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Elizabeth Taylor

 
Who2 Biography: Elizabeth Taylor, Actor
Elizabeth Taylor
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  • Born: 27 February 1932
  • Birthplace: London, England
  • Best Known As: The much-married star of Cleopatra

One of the great Hollywood stars of the 20th century, Elizabeth Taylor has had three fairly distinct career personas: as the winsome child star of movies like National Velvet (1944); as a fiery prima donna, the acknowledged "world's most beautiful woman" and star of movies like Cat on a Hot Tin Roof (1958) and Butterfield 8 (1960); and as an older Hollywood grande dame, tabloid favorite, and friend to pop stars like Elton John and Michael Jackson. Her tempestuous marriage to Welsh actor Richard Burton made them Hollywood's reigning couple in the 1960s: they starred together as lovers in Cleopatra (1963, with Taylor as Cleopatra and Burton as Marc Antony) and then played battling spouses in the 1966 film Who's Afraid of Virginia Woolf? Taylor had seven husbands and eight marriages in all: hotelier Nicky Hilton (1950-51, divorced), actor Michael Wilding (1952-57, divorced), producer Mike Todd (1957 until his 1958 death in a plane crash), singer Eddie Fisher (1959-64, divorced), actor Richard Burton (1964-74, divorced), Burton again (1975-76, divorced again), politician John Warner (1976-82, divorced), and construction worker Larry Fortensky (1991-96, divorced). Taylor won best actress Oscars for Butterfield 8 and Who's Afraid of Virginia Woolf. She was made a Dame Commander of the British Empire (DBE) in 2000 by Queen Elizabeth II.

Taylor was the first actress to earn a million dollars for one film, for 1963's Cleopatra.

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Britannica Concise Encyclopedia: Dame Elizabeth Rosemond Taylor
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(born Feb. 27, 1932, London, Eng.) U.S. film actress. She left London for Los Angeles with her American parents at the outset of World War II. Noted for her exceptional beauty from childhood, she was discovered by a talent scout in Beverly Hills. She made her screen debut in 1942, appeared in Lassie Come Home in 1943, and became a star with National Velvet in 1944. She was a glamorous adult star in A Place in the Sun (1951), Cat on a Hot Tin Roof (1958), and Butterfield 8 (1960, Academy Award). In Who's Afraid of Virginia Woolf (1966, Academy Award) and other films, she starred opposite her husband, Richard Burton. After the mid-1970s, she appeared only intermittently in films, Broadway plays, and television films. Taylor's personal life (she was married eight times) was exceptionally well publicized and often tended to overshadow her acting career.

For more information on Dame Elizabeth Rosemond Taylor, visit Britannica.com.

Biography: Elizabeth Rosemond Taylor
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Elizabeth Rosemond Taylor (born 1932) is one of film's most legendary women. She starred in over 50 films, from such children's classics as "Lassie Come Home and National Velvetto" adult fare such as "Cat on a Hot Tin Roof, Cleopatra, and Who's Afraid of Virginia Woolf?"

Elizabeth Rosemond Taylor was born in London, England, on February 27, 1932 to American parents Francis and Sara Taylor. Her father was a prosperous art dealer who had his own gallery in a fashionable part of London. Her mother was an actress who has been successful prior to marriage under the stage name Sara Sothern. She has an older brother, Howard, who had been born two years earlier. In 1939 the family moved to Los Angeles, CA, where Elizabeth was encouraged and coached by her mother to seek work in the motion picture industry. Elizabeth learned well and was signed by Universal in 1941 for $200 a week.

The following year, Elizabeth Taylor signed a contract with Metro-Goldwyn-Mayer and landed the part of an English heiress in the successful film Lassie Come Home. MGM was the biggest and best studio of the time and employed stars such as Greta Garbo, Judy Garland, Katherine Hepburn, and Joan Crawford. In 1943 Taylor was cast opposite Mickey Rooney in National Velvet, the story of a young woman who wins a horse in the lottery and eventually rides it in England's Grand National Steeplechase. Taylor was so determined to play the role that she exercised and dieted for four months. During filming, she was thrown from a horse and suffered a broken back, but forced herself to finish the project. Her dedication was well rewarded and National Velvet became both a critical and commercial success.

Elizabeth Taylor loved her studio responsibilities, the costumes, the make-up, and the attention. Hedda Hopper, the columnist and friend of Sara Taylor, declared that at fifteen Elizabeth was the most beautiful woman in the world. Making films such as Little Women, Father of the Bride, Cynthia, and A Place in the Sun Taylor soon began to gain a reputation as a temperamental actress who demanded preferential treatment. It was a role she would often play in a widely publicized life.

Her private hours included friendship and romance with Glenn Davis, Bill Pawley, and Montgomery Clift. On May 6, 1950, she married hotel-heir Conrad N. Hilton, Jr., but the marriage lasted less than a year. After divorcing Hilton at 19, she married British actor Michael Wilding on February 21, 1952, with whom she had two sons.

Between 1952 and 1956 Elizabeth Taylor played in numerous romantic films that did not demand great acting talent. But in 1956 she played opposite James Dean in Giant, followed by the powerful Raintree County (1957), for which she received her first Academy Award nomination, and Suddenly Last Summer (1959) - for which she received $500, 000, the most ever earned by an actress for eight weeks of work, and her third Academy Award nomination.

In 1956 Elizabeth Taylor and Michael Wilding separated, and on February 2, 1957, she married producer Mike Todd. James Dean's death the year before, shortly after the two had finished filming Giant, devastated her. She had also endured the horror of her close friend Monty Clift's nearly fatal automobile accident, for which she felt responsible. Clift had left Taylor's home after a party and had driven into a utility pole. On March 24, 1958, her husband Mike Todd lost his life when his private plane crashed in New Mexico as he was en route to an awards banquet. Taylor's grief seemed bottomless over each tragedy, and for a time she sought relief in pills, hysterics, and alcohol. While struggling with personal losses and the concurrent addictions, she played the emotionally-wrenching part of Maggie in the film Cat on a Hot Tin Roof (1958). Her portrayal of Maggie won her a second Academy Award nomination and offered the opportunity to develop her friendship with Eddie Fisher, who had been Mike Todd's best man at their wedding. Soon after his scandal-ridden divorce from Debbie Reynolds (who had been Taylor's matron of honor at the ceremony) Elizabeth Taylor married Eddie Fisher on May 12, 1959.

