Macbeth

The first murderer is reminding Macbeth that they are both men, implying that they should act like men by carrying out the deed they have been assigned without hesitation or fear. This statement could also be seen as a way to challenge Macbeth's courage and masculinity, pushing him to commit to their mutually agreed-upon plan.

Macbeth wants to keep his plans for Banquo's murder a secret from Lady Macbeth in order to protect her innocence and shield her from the guilt associated with the crime. He also wants to maintain his power and control over the situation without involving her. Additionally, Macbeth may fear that Lady Macbeth would try to dissuade him from pursuing the murder, as she has shown signs of moral conflict and guilt in the past.

Macduff is up early because he has a sense of purpose or urgency that drives him to start his day before others. He may have important tasks to attend to, or his personal habits may dictate an early start to be productive.

In Act 1, Scene 4 of "Macbeth," Banquo is honored by being named a nobleman and receiving the title of the Thane of Lochaber. Malcolm, the Prince of Cumberland, is also honored by being declared heir to the Scottish throne by King Duncan.

The point of the first scene in Macbeth is to establish a sense of foreboding and supernatural elements within the play. It introduces the witches, who play a crucial role in influencing Macbeth's actions and setting the tragic events of the play in motion.

Witches are often portrayed using a cauldron to make their potions. This type of large cooking pot is traditionally associated with magical practices and can symbolize the brewing of potent concoctions.

Banquo is on his way to a royal banquet when he is attacked by the murderers sent by Macbeth. The murderers ambush him and kill him, but his son Fleance manages to escape.

The first report of the progress of the battle in "Macbeth" is provided by the wounded sergeant who describes how Macbeth and Banquo fought bravely against the traitorous Thane of Cawdor and the Norwegian forces. The sergeant's account sets the stage for the unfolding events in the play.

The Birnam wood episode in Shakespeare's Macbeth serves as a fulfillment of the witches' prophecy, adding to the atmosphere of supernatural elements in the play. It also symbolizes the theme of deceptive appearances, as the advancing soldiers use the branches to camouflage their numbers. This event contributes to Macbeth's sense of impending doom and his realization that the witches' prophecies are coming true.

Initially, Macbeth is conflicted about the idea of attaining the kingship through questionable means. He is ambitious and desires power, but he is also apprehensive and plagued by moral doubts. This inner conflict sets the stage for his tragic downfall.

One quote that shows Macbeth's skill in battle is when the wounded captain describes him as "brave Macbeth" who "carved out his passage / Till he faced the slave" (Act 1, Scene 2). This demonstrates Macbeth's courage and effectiveness as a soldier in facing and defeating his enemies in combat.

Mcbeth is weak and open to other peoples influence wheras lady Mcbeth is the strong character she wears the pants and pushes mcbeth to kill king duncan. lady mcbeth sais that she could take her own baby watch it look at her and smile and the smash its head in all for her own benefit. Allthoug near the end of the play Mcbeth becomes a tyrant and does not care that Lady Mcbeth has commited suicide. Hope that helps =)

Siward considered his son's death as fair because he died bravely in battle while fighting for a noble cause. In this context, dying a "fair death" means dying with honor and courage on the battlefield.

There are a number of conflicts and types of conflict dealt with in Act 1. The bloody sergeant and Ross in scene 2 describe two battles, using warlike imagery, such as the simile "as cannons overcharged with double cracks". The sergeant appears to relish the gruesomeness of the battle, as he describes how Macbeth "unseam'd him from the nave to the chaps and fixed his head upon our battlements."

Much of the conflict, however, is internal. Macbeth, in two soliloquys and a prolonged aside, is torn between two impulses. Thus, his statement in scene 3, "This supernatural soliciting cannot be ill; cannot be good." which recalls the witches' chant from scene one, "Fair is foul and foul is fair." The difficulty in telling good from bad and right from wrong is at the heart of the difficulty which Macbeth faces in making decisions. Although he does not use this kind of language, the same conflict is going on in his soliloquy at the start of scene 7.

There is another conflict between what things are and what they seem to be, in the intentional deceptiveness of those seeking to hide "their black and deep desires." as Macbeth says in scene 4. Lady Macbeth sums this up best in scene 5 when she says "look like th' innocent flower but be the serpent under it.", and Macbeth in scene 7, "false face must hide what the false heart doth know." Lady Macbeth also uses images of covering up in her soliloquy in scene 5 with, "come, thick night, and pall thee in the blackest smoke of Hell, that my keen knife see not the wound it makes."

