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Little Richard

 
Who2 Biography: Little Richard, Pop Musician
 

  • Born: 5 December 1932
  • Birthplace: Macon, Georgia
  • Best Known As: Flamboyant singer of "Tutti Frutti"

Name at birth: Richard Wayne Penniman

Along with Elvis Presley, Little Richard helped define the wild side of early rock and roll with sexualized songs and outrageous behavior on stage. Little Richard Penniman grew up singing gospel and blues and began recording in the early 1950s. "Tutti Frutti" (1955), with its opening line, "A-wop-bom-aloo-mop-a-lop-bam-boom," became his first big hit and remains his signature tune. The song is Little Richard in a nutshell: runaway piano, exuberant screams, bawdy innuendo and a stylized preciousness. He followed with a string of hits, including "Slippin' and Slidin'," "Long Tall Sally," and "Good Golly Miss Molly." He also established the flamboyant Little Richard look, with slick curls and an extra-thin mustache. He abruptly quit the music business in 1957 and attended Bible college, but returned to rock after releasing The King of Gospel Singers (1962, produced by Quincy Jones). During the 1970s his career waned, but he made a comeback in the 1980s, with the song "Great Gosh A Mighty" and appearances in TV commercials and children's shows (including Jim Henson's The Muppets). His new career included children's music ("Itsy Bitsy Spider") and duets with Bono and U2, Elton John and others.

Pat Boone's version of "Tutti-Frutti" was released shortly after Little Richard's and charted slightly higher.

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Artist: Little Richard
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  • Born: December 05, 1935, Macon, GA
  • Active: '50s, '60s, '70s, '80s, '90s
  • Genres: Rock
  • Instrument: Vocals, Piano
  • Representative Albums: "The Very Best of Little Richard," "The Georgia Peach," "Here's Little Richard/Little Richard"
  • Representative Songs: "Long Tall Sally," "Tutti Frutti," "Good Golly Miss Molly"

Biography

One of the original rock & roll greats, Little Richard merged the fire of gospel with New Orleans R&B, pounding the piano and wailing with gleeful abandon. While numerous other R&B greats of the early '50s had been moving in a similar direction, none of them matched the sheer electricity of Richard's vocals. With his bullet-speed deliveries, ecstatic trills, and the overjoyed force of personality in his singing, he was crucial in upping the voltage from high-powered R&B into the similar, yet different, guise of rock & roll. Although he was only a hitmaker for a couple of years or so, his influence upon both the soul and British Invasion stars of the 1960s was vast, and his early hits remain core classics of the rock repertoire.

Heavily steeped in gospel music while growing up in Georgia, when Little Richard began recording in the early '50s he played unexceptional jump blues/R&B that owed a lot to his early inspirations Billy Wright and Roy Brown. In 1955, at Lloyd Price's suggestion, Richard sent a demo tape to Specialty Records, who were impressed enough to sign him and arrange a session for him in New Orleans. That session, however, didn't get off the ground until Richard began fooling around with a slightly obscene ditty during a break. With slightly cleaned-up lyrics, "Tutti Frutti" was the record that gave birth to Little Richard as he is now known -- the gleeful "woo!"s, the furious piano playing, the sax-driven, pedal-to-the-metal rhythm section. It was also his first hit, although, ridiculous as it now seems, Pat Boone's cover version outdid Richard's on the hit parade.

Boone would also try to cover Richard's next hit, "Long Tall Sally," but by that time it was evident that audiences black and white much preferred the real deal. In 1956 and 1957, Richard reeled off a string of classic hits -- "Long Tall Sally," "Slippin' and "Slidin'," "Jenny, Jenny," "Keep a Knockin'," "Good Golly, Miss Molly," "The Girl Can't Help It" -- that remain the foundation of his fame. While Richard's inimitable mania was the key to his best records, he also owed a lot of his success to the gutsy playing of ace New Orleans session players like Lee Allen (tenor sax), Alvin Tyler (baritone sax), and especially Earl Palmer (drummer), who usually accompanied the singer in both New Orleans and Los Angeles studios. Richard's unforgettable appearances in early rock & roll movies, especially The Girl Can't Help It, also did a lot to spread the rock & roll gospel to the masses.

Richard was at the height of his commercial and artistic powers when he suddenly quit the business during an Australian tour in late 1957, enrolling in a Bible college in Alabama shortly after returning to the States. Richard had actually been feeling the call of religion for a while before his announcement, but it was nonetheless a shock to both his fans and the music industry. Specialty drew on unreleased sessions for a few more hard-rocking singles in the late '50s, but Richard virtually vanished from the public eye for a few years. When he did return to recording, it was as a gospel singer, cutting a few little-heard sacred sides for End, Mercury, and Atlantic in the early '60s.