In 1960 Taylor turned in one of her best screen performances as a call-girl in Butterfield 8, for which she won an Oscar as Best Actress. A few months later, in 1961, she signed with 20th Century-Fox for $1 million for the film Cleopatra, with Richard Burton as Marc Antony. The two stars were soon romancing off the set as well as on; even the Vatican spoke out in protest, castigating the "caprices of adult children" and accusing Taylor of "erotic vagrancy." In despair over her alliance with Burton, married and the father of two, Elizabeth Taylor attempted suicide in early 1962. But two years later, the two divorced their respective spouses and married on March 15, 1964.

Two films, The VIPs (1963) and The Sandpiper (1965), preceded Elizabeth Taylor's screen triumph, Who's Afraid of Virginia Woolf?, for which she won another Oscar. Her husband and co-star, Richard Burton, was nominated for an Academy Award but did not receive one for The Taming of the Shrew. Well over a dozen films followed, as did a divorce from Burton. The couple remarried on October 10, 1975. They divorced for the second, and final, time in July 1976.

Still, the public clamored for news about this beautifully outrageous star with the violet eyes and voluptuous body. The public's curiosity and interest was piqued once more when Taylor married for the seventh time - to John Warner, a Republican campaigning for the U.S. Senate in Virginia in 1978. According to one biographer, Elizabeth Taylor broke "all the rules for being a good political wife." In addition, she had gained considerable weight and the press hounded her mercilessly about it. Warner was elected, divorced Taylor, and was re-elected in 1984.

Taylor's performances were far from over, She moved to Broadway for the first time in a well-received staging of The Little Foxes. Elizabeth Taylor and Richard Burton then appeared on Broadway in 1983, attempting to rekindle the dramatic spark that had leapt between them, in Noel Coward's Private Lives. The critics were cool, however, feeling that the stage couple projected overtones of the actors' own private times together. It was a poor sequel to their devastatingly effective Who's Afraid of Virginia Woolf?

In 1983 Taylor signed herself into the Betty Ford Clinic in California for treatment of her alcohol addiction. On August 4, 1984, the sudden death of Richard Burton left her "extremely, extremely upset, " according to a spokesperson. Chronic back pain and general ill-health led to her return to drinking and prescription pain killers. Moreover, a number of close friends, among them actor Rock Hudson, fashion designer Halston, and Malcolm Forbes, her private press secretary, became ill with AIDS. Despite her own medical and addiction battles, Taylor became the first actress of such legendary stature to speak out on behalf of AIDS research. In 1985 Taylor became the co-founder and chair of the American Foundation for AIDS research. Her "Commitment to Life" benefit of that year was the first major AIDS research fund-raising gala staged by the Hollywood community.

Tayor returned to the Betty Ford Clinic in 1988, where she met a 40-year old construction worked named Larry Fortensky. Their friendship continued outside the clinic and they married in 1991. She continued her benefit work and, in 1993, the Academy of Motion Picture Arts and Sciences honored Taylor with a special humanitarian award for her years with the American Foundation for AIDS Research. In 1994, Taylor returned to the silver screen after a 14-year absence for a cameo in The Flintstones. Taylor appeared in the film because some of the proceeds were to benefit AIDS research. Her marriage to Fortensky ended in divorce in 1996. Taylor revealed that she did not plan to marry again, but was quoted as saying, "I expect to fall in love again."

Putting her own health concerns aside, Taylor postponed brain surgery in February 1997 to participate in the star-studded ABC-TV special, "Happy Birthday Elizabeth - A Celebration of Life, " which marked her 65th birthday and raised money for AIDS research. The following day, Dr. Martin Cooper removed a two-inch tumor from her brain. A week later, Elizabeth Taylor was released from Cedars-Sinai Medical Center to recover at home. Through all her triumphs and difficulties, she will always be remembered as a beautiful, much-beloved woman with a presence seemingly larger than life, both on and off the screen.

Further Reading

Among the most detailed and least restrained biographies of Elizabeth Taylor is Kitty Kelley's Elizabeth Taylor, The Last Star (1981). Other useful works include Brenda Maddox's Who's Afraid of Elizabeth Taylor? (1977) and A Passion for Life: the Biography of Elizabeth Taylor (1995) by Donald Spoto. For a discussion of her screen credits, with illustrations, Elizabeth Taylor by Foster Hirsch (1973) is rather complete.

 
Columbia Encyclopedia: Elizabeth Taylor
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Taylor, Elizabeth, 1932-, Anglo-American film actress, b. London. Regarded as one of the world's most beautiful women, Taylor went from child star to a series of ladylike roles to playing worldly, sometimes shrewish women. She won Academy Awards for her work in Butterfield 8 (1960) and Who's Afraid of Virginia Woolf? (1966). Her other films include National Velvet (1944), A Place in the Sun (1951), Cat on a Hot Tin Roof (1958), Cleopatra (1963), and The Mirror Crack'd (1979). She has also appeared on Broadway in such productions as The Little Foxes (1981). Taylor has been married nine times, twice to Richard Burton, with whom she co-starred in many films. She has been active in raising money for AIDS research, and was made a Dame Commander, Order of the British Empire, in 2000.

Bibliography

See her autobiography (1965); biographies by C. D. Heymann and D. Spoto (both: 1995).

