasty of Egypt.

Hatshepsut meaning Foremost of Noble Ladies; was the fifth pharaoh of the Eighteenth dynasty of Egypt. Under Hatshepsut's reign, Egypt prospered. Unlike other rulers in her dynasty, she was more interested in ensuring economic prosperity and building and restoring monuments throughout Egypt and Nubia than in conquering new lands. She built the temple Djeser-djeseru ("holiest of holy places"), which was dedicated to Amon and served as her funerary cult, and erected a pair of red granite obelisks at the Temple of Amon at Karnak, one of which still stands today. Hatshepsut also had one notable trading expedition to the land of Punt in the ninth year of her reign. The ships returned with gold, ivory and myrrh trees, and the scene was immortalized on the walls of the temple.

The queen died in early February of 1458 B.C. In recent years, scientists have speculated the cause of her death to be related to an ointment or salve used to alleviate a chronic genetic skin condition. Thutmose III began a campaign to eradicate Hatshepsut's memory: He destroyed or defaced her monuments, erased many of her inscriptions and constructed a wall around her obelisks. While some believe this was the result of a long-held grudge, it was more likely a strictly political effort to emphasize his line of succession and ensure that no one challenged his son Amunhotep II for the throne. God does not die

Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exists a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

Amenhotep III had four foreign unnamed women, an Egyptian concubine, Resi, Mitanni princesses Gilukhepa and Tadukhepa, for his wives but his most favourite wife Of all was Queen Tiye, a woman of Syrian and Hebrew descent but born in Nubia. His foreign wives and Resi bore him no known children. Gilukhepa did not bear any children either, Tadukhepa may have borne a son, Siatum instead of Mutemwiya, thus making Siatum

His son not brother, however there is no evidence for this. Queen Tiye bore two sons, Thutmose and Amenhotep IV/Akhenaten and four daughters: Henuttaneb, Sitamum, Iset, And Nebetah. He married three of his daughters: Sitamum, Iset and Henuttaneb, they never bore any children. Tutankhamun may be a son of Amenhotep III and Queen Tiye, as Tut states that Amenhotep III is his father and Amenhotep III as Nebkheperure states twice that Tut is the son of his body.

She build the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

Hatshepsut was a powerful female pharaoh who believed that her father was the sun god Ra and dressed in male clothing, attached a fake beard just to make her people believe she was pharaoh better.

The queen died in early February of 1458 B.C. She died of natural causes Hatshepsut was the longest reigning female pharaoh in Egypt, ruling for 20 years in the 14th century B.C. She is considered one of Egypt's most successful pharaohs. In recent years, scientists have speculated the cause of her death to be related to an ointment or salve used to alleviate a chronic genetic skin condition a treatment that contained a toxic ingredient. Testing of artifacts near her tomb has revealed traces of a carcinogenic substance.

They both dressed as men, they both built many monuments, and they both ruled in the New Kingdom.

After the death of her father at age 12, Hatshepsut married her half-brother Thutmose II, whose mother was a lesser wife, a common practice meant to ensure the purity of the royal bloodline. During the reign of Thutmose II, Hatshepsut assumed the traditional role of queen and principal wife.

Hatshepsut meaning Foremost of Noble Ladies; was the fifth pharaoh of the Eighteenth dynasty of Egypt. Under Hatshepsut's reign, Egypt prospered. Unlike other rulers in her dynasty, she was more interested in ensuring economic prosperity and building and restoring monuments throughout Egypt and Nubia than in conquering new lands. She built the temple Djeser-djeseru ("holiest of holy places"), which was dedicated to Amon and served as her funerary cult, and erected a pair of red granite obelisks at the Temple of Amon at Karnak, one of which still stands today. Hatshepsut also had one notable trading expedition to the land of Punt in the ninth year of her reign. The ships returned with gold, ivory and myrrh trees, and the scene was immortalized on the walls of the temple.