There are two types of Music Editor. One person writes about music for a publication, much like a sports editor or theatre editor might contribute in their particular specialty.
Another type works in the film and television industry. This Music Editor handles all the technical aspects of the production's music soundtrack. The editor works with the composer of the production to document the director's or producer's desire for placement, style, and length of each piece of music. He supervises the scoring -- or recording -- session and finally, the mixing -- or dubbing -- session where the music is blended with the other sound elements, the dialog and sound effects.
A Music Editor is responsible for selecting and editing music to enhance the overall quality and message of a project, such as film, TV show, video game, or commercial. They work closely with directors, producers, and sound designers to ensure the music fits the mood and tone of the production.
The editor's role and right is to correct, punctuate, amend or reject any article or contribution by the contributor
Music editor
According to the Internet Movie Database, the Supervising Music Editor was Dan DiPrima and the Music Editor was Thomas S. Drescher.
There are several different music editing programs that can be downloaded online. One is called Audacity which is a music editor and recording program.
mixing and synchronizing the music with the film, and mixing the music with the film soundtrack
The film soundtrack! APEX!
mixing and synchronizing the music with the film, and mixing the music with the film soundtrack (APEX)
Top 10 music editing programs are: "WavePad Sound Editor", "Wavosaur", "WaveShop", "Acoustica Basic Edition", "MP3Gain", "Audacity", "Music Editor Free", "MP3 Quality Modifier", "MP3 Direct Cut", "DJ Audio Editor", "Power Sound Editor". All the programs listed above are all free to use.
Audacity. It is a very good sound editor and music maker.
Yes, Audacity the computer music editor totally rocks!
A music journalist is like any other writer or reporter: if they are working for a magazine, their boss is usually the entertainment editor. If they are working for TV and/or radio, there may be an entertainment editor, or they may get told what to cover from the assignment editor. Also, these days, there are online music reporters who are often free-lancers; they decide on what to cover (a concert, for example) and then offer their work to whatever magazine or newspaper wishes to publish it.
The editor-in-chief of Hit Parader magazine in the 1980s was Andy Secher. He was known for overseeing the publication during a period when it focused heavily on rock and heavy metal music, catering to a young audience of music enthusiasts.
I think you have to make a acount first