By 1962, though, Richard had returned to rock & roll, touring Britain to an enthusiastic reception. Among the groups that supported him on those jaunts were the Rolling Stones and the Beatles, whose vocals (Paul McCartney's especially) took a lot of inspiration from Richard's. In 1964, the Beatles cut a knockout version of "Long Tall Sally," with McCartney on lead, that may have even outdone the original. It's been speculated that the success of the Beatles, and other British Invaders who idolized Richard, finally prompted the singer into making a full-scale comeback as an unapologetic rock & roller. Hooking up with Specialty once again, he had a small hit in 1964 with "Bama Lama Bama Loo." These and other sides were respectable efforts in the mold of his classic '50s sides, but tastes had changed too much for Richard to climb the charts again. He spent the rest of the '60s in a continual unsuccessful comeback, recording for Vee-Jay (accompanied on some sides by Jimi Hendrix, who was briefly in Richard's band), OKeh, and Modern (for whom he even tried recording in Memphis with Stax session musicians).

It was the rock & roll revival of the late '60s and early '70s, though, that really saved Richard's career, enabling him to play on the nostalgia circuit with great success (though he had a small hit, "Freedom Blues," in 1970). He had always been a flamboyant performer, brandishing a six-inch pompadour and mascara, and constant entertaining appearances on television talk shows seemed to ensure his continuing success as a living legend. Yet by the late '70s, he'd returned to the church again. Somewhat predictably, he eased back into rock and show business by the mid-'80s. Since then, he's maintained his profile with a role in Down and Out in Beverly Hills (the movie's soundtrack also returned him to the charts, this time with "Great Gosh a-Mighty") and guest appearances on soundtracks, compilations, and children's rock records. At this point it's safe to assume that he never will get that much-hungered-for comeback hit, but he remains one of rock & roll's most colorful icons, still capable of turning on the charm and charisma in his infrequent appearances in the limelight. ~ Richie Unterberger, All Music Guide
 
Discography: Little Richard
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Tutti Frutti [Dynamic]

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Here's Little Richard/Little Richard

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Whole Lotta Shakin' Goin On

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Architect of Rock 'N' Roll

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Great

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Lucille [Sound Dimension]

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Best of the Vee-Jay Years, Vol. 1

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Best of the Vee-Jay Years, Vol. 2

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Best of Little Richard [Cleopatra]

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Killer Cuts

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King of Rock 'n' Roll [Synergy]

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Keep a Knockin': The Best of Little Richard

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Tutti Frutti [Golgr]

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His Best

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Rocks: Tutti Frutti

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Best of Little Richard [Master Classics]

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Birth of a Legend

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Very Best

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Classics

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No 3

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Directly from My Heart

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Blast from the Past: Little Richard

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Keep It Rockin'

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Greatest Gold Hits

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Greatest Gold Hits

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Live at the Toronto Peace Festiveal 1969

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Tutti Frutti

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All-Time Greatest Hits

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Forever Gold

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King of Rock and Roll [Collectors' Choice Music]

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Roots of Rock 'N' Roll

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Best of Little Richard [Platinum Pop]

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God Is Real

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Rip It Up: Mega-Mix

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Best of Little Richard [1997 Madacy]

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Very Best of Little Richard [Specialty]

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Baby Face

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Tutti Frutti [Columbia River]

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Hall of Fame

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Pure Faith

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Shakin' & Screamin' with Little Richard

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Whole Lotta Shakin' Goin' On [DFP]

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Long Tall Sally [LT Series]

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King of Rock and Roll: The Complete Reprise Recordings

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Golden Legends: Little Richard Live

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Get Down with It: The Okeh Sessions

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Little Richard [ARC]

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Rock 'N' Roll Legends

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Shag on Down by the Union Hall

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Best of Little Richard [Madacy]

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Talking 'Bout Soul

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Best of Little Richard [Direct Source]

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Get Rich Quick

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Whole Lotta Shakin' [Legend]

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Black Diamond: Live at Mad Russian

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Whole Lotta Shakin Goin On!: Gold Collection

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Preacher King of Rock N' Roll

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20 Greatest Hits [Deluxe 2006]

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Rocking With the Georgia Peach

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Little Richard: Kings of Rock'n'Roll Series

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Georgia Peach

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Very Best of Little Richard [Cleopatra]

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20 Greatest Hits [Platinum Disc]