Fine Arts Dictionary: Taylor, Elizabeth
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A British-born twentieth-century actress who became a child star with her appearance in National Velvet. Taylor has starred in numerous films, including A Place in the Sun, the epic Cleopatra, and Who's Afraid of Virginia Woolf?, an adaptation of Edward Albee's drama.

Quotes By: Elizabeth Taylor
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Quotes:

"It's not the having, it's the getting."

"I've been through it all, baby. I'm Mother Courage."

Actor: Elizabeth Taylor
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  • Born: Feb 27, 1932 in London, England, UK
  • Occupation: Actor
  • Active: '40s-'80s
  • Major Genres: Drama, Comedy
  • Career Highlights: Who's Afraid of Virginia Woolf?, Giant, The Taming of the Shrew
  • First Major Screen Credit: National Velvet (1944)

Biography

Elizabeth Taylor was the ultimate movie star: violet-eyed, luminously beautiful, and bigger than life; although never the most gifted actress, she was the most magnetic, commanding the spotlight with unparalleled power. Few figures have been the recipient of such adoration, the target of such ridicule, or the subject of such gossip and innuendo, and where so many before and after her withered and died in the intense glare of their fame, Taylor thrived; celebrity was her lifeblood, the public eye her constant companion. She knew no moderation -- it was all or nothing. Whether good (two Oscars, one of the first million-dollar paychecks, and charity work), bad (health and weight problems, drug battles, and other tragedies), or ugly (eight failed marriages, movie disasters, and countless scandals), no triumph or setback was too personal for media consumption.

Born February 27, 1932, in London, Taylor literally grew up in public. At the beginning of World War II, her family relocated to Hollywood, and by the age of ten she was already under contract at Universal. She made her screen debut in 1942's There's One Born Every Minute, followed a year later by a prominent role in Lassie Come Home. For MGM, she co-starred in the 1944 adaptation of Jane Eyre, then appeared in The White Cliffs of Dover. With her first lead role as a teen equestrian in the 1944 family classic National Velvet, Taylor became a star. To their credit, MGM did not exploit her, despite her incredible beauty; she did not even reappear onscreen for two more years, returning with Courage of Lassie. Taylor next starred as Cynthia in 1947, followed by Life With Father. In Julia Misbehaves, she enjoyed her first grown-up role, and then portrayed Amy in the 1947 adaptation of Little Women.

Taylor's first romantic lead came opposite Robert Taylor in 1949's Conspirator. Her love life was already blossoming offscreen as well; that same year she began dating millionaire Howard Hughes, but broke off the relationship to marry hotel heir Nicky Hilton when she was just 17 years old. The marriage made international headlines, and in 1950 Taylor scored a major hit as Spencer Tracy's daughter in Vincente Minnelli's Father of the Bride; a sequel, Father's Little Dividend, premiered a year later. Renowned as one of the world's most beautiful women, Taylor was nevertheless largely dismissed as an actress prior to an excellent performance in the George Stevens drama A Place in the Sun; soon, she was earning upwards of 5,000 dollars a week.

Taylor's marriage to Hilton proved short-lived, and in 1952 she married actor Michael Wilding. Often her romantic life overshadowed her career; indeed, her films of the early '50s were largely undistinguished and frequently performed poorly at the box office. In 1956, however, the actress reunited with Stevens to star in his epic adaptation of the Edna Ferber novel Giant. It was a blockbuster, as was her 1957 follow-up Raintree County, for which she earned a Best Actress Oscar nomination. That same year, Taylor's marriage to Wilding ended, and she soon announced her much-publicized engagement to producer Mike Todd; his tragic death in a plane crash the following year left her the world's most glamorous widow, and her fame grew even larger. Whatever sympathy audiences held for Taylor quickly vanished, however, when she was soon identified as the other woman in the break-up of singer Eddie Fisher and actress Debbie Reynolds; their romantic triangle played out in the headlines of tabloids the world over, and although Taylor eventually stole Fisher away, the careers of all three performers were boosted by the scandal -- the public simply could not get enough.

Taylor's sexy image was further elevated by an impossibly sensual performance in 1958's Cat on a Hot Tin Roof; another Tennessee Williams adaptation, Suddenly Last Summer, followed a year later, and both were highly successful. To complete the terms of her MGM contract, she grudgingly agreed to star in 1960's Butterfield 8; upon completing the film Taylor traveled to Britain to begin work on the much-heralded Cleopatra, for which she received an unprecedented one-million-dollar fee. In London she became dangerously ill, and underwent a life-saving emergency tracheotomy. Hollywood sympathy proved sufficient for her to win a Best Actress Oscar for Butterfield 8, although much of the good will extended toward her again dissipated in the wake of the mounting difficulties facing Cleopatra. With five million dollars already spent, producers pulled the plug and relocated the shoot to Italy, replacing co-star Stephen Boyd with Richard Burton. The final tally placed the film at a cost of 37 million dollars, making it the most costly project in film history; scheduled for a 16-week shoot, the production actually took years, and despite mountains of pre-publicity, it was a huge disaster at the box office upon its 1963 premiere.

Still, the notice paid to Cleopatra paled in comparison to the scrutiny which greeted Taylor's latest romance, with Burton; she left Fisher to marry the actor in 1964, and perhaps no Hollywood relationship was ever the subject of such intense media coverage. Theirs was a passionate, stormy relationship, played out in the press and onscreen in films including 1963's The V.I.P.'s and 1965's The Sandpiper. In 1966, the couple starred in Mike Nichols' controversial directorial debut Who's Afraid of Virginia Woolf?, arguably Taylor's best performance; overweight, verbally cutting, and defiantly unglamorous, she won a second Oscar for her work as the embittered wife of Burton's alcoholic professor. Their real-life marriage managed to survive, however, and after Taylor appeared opposite Marlon Brando in 1967's Reflections in a Golden Eye, she and Burton reunited for The Comedians. She also starred in Franco Zeffirelli's The Taming of the Shrew, but none were successful at the box office; 1968's Doctor Faustus was a disaster, and later that year Boom! failed to gross even one-quarter of its costs. After 1969's Secret Ceremony, Taylor starred in The Only Game in Town, a year later; when they too failed, her days of million-dollar salaries were over, and she began working on percentage.

