It is a Shakespeare play.
---- There is strong - nearly conclusive - evidence that Shakespeare collaborated with Thomas Middleton in writing Macbeth.
Perhaps Middleton collaborated with Shakespeare in writing the play, or perhaps he substantially revised it several years after it was first performed; but it seems certain that Middleton wrote the witches' songs, possibly the porter scene, and perhaps as much as 10% of the entire play.
Macbeth is not the only play where we have evidence of Shakespeare sharing the authorship with another writer. Pericles and Henry VI.1 are two other plays where it is highly likely that not every scene is by Shakespeare.
Collaborative authorship was not uncommon in the Elizabethan theatre - there are also plays by other dramatists where Shakespeare may have had a hand (Thomas More is one).
And Middleton was very, very good: he seems to have taken over the role of chief playwright with the Kings Men (Shakespeare's company) when Bill retired. Middleton also seems to have done some work on Measure for Measure and Timon of Athens. But the bulk of these plays is Shakespeare's, so really they are Shakespearean plays.
Macbeth is the main character in the Shakespeare play of the same name. He is based on a real historical king of Scotland, but Shakespeare changed many details to make an interesting (and politically-correct for the time) story.
By modern standards, it could be. Though in terms of Shakespeare, Macbeth is a tragedy (thus the original name, The Tragedy of Macbeth). There is no particular reason why it cannot be both a drama and a tragedy.
Yes, Macbeth is a drama written by William Shakespeare. It is a tragedy that follows the rise and fall of the Scottish general Macbeth as he becomes consumed by ambition and his desire for power.
It's a tragedy.
It depends on what plays you wish to consider with Macbeth. Macbeth, by the way was not an Elizabethan play: it was Jacobean.
The answer is D. In a drama, the lines are spoken aloud, and the meter follows the natural voice pattern.
Using climax, powerful lines and dialog. For example in MacBeth, the tension is built when MacBeth killed his right hand men and held the knife in his hand or when MacDuff is fighting MacBeth Then the tension is broke when Macbeth is killed and Malcolm is declared a King
My personal favourite is Romeo and Juliet... and there is of course, the classic Shakespear pieces such as Macbeth, Hamlet... etc.
Though Macbeth existed in history, Shakespeare was more interested in what kind of tragic character he could make of him, and altered historical facts for the sake of the drama.
In drama the term aside refers to lines that are delivered to the audience that other characters on stage are not aware of. For example, in the play Macbeth the title character delivers several asides concerning his doubts about killing the King Duncan. The other characters on stage do not hear these asides, but the audience does and we learn things about Macbeth through them.
In the play "Macbeth" by William Shakespeare, Forres is the setting for the opening scene where King Duncan receives news of Macbeth's victory in battle. Forres is also where much of the political intrigue and ambition that drives the plot unfolds, leading to Duncan's murder and Macbeth's rise to power.
And then Macbeth asked Macbeth if he confronted Macbeth on killing Macbeth with Macbeth.
Shakespeare always abandoned historical detail when it would get in the way of drama. In fact Macbeth was a well-loved king whose reign was very long, not the hated tyrant of a short reign shown in the play. Nor was he really succeeded by Malcolm. Malcolm did eventually become king, but Macbeth was actually succeeded by his stepson Lulach.
Macbeth and Lady Macbeth.
Shakespeare uses characters' hallucinations in Macbeth to show their psychological unraveling, adding tension by blurring the lines between reality and imagination. These hallucinations, such as Macbeth seeing a floating dagger or Lady Macbeth's sleepwalking, highlight the characters' guilt and descent into madness, making the audience question what is real and what is a product of their guilty conscience. This heightens the suspense and drama in the play as the characters' actions become increasingly erratic and unpredictable.