The experience of the Niger Valley challenged conventional notions of civilization because they had an absence of a corresponding state structure. Unlike the cities of Egypt, China, and the Roman Empire, or Axum, these middle Niger urban centers were not encompassed within some larger imperial system. They also didn't have despotic power, widespread warfare, or deep social inequalities. They had a growing network of indigenous West African commerce. They were cities without states.
To Emily Dickinson, freedom meant the ability to express her innermost thoughts and emotions without conforming to societal norms or expectations. For Walt Whitman, freedom was about embracing the diversity of human experience, celebrating individuality, and advocating for equality and democracy. Both poets used their work to explore and challenge conventional notions of freedom and identity.
Banksy shredded "Love is in the Bin" as a statement on the commercialization of art and to challenge the traditional notions of value and authenticity in the art world.
Cubists aimed to break away from traditional perspectives in art by depicting subjects from multiple viewpoints simultaneously. This movement sought to represent the essence of objects rather than their appearance, emphasizing geometric forms and fragmented structures. By doing so, Cubists aimed to challenge conventional notions of space, depth, and representation, ultimately transforming how viewers perceive reality in art.
A prejudice is a belief about someone or something that is unfounded. Prejudices are based on preconceived notions or stereotypes, rather than fact or experience.
Adrian Saxe's artwork is inspired by the interplay of traditional ceramics and contemporary ideas, blending historical techniques with modern aesthetics. He often explores themes of identity, culture, and the human experience, using humor and irony to challenge conventional notions of craft and fine art. Saxe's fascination with the decorative arts and his desire to provoke thought through form and function also significantly inform his creative process. His work reflects a dialogue between past and present, aiming to engage viewers in a deeper conversation about art and its context.
The theme of "The Adventures of Huckleberry Finn" revolves around the concept of freedom, both physical and mental. Through Huck's journey down the Mississippi River, the novel explores themes of individuality, friendship, and the struggle against societal norms. Twain uses Huck's character to challenge notions of civilization and morality, ultimately questioning the true meaning of freedom.
United Notions was created in 1958.
The term "transextual" generally refers to concepts, identities, or expressions that transcend traditional notions of gender and sexuality. It encompasses a spectrum of experiences and identities that challenge binary classifications, often incorporating elements of both male and female or existing outside these categories altogether. This term can be used in discussions about gender fluidity and non-binary identities, highlighting the complexity of human experiences beyond conventional frameworks.
Curry's paradox is a logical paradox that involves self-reference and challenges traditional notions of truth. It arises when a statement asserts its own falsehood, leading to a contradiction. This paradox highlights the complexities and limitations of our understanding of truth and self-reference in logic and philosophy.
Notion is spelled the same in French. Une notion is a feminine word.
A happening in art refers to a spontaneous, often interactive performance or event that blurs the lines between art and life, engaging the audience in a unique experience. Originating in the 1950s and 1960s, it emphasizes the process of creation and the ephemeral nature of art, often involving multiple art forms such as theater, dance, and visual art. Happenings encourage participation and can challenge traditional notions of art by prioritizing experience over product.
Curious Notions has 272 pages.