With Burton, Taylor next appeared in a small role in 1971's Under Milk Wood; next was X, Y and Zee, followed by another spousal collaboration, Hammersmith Is Out. In 1972 the Burtons also co-starred in a television feature, Divorce His, Divorce Hers; the title proved prescient, as two years later, the couple did indeed divorce after a decade together. However, few anticipated the next development in their relationship: In 1975, it was announced that Taylor and Burton had remarried, but this time their union lasted barely a year. In the meantime, she was largely absent from films, and did not reappear until 1976's The Blue Bird; a year later, she starred in the telefilm Victory at Entebbe. Taylor concluded the decade with a prolific burst of feature films (A Little Night Music, Winter Kills, The Mirror Crack'd) and TV work (Return Engagement), but audiences no longer seemed interested. Indeed, she made more headlines for her increasing weight, continued health problems, and revelations of drug and alcohol abuse than she did for any of her films. As always, Taylor's love life remained the focus of much speculation as well, and from 1976 to 1982 she was married to politician John Warner.

With no film offers forthcoming, Taylor turned to the stage, and in 1981 she starred in a production of The Little Foxes. In 1983, she and Burton also reunited to co-star on Broadway in Private Lives. Television also remained an option, and in 1983 she and Carol Burnett co-starred in Between Friends. However, Taylor's primary focus during the decades to follow was charity work; following the death of her close friend, Rock Hudson, she became a leader in the battle against AIDS, and for her efforts won the 1993 Jean Hersholt Humanitarian Award. She also launched a successful line of perfumes. And of course, Taylor remained a fixture of tabloid headlines; she maintained a close friendship with another favorite target of the tabloids, King-of-Pop Michael Jackson, and during a well-publicized stay at the Betty Ford Clinic, she began a romance with Larry Fortensky, a construction worker many years her junior. They married in 1989, but like her other relationships, it did not last. In between, there was also the occasional film or television project. In 1988, she and Zeffirelli reunited for Young Toscanini, but the picture was never released; a 1989 TV adaptation of Sweet Bird of Youth earned Taylor considerable publicity, but she didn't appear in another film until 1994 with The Flintstones.

In 1997, the actress once again became a featured tabloid topic when she underwent brain surgery to remove a benign tumor. The same year, she received attention of a more favorable variety with Happy Birthday Elizabeth: A Celebration of Life, a TV special in which she was paid tribute by a number of stars including Madonna, Shirley MacLaine, John Travolta, Dennis Hopper, and Cher. In 2001, Taylor managed the impressive feat of dredging up both old tabloid headlines and creating new ones, thanks to her starring role in the television movie These Old Broads. Co-starring with Shirley MacLaine, Joan Collins, and her old rival, Debbie Reynolds, Taylor's involvement with the project -- which was co-written by Reynolds' daughter, Carrie Fisher, and featured her son, Todd Fisher, in a supporting role -- engendered more than a few inches in the nation's gossip columns, although both Taylor and Reynolds were quick to point out that they had laid their differences to rest a long time ago. ~ Jason Ankeny, All Movie Guide
Filmography: Elizabeth Taylor
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These Old Broads

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Judy Garland's Hollywood

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The Flintstones

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Michael Jackson: The Legend Continues

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Sweet Bird of Youth

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Poker Alice

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The Spencer Tracy Legacy

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Malice in Wonderland

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George Stevens: A Filmmaker's Journey

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Between Friends

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The Mirror Crack'd

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Winter Kills

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A Little Night Music

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Victory at Entebbe

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America at the Movies

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The Driver's Seat

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That's Entertainment!

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Ash Wednesday

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Hammersmith Is Out

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X, Y and Zee

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Anne of the Thousand Days

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Doctor Faustus

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Secret Ceremony

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Boom!

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Reflections in a Golden Eye

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The Taming of the Shrew

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Who's Afraid of Virginia Woolf?

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The Sandpiper

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Cleopatra

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The V.I.P.'s

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Butterfield 8

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Suddenly, Last Summer

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Cat on a Hot Tin Roof

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Raintree County

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Giant

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Beau Brummell

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Elephant Walk

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The Last Time I Saw Paris

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Rhapsody

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The Girl Who Had Everything

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Ivanhoe

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Love Is Better Than Ever

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Father's Little Dividend

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A Place in the Sun

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The Big Hangover

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Father of the Bride

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Conspirator

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Little Women

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A Date with Judy

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Julia Misbehaves

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Life With Father

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Courage of Lassie

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Jane Eyre

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National Velvet

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The White Cliffs of Dover

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Lassie Come Home

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Wikipedia: Elizabeth Taylor
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Elizabeth Taylor

Taylor in 1958
Born Elizabeth Rosemond Taylor
27 February 1932 (1932-02-27) (age 77)
Hampstead, London, England, UK
Other name(s) Liz Taylor
Occupation Actress
Years active 1942-present
Spouse(s) Conrad Hilton Jr. (1950–1951)
Michael Wilding (1952–1957)
Mike Todd (1957–1958)
Eddie Fisher (1959–1964)
Richard Burton (1964–1974; 1975–1976)
John Warner (1976–1982)
Larry Fortensky (1991–1996)

Dame Elizabeth Rosemond Taylor, DBE (born 27 February 1932), also known as Liz Taylor, is an English-born British-American actress. She is known for her acting skills and beauty, as well as her Hollywood lifestyle, including many marriages. Taylor is considered one of the great actresses of Hollywood's golden years, as well as a larger-than-life celebrity.

The American Film Institute named Taylor seventh on its Female Legends list.