Another internal conflict is the conflict between the stereotypes of men and women and the reality of human beings. Lady Macbeth in scene five asks the gods to "unsex me here", so that she can be less of the stereotype of what a woman is in order to be the person she really is. In the course of doing so, she violently attacks her own capacity to be a mother: "come to my woman's breasts and take my milk for gall", in scene 5 and "I would, while it was smiling in my face, have plucked my nipple from its boneless gums and dashed the brains out" in scene 7. In the same speech, she attacks Macbeth by pushing him toward an artificial sterotype of manliness. "When you durst do it, then you were a man." These conflicts will be pursued later in the play by Lady Macduff and Macduff, the foil couple to the Macbeths.

Macbeth does not fear death because of the apparitions' predictions. The first one tells him to beware of Macduff, but the second apparition tells him that he should not fear any man born of a woman (Macduff was "untimely ripped from his mother's womb"...in other words, his mother had a c-section. The third apparition tells him that he will not be killed until Great Birnam wood moves 25 miles from its location to Forres (the rebels use branches to disguise themselves while they march to Forres, so it looks as if the whole forest is moving!), so Macbeth thinks that he has absolutely no reason to fear because he sees 2 of these things as impossible. Hope this helps!

The same thing that is suggested by the fact that he did not go to Scone to see Macbeth crowned. "Nay, cousin, I'll to Fife." Macduff never liked Macbeth much and tried to avoid being around him.

Shakespeare's principal source for the play "Macbeth" was the historical chronicle "Holinshed's Chronicles of England, Scotland, and Ireland." Shakespeare adapted the story of Macbeth from this source, drawing inspiration from the real-life events of King Macbeth of Scotland.

The prophecy that Macbeth will be safe until Great Birnam Wood comes to Dunsinane Hill comes true when Macduff orders his men to cut down trees and branches from Birnam Wood in order to hide their numbers as they advance on Macbeth's castle on Dunainane Hill. Macbeth is alarmed, but convinced that he will be spared because of the prophecy that he cannot be killed by a "man of woman born." In the final battle, Macbeth is killed by Macduff, who was born with a caesarian section.

Lady Macbeth [b. c. 1015] read a letter from her husband at the beginning of Act 1 Scene 5 of the Shakespearean play. Macbeth [c. 1014-August 15, 1057] told her of the witches' predictions and of the overnight visit of King Duncan I [d. August 14, 1040]. Lady Macbeth then analyzed her husband's chances of achieving the kingship now that he was Thane of Glamis and of Cawdor. She felt that it couldn't be left in his hands or to chance. She said that Macbeth tried to go by the book and do things correctly, ethically, morally. In fact, she went so far as to say that he'd do without if he had to do something wrong to get what he wanted.

The king showed special favor to Macbeth by congratulating him on his bravery in battle and by bestowing upon him the title of Thane of Cawdor, previously held by a traitor. This act of generosity and recognition elevated Macbeth's status and showed the king's appreciation for his loyalty and skill in the battlefield.

Lady Macbeth is often considered more evil than her husband because of her unyielding ambition and manipulative nature. She is portrayed as the driving force behind the murder of King Duncan, pushing Macbeth to commit the deed. Her willingness to sacrifice her morals and sanity to achieve power and status sets her apart as a more ruthless character than Macbeth.

Lady Macbeth controls her husband's hysteria by questioning his masculinity and manipulating his ambitions. She criticizes his doubts and fears, appealing to his desire for power and success. Through a combination of psychological manipulation and emotional pressure, she drives him to carry out their murderous plans.

Hemlock is not a "who", it is a "what". It is a plant related to carrots and parsnips and cumin and cilantro and parsley, but it is a deadly poison. It is the poison used to execute Socrates as seen in Plato's Phaedo. In Macbeth one of the ingredients used by the witches in their stew is "root of hemlock digg'd in the dark".

Miss Havisham is a wealthy, eccentric woman who is jilted at the altar and becomes bitter and reclusive. Lady Macbeth, on the other hand, is ambitious and manipulative, urging her husband to commit murder to fulfill her own ambitions. Miss Havisham is a tragic figure consumed by her past, while Lady Macbeth is a ruthless and ambitious character driven by power.

They are cousins.