Contents

Early years (1932–1942)

Taylor was born in Hampstead, a wealthy district of north-west London, the second child of Francis Lenn Taylor (1897–1968) and Sara Viola Warmbrodt (1895–1994), who were Americans residing in England. Taylor's older brother, Howard Taylor, was born in 1929. Both of her American parents were originally from Arkansas City, Kansas. Her father was an art dealer and her mother a former actress whose stage name was Sara Sothern. Sara retired from the stage when she and Francis Taylor married in 1926 in New York City.

Taylor's two first names are in honour of her paternal grandmother, Elizabeth Mary (Rosemond) Taylor. Taylor was born both a British subject and an American citizen, the former by being born on British soil under the principle of jus soli, and the latter through her parents under the principle of jus sanguinis.

At the age of three, Taylor began taking ballet lessons with Vaccani. Shortly after the beginning of World War II, her parents decided to return to the United States to avoid hostilities. Her mother took the children first, while her father remained in London to wrap up matters in the art business. They settled in Los Angeles, California, where Sara's family, the Warmbrodts, were then living.

The Taylors climbed the proverbial social ladder with far greater ease in Hollywood than they had in London. Among some of Francis Taylor's earliest clientele in his Beverly Hills Hotel art gallery were some of Hollywood's leading stars, among them Howard Duff, Vincent Price, James Mason, Alan Ladd and Greta Garbo. Another high visibility client was Hollywood gossip columnist Hedda Hopper. Hopper's initial interest in visiting the gallery stemmed from a longstanding friendship she enjoyed with Thelma Cazalet-Keir. Cazalet-Keir who hosted Hopper whenever the latter visited London, wrote to her and asked if she wouldn't mind boosting the new gallery in her widely read newspaper column. In her column she not only plugged the gallery as a new must-see in the Los Angeles art world she also drew attention to Sara Taylor's ill-fated stage career as well as to her "beautiful eight-year-old daughter, Elizabeth." The columnist noted that producer David O. Selznick had not yet cast all the minor roles in his new picture Gone With The Wind, the most talked about motion picture epic in pre-production at that time. According to Hopper, although Taylor had never acted professionally, she seemed an excellent choice to play Bonnie Blue, the daughter of Scarlett O'Hara and Rhett Butler. The idea was straight away squelched by Francis Taylor who had no interest in letting his seven-year-old daughter pursue an acting career.

Through Hopper, the Taylors were introduced to Andrea Berens, a wealthy English socialite and also fiancée of Cheever Cowden, chairman and major stockholder of Universal Pictures in Hollywood. Berens insisted that Sara bring Elizabeth to see Cowden, who she was adamant would be taken away by Elizabeth's breathtaking dark beauty. Metro-Goldwyn-Mayer soon took interest in the British youngster as well but she failed to secure a contract with them after an informal audition with producer John Considine proved that she couldn't sing. However, on 18 September 1941, Universal Pictures signed Elizabeth to a six-month renewable contract at $100 a week.

Taylor appeared in her first motion picture at the age of nine in There's One Born Every Minute, her first and only film for Universal Pictures. Less than six months after she signed with Universal, her contract was reviewed by Edward Muhl, the studio's production chief. Muhl met with Taylor's agent, Myron Selznick (brother of David) and with Cheever Cowden. Muhl challenged Selznick's and Cowden's constant support of Taylor: "She can't sing, she can't dance, she can't perform. What's more, her mother has to be one of the most unbearable women it has been my displeasure to meet." Universal cancelled Taylor's contract just short of her tenth birthday in February 1942. Nevertheless on 15 October 1942, Metro-Goldwyn-Mayer signed Taylor to $100 a week for up to three months to appear as Priscilla in Lassie Come Home.

Career

Adolescent star

Lassie Come Home starred child star Roddy McDowall, with whom Taylor would share a lifelong friendship. Upon its release in 1943, the film received favorable attention for both McDowall and Taylor. On the basis for her performance in Lassie Come Home MGM signed Taylor to a conventional seven-year contract at $100 a week but increasing at regular intervals until it reached a hefty $750 during the seventh year. Her first assignment under her new contract at MGM was a loan-out to 20th Century Fox for the character of Helen Burrows in a film version of the Charlotte Bronte novel Jane Eyre (1944). During this period she also returned to England to appear in another Roddy McDowall picture for MGM, The White Cliffs of Dover (1944). But it was Taylor's persistence in campaigning for the role of Velvet Brown in MGM's National Velvet that skyrocketed Taylor to stardom at the tender age of 12. Taylor's character, Velvet Brown, is a young girl who trains her beloved horse to win the Grand National. National Velvet, which also costarred beloved American favorite Mickey Rooney and English newcomer Angela Lansbury, became an overwhelming success upon its release in December 1944 and altered Taylor's life forever. Also, many of her back problems have been traced to when she hurt her back falling off a horse during the filming of National Velvet.

National Velvet grossed over US$4 million at the box office and Taylor was signed to a new long-term contract that raised her salary to $30,000 per year. To capitalize on the box office success of Velvet, Taylor was shoved into another animal opus, Courage of Lassie, in which the popular canine, cast as an Allied combatant in World War II , regularly outsmarts the Nazis, with Taylor going through another outdoors role. The 1946 success of Courage of Lassie led to another contract drawn up for Taylor earning her $750 per week, her mother $250, as well as a $1,500 bonus. Her roles as Mary Skinner in a loan-out to Warner Brothers' Life With Father (1947), Cynthia Bishop in Cynthia (1947), Carol Pringle in A Date with Judy (1948) and Susan Prackett in Julia Misbehaves (1948) all proved to be successful. Her reputation as a bankable adolescent star and nickname of "One-Shot Liz" (referring to her ability to shoot a scene in one take) promised her a full and bright career with Metro. Taylor's portrayal as Amy, in the American classic Little Women (1949) would prove to be her last adolescent role. In October 1948, she sailed aboard the RMS Queen Mary travelling to England where she would begin filming on Conspirator, where she would play her first adult role.

Transition into adult roles

in Father of the Bride (1950)

When released in 1949, Conspirator bombed at the box office, but Taylor's portrayal of 21-year-old debutante Melinda Grayton (keeping in mind that Taylor was only 16 at the time of filming) who unknowingly marries a communist spy (played by 38-year-old Robert Taylor), was praised by critics for her first adult lead in a film, even though the public didn't seem ready to accept her in adult roles. Taylor's first picture under her new salary of $2,000 per week was The Big Hangover (1950), both a critical and box office failure, that paired her with screen idol Van Johnson. The picture also failed to present Taylor with an opportunity to exhibit her newly-realized sensuality. Her first box office success in an adult role came as Kay Banks in the romantic comedy Father of the Bride (1950), alongside Spencer Tracy and Joan Bennett. The film spawned a sequel, Father's Little Dividend (1951), which Taylor's costar Spencer Tracy summarised with "boring...boring...boring." The film was received well at the box office but it would be Taylor's next picture that would set the course for her career as a dramatic actress.

In late 1949, Taylor had begun filming George Stevens' A Place In The Sun. Upon its release in 1951, Taylor was hailed for her performance as Angela Vickers, a spoilt socialite who comes between George Eastman (Montgomery Clift) and his poor, pregnant factory-working girlfriend Alice Tripp (Shelley Winters).

The film became the pivotal performance of Taylor's career as critics acclaimed it as a classic, a reputation it sustained throughout the next 50 years of cinema history. The New York Times' A.H. Weiler wrote, "Elizabeth's delineation of the rich and beauteous Angela is the top effort of her career," and the Boxoffice reviewer unequivocally stated "Miss Taylor deserves an Academy Award." "If you were considered pretty, you might as well have been a waitress trying to act - you were treated with no respect at all", she later bitterly reflected.

Even with such critical success as an actress, Taylor was increasingly unsatisfied with the roles being offered to her at the time. While she wanted to play the leads in The Barefoot Contessa and I'll Cry Tomorrow, MGM continued to restrict her to mindless and somewhat forgettable films such as: a cameo as herself in Callaway Went Thataway (1951), Love Is Better Than Ever (1952), Ivanhoe (1952), The Girl Who Had Everything (1953) and Beau Brummel (1954).

Taylor had made it perfectly clear that she wanted to play the role of Lady Rowena in Ivanhoe, but the part had already been given to Joan Fontaine and she was handed the thankless role of Rebecca. When she became pregnant with her first child, MGM forced her through The Girl Who Had Everything (even adding two hours to her daily work schedule) so as to get one more film out of her before she became too heavily pregnant. Taylor lamented that she needed the money, as she had just bought a new house with second husband Michael Wilding and with a child on the way things would be pretty tight. Taylor had been forced by her pregnancy to turn down Elephant Walk (1954), though the role had been designed for her. Vivien Leigh, to whom Taylor bore a striking resemblance, got the part and went to Ceylon to shoot on location. Leigh had a nervous breakdown during filming, and Taylor finally reclaimed the role after the birth of her child Michael Wilding, Jr. in January 1953.

Taylor's next screen endeavor, Rhapsody (1954), another tedious romantic drama, proved equally frustrating. Taylor portrayed Louise Durant, a beautiful rich girl in love with a temperamental violinist (Vittorio Gassman) and an earnest young pianist (John Ericson). A film critic for the New York Herald Tribune wrote: "There is beauty in the picture all right, with Miss Taylor glowing into the camera from every angle...but the dramatic pretenses are weak, despite the lofty sentences and handsome manikin poses."

Taylor's fourth period picture, Beau Brummell, made just after Elephant Walk and Rhapsody, cast her as the elaborately costumed Lady Patricia, which many felt was only a screen prop—a ravishing beauty whose sole purpose was to lend romantic support to the film's title star, Stewart Granger.

The Last Time I Saw Paris (1954) fared only slightly better than her previous pictures, with Taylor being reunited with The Big Hangover costar Van Johnson. The role of Helen Ellsworth Willis was based on that of Zelda Fitzgerald and, although pregnant with her second child, Taylor went ahead with the film, her fourth in twelve months. Although proving somewhat successful at the box office, she still yearned for meatier roles.

1955-1970

In Cleopatra (1963)

Following a more substantial role opposite Rock Hudson and James Dean in George Stevens' epic Giant (1956), Taylor was nominated for an Academy Award for Best Actress for the following films: Raintree County (1957)[1] opposite Montgomery Clift; Cat on a Hot Tin Roof (1958)[2] opposite Paul Newman; and Suddenly, Last Summer (1959)[3] with Montgomery Clift, Katharine Hepburn and Mercedes McCambridge.

In 1960, Taylor became the highest paid actress up to that time when she signed a one million dollar contract to play the title role in 20th Century Fox's lavish production of Cleopatra,[3] which would eventually be released in 1963. During the filming, she began a romance with her future husband Richard Burton, who played Mark Antony in the film. The romance received much attention from the tabloid press, as both were married to other spouses at the time.[4]

Taylor won the Academy Award for Best Actress in a Leading Role for her performances in BUtterfield 8 (1960),[5] which costarred then husband Eddie Fisher, and again for Who's Afraid of Virginia Woolf? (1966),[6] which costarred then husband Richard Burton and winner of the Academy Award for Best Supporting Actress for that film, Sandy Dennis.[6]

Burton and Taylor would star together in several films during the decade, including The V.I.P.s (1963), The Sandpiper (1965), and in Franco Zeffirelli's 1967 production of The Taming of the Shrew. Following her second Oscar win, Taylor continued to appear in major films such as John Huston's Reflections in a Golden Eye (1967) opposite Marlon Brando (replacing Montgomery Clift,[7] who died before production began) and The Comedians (with Burton again, also 1967). However, by the end of the decade her box-office drawing power had considerably diminished, as evidenced by the failure of The Only Game in Town (1970), with Warren Beatty.[8]

1970–present

After her Hollywood heyday, Taylor appeared in occasional films, such as Ash Wednesday. She has also appeared a number of times on television, including the 1973 made-for-TV movie with then husband Richard Burton, titled Divorce His, Divorce Hers. In 1985, she played movie gossip columnist Louella Parsons in the TV film Malice in Wonderland opposite Jane Alexander, who played Hedda Hopper; and also appeared in the miniseries North and South. In 2001, she played an agent in the TV film These Old Broads. She has also appeared on a number television series, including the soap operas General Hospital and All My Children, as well as the animated series The Simpsons—once as herself, and once as the voice of Maggie Simpson.

Taylor has also acted on the stage, making her Broadway and West End debuts in 1982 with a revival of Lillian Hellman's The Little Foxes. She was then in a production of Noel Coward's Private Lives (1983), in which she starred with her former husband, Richard Burton. The student-run Burton Taylor Theatre in Oxford was named for the famous couple after Burton appeared as Doctor Faustus in the Oxford University Dramatic Society (OUDS) production of the Marlowe play. Taylor played the ghostly, wordless Helen of Troy, who is entreated by Faustus to 'make [him] immortal with a kiss'.

In November 2004, Taylor announced that she had been diagnosed with congestive heart failure, a progressive condition in which the heart is too weak to pump sufficient blood throughout the body, particularly to the lower extremities: the ankles and feet. She has broken her back five times, had both her hips replaced, survived a benign brain tumor operation, skin cancer, and has faced life-threatening bouts with pneumonia twice. She is reclusive and sometimes fails to make scheduled appearances due to illness or other personal reasons. She now uses a wheelchair and when asked about it she said that she has osteoporosis and was born with scoliosis.[9][10]

In 2005, Taylor was a vocal supporter of her friend Michael Jackson in his trial in California on charges of sexually abusing a child.[11][12] He was acquitted.

On 30 May 2006, Taylor appeared on Larry King Live to refute the claims that she has been ill, and denied the allegations that she was suffering from Alzheimer's disease and was close to death.[13]

In late August 2006, Taylor decided to take a boating trip to help prove that she was not even close to death. She also decided to make Christie's auction house the primary place where she will sell her jewelry, artwork, clothing, furniture and memorabilia (September 2006).[14]

The February 2007 issue of Interview magazine was devoted entirely to Taylor. It celebrated her life, career and her upcoming 75th birthday.

On 5 December 2007, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Taylor into the California Hall of Fame, located at The California Museum for History, Women and the Arts.[15]

Taylor was in the news recently for a rumoured ninth marriage to her constant companion Jason Winters. This has been dismissed as a rumour.[16] However, she was quoted as saying, "Jason Winters is one of the most wonderful men I've ever known and that's why I love him. He bought us the most beautiful house in Hawaii and we visit it as often as possible,"[17] to questionable gossip columnist Liz Smith. Winters accompanied Taylor to Macy's Passport HIV/AIDS 2007 gala, where Taylor was honoured with a humanitarian award. In 2008, Taylor and Winters were spotted celebrating the 4th of July on a yacht in Santa Monica, California.[18] The couple attended the Macy's Passport HIV/AIDS gala again in 2008.

On 1 December 2007, Taylor acted onstage again, appearing opposite James Earl Jones in a benefit performance of the A. R. Gurney play Love Letters. The event's goal was to raise $1 million for Taylor's AIDS foundation. Tickets for the show were priced at $2,500, and more than 500 people attended. The event happened to coincide with the 2007 Writers Guild of America strike and, rather than cross the picket line, Taylor requested a "one night dispensation." The Writers Guild agreed not to picket the Paramount Pictures lot that night to allow for the performance. [19]

In October 2008, Taylor and Winters took a trip overseas to England. They spent time visiting friends, family and shopping.[20]

Other interests

Taylor on a show that was celebrating Taylor's life, late 1981, image by Alan Light

Taylor has a passion for jewelry. She is a client of well-known jewelry designer, Shlomo Moussaieff. Over the years she has owned a number of well-known pieces, two of the most talked-about being the 33.19-carat (6.64 g) Krupp Diamond and the 69.42-carat (13.88 g) pear-shaped Taylor-Burton Diamond, which were among many gifts from husband Richard Burton. Taylor also owns the 50-carat (10 g) La Peregrina Pearl, purchased by Burton as a Valentine's Day present in 1969. The pearl was formerly owned by Mary I of England, and Burton sought a portrait of Queen Mary wearing the pearl. Upon the purchase of the painting, the Burtons discovered that the British National Portrait Gallery did not have an original painting of Mary, so they donated the painting to the Gallery.[21][22] Her enduring collection of jewelry has been documented in her book My Love Affair with Jewelry (2002) with photographs by the New York photographer John Bigelow Taylor (no relation).

Taylor started designing jewels for the The Elizabeth Collection, creating fine jewelry with elegance and flair. The Elizabeth Taylor collection by Piranesi is sold at Christie's. She has also launched three perfumes, "Passion," "White Diamonds," and "Black Pearls," that together earn an estimated US$200 million in annual sales. In fall 2006, Taylor celebrated the 15th anniversary of her White Diamonds perfume, one of the top 10 best selling fragrances for more than the past decade.

Taylor has devoted much time and energy to AIDS-related charities and fundraising. She helped start the American Foundation for AIDS Research (amfAR) after the death of her former costar and friend, Rock Hudson. She also created her own AIDS foundation, the Elizabeth Taylor Aids Foundation (ETAF). By 1999, she had helped to raise an estimated US$50 million to fight the disease.

In 2006, Taylor commissioned a 37-foot (11 m) "Care Van" equipped with examination tables and X Ray equipment and also donated US$40,000 to the New Orleans Aids task force, a charity designed for the New Orleans population with AIDS and HIV. The donation of the van was made by the Elizabeth Taylor HIV/AIDS Foundation and Macy's.[23]

In the early 1980s, Taylor moved to Bel Air, California, which is her current home. She also owns homes in Palm Springs, London and Hawaii. The fenced and gated property is on tour maps sold at street corners and is frequently passed by tour guides.

Taylor was also a fan of the soap opera General Hospital. In fact, she was cast as the first Helena Cassadine, matriarch of the Cassadine family.

Taylor is a supporter of Kabbalah and member of the Kabbalah Centre. She encouraged long-time friend Michael Jackson to wear a red string as protection from the evil-eye during his 2005 trial for molestation, where he was eventually cleared of all charges. On October 6, 1991, Taylor had married construction worker Larry Fortensky at Jackson's Neverland Ranch.[24] In 1997, Jackson presented Taylor with the exclusively written-for-her epic song "Elizabeth, I Love You", performed on the day of her 65th birthday celebration.

In October 2007, Taylor won a legal battle, over a Vincent van Gogh painting in her possession, when the US Supreme Court refused to reconsider a legal suit filed by four persons claiming that the artwork belongs to one of their Jewish ancestors,[25] regardless of any statute of limitations.

Taylor went to the Hollywood Bowl June 8, 2009, to hear Italian tenor Andrea Bocelli in concert, her first night out in months. Taylor, bound to a wheelchair by scoliosis, said her mind and soul "were transported by his beauty, his voice, his inner being." The actress posted online messages through the Twitter social network after the Italian tenor's concert Monday night. "I went to see Andrea Bocelli last night. The first time I've been out in months. The Hollywood Bowl allowed me to use my wheelchair," she said.[26]

Personal life

Marriages

Taylor has been married eight times to seven husbands:

  • Conrad "Nicky" Hilton (6 May 1950 – 29 January 1951) (divorced)
  • Michael Wilding (21 February 1952 – 26 January 1957) (divorced)
  • Michael Todd (2 February 1957 – 22 March 1958) (widowed)
  • Eddie Fisher (12 May 1959 – 6 March 1964) (divorced)
  • Richard Burton (15 March 1964 – 26 June 1974) (divorced)
  • Richard Burton (again) (10 October 1975 – 29 July 1976) (divorced)
  • John Warner (4 December 1976 – 7 November 1982) (divorced)
  • Larry Fortensky (6 October 1991 – 31 October 1996) (divorced)

Children

Taylor and Wilding had two sons, Michael Howard Wilding (born 6 January 1953), and Christopher Edward Wilding (born 27 February 1955). She and Todd had one daughter, Elizabeth Frances Todd, called "Liza" (born 6 August 1957). In 1964 she and Fisher started adoption proceedings for a daughter, whom Burton later adopted, Maria Burton (born 1 August, 1961). She became a grandmother on 25 August 1971, at age 39.

Treatment for alcoholism

In the 1980s, she received treatment for alcoholism.[27]

Filmography

List of awards and honours

In 1999, Taylor was appointed Dame Commander of the Order of the British Empire.

See also

Notes

  1. ^ Parish, James Robert; Mank, Gregory W.; Stanke, Don E. (1978), The Hollywood Beauties, New Rochelle, New York: Arlington House Publishers, p. 329, ISBN 0-87000-412-3 
  2. ^ Parish, p. 330
  3. ^ a b Parish, p. 331
  4. ^ Parrish, pp. 335-336
  5. ^ Parish, p. 333
  6. ^ a b Parish, p. 344
  7. ^ Parish, p. 343
  8. ^ Parish, p. 350
  9. ^ Elizabeth Taylor dismisses reports of illness on 'Larry King Live'
  10. ^ New York Post - Photo of Ms Taylor in a wheelchair
  11. ^ News Day - Elizabeth Taylor defends Michael Jackson
  12. ^ About Michael Jackson - What others say
  13. ^ CNN.com - Transcript of Larry King Live
  14. ^ "Elizabeth Taylor". CelebrityWonder.com. http://www.celebritywonder.com/html/elizabethtaylor.html. Retrieved 2007-04-02. 
  15. ^ Taylor inducted into California Hall of Fame, California Museum, Accessed 2007
  16. ^ Breaking News: Taylor 'not planning ninth wedding'
  17. ^ Elizabeth Taylor Has a New Man
  18. ^ Taylor and Winters Still Going Strong
  19. ^ Associated Press (2007-12-02). "Striking writers give Elizabeth Taylor a pass". CNN.com. http://www.cnn.com/2007/SHOWBIZ/12/02/elizabeth.taylor.ap/index.html. Retrieved 2007-12-02. 
  20. ^ Non-Stop Divas, Women on the Web, Liz Smith 2008
  21. ^ Elizabeth Taylor
  22. ^ NPG 4861; Queen Mary I
  23. ^ "AIDS Unit Donated by Dame Elizabeth Taylor". BBC News. 2006-02-24. http://news.bbc.co.uk/2/hi/entertainment/4746044.stm. 
  24. ^ "Elizabeth Taylor, Marriages and Movies", web: hubpages.com/hub/Elizabeth_Taylor__Pics_and_Movies
  25. ^ Thomson Reuters (2007-10-29). "Court lets Liz Taylor keep Van Gogh painting". Reuters.com. http://www.reuters.com/article/entertainmentNews/idUSN2949170020071029. Retrieved 2008-06-26. 
  26. ^ Alan Duke (2009-06-09). "Elizabeth Taylor makes first outing 'in months'". cnn.com. http://www.cnn.com/2009/SHOWBIZ/Movies/06/09/liz.taylor.outing/index.html?iref=newssearch. 
  27. ^ Elizabeth Taylor at Biography.com

References

Further reading

External links


 
 

 

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Mentioned in

From Today's Highlights
June 5, 2006

It is bad enough that people are dying of AIDS, but no one should die of ignorance.
- Elizabeth Taylor, at an AIDS-awareness gathering

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