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Mercury Blues Story: Midwest Blues, Vol. 2

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She's Got It

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Tutti Frutti [Magic]

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Legend in Rock 'n' Roll

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Back to Back: Little Richard & Chubby Checker

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Golden Rockin Hits

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Mega Mix

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Pray Along with Little Richard, Vol. 4

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Best of Little Richard: The Vee Jay Years

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Rip It Up: The Hits and More 1951-57

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Rip It Up [Pazzazz]

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Rockin' and Rollin' with Little Richard

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Rock 'N' Roll Hits

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Architect of Rock & Roll

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Back to Back: Little Richard & Roy Orbison

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Best of Little Richard [Excelsior]

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Greatest Songs

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Greatest Hits Recorded Live

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Greatest Hits [Retro]

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Long Tall Sally [Retro]

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E.P. Collection

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Shake It All About

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Lucille [Laserlight]

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Good Golly! [RSP]

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Formative Years 1951-53

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Specialty Sessions

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Specialty Sessions

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Collection

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King of Rock 'n' Roll [Entertainers]

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16 Greatest Hits

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20 Greatest Hits [Deluxe 1987]

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Classic Cuts

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Essential

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18 Greatest Hits

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He's Got It

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Little Richard [Timeless]

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Rip It Up [Joy]

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Second Coming

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Rill Thing

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Second Coming [Charly]

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Little Richard & Roy Orbison

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It's Real

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Explosive Little Richard

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Little Richard Is Back

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Sings the Gospel [Prime Cuts]

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Greatest Hits [Onyx]

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Little Richard [RCA Camden]

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Little Richard [Bella Musica]

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Actor: Little Richard
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  • Born: Dec 05, 1932 in Macon, Georgia
  • Occupation: Actor
  • Active: '60s-'90s
  • Major Genres: Music, Comedy
  • Career Highlights: Down and Out in Beverly Hills, Let the Good Times Roll, Little Richard
  • First Major Screen Credit: Don't Knock the Rock (1956)

Biography

"I am what I am! Shut up!" So went the catchphrase shrieked by flamboyantly pompadoured R&B legend Little Richard whenever he made one of his frequent 1970s talk-show appearances. One of the earliest African American singers to cross over into the "white" charts, Little Richard was also among the first black pop artists of the 1950s to show up in a mainstream film. That production was 1956's The Girl Can't Help It, wherein Little Richard belted forth the title tune and a second number, "She's Got It." Most of Little Richard's subsequent film appearances have been guest shots, though he did have an extended supporting role -- playing a thinly disguised version of himself named "Orvis Goodnight" -- in the 1986 comedy Down and Out in Beverly Hills. ~ Hal Erickson, All Movie Guide
 
Biography: Little Richard
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Little Richard (born 1932) inspired a generation of rockers with his frenzied rhythms and wildly energetic and outlandish stage persona.

Little Richard is a rock and roll pioneer in every sense of the word. Rock's first certified zany, he brought outlandish clothes and hairstyles to the national stage for the first time, astonishing 1950s audiences with his brazen sexual campiness. Mere stage appeal does not account for Richard's wide cross-racial appeal, however. As Arnold Shaw noted in The Rockin' '50s, the artist "sang with an intensity and frenzy and commitment that marked the outer limits of rock 'n' roll.… He was excitement in motion, a whirling dervish at the keyboard, showmanship royale in eye-dazzling costumes topped by a high, slick pompadour of hair."

From the scat-singing prologue of "Tutti-Frutti" to his favorite expression, "Ooh, my soul!, " Richard brought a new level of intensity - an unlikely pastiche of gospel and sexual innuendo - to popular music. A People magazine contributor wrote: "No performer deserves more credit for the metamorphosis of black rhythm and blues into rock 'n' roll." In The Dave Given Rock 'n' Roll Stars Handbook, author Given claims that Richard "gave R&R its meaning, its depth, and in so doing he inspired the careers of other great artists that followed: James Brown, Elvis, Gene Vincent, Jerry Lee Lewis, and Joe Tex, just to name a few."

Nor did Richard's influence end with the first generation of rockers. Many groups of the British Invasion, including the Beatles and the Rolling Stones, also looked to him as a mentor. According to Jay Cocks in Time, Richard "let blast with rock of such demented power … that he seemed possessed of darkling forces. Songs that sounded like nonsense … but whose beat seemed to hint of unearthly pleasures centered somewhere between the gut and the gutter."

Richard Wayne Penniman was born in Macon, Georgia, in 1932 (some sources say 1935). He was the third of twelve children, and the only child in his family with a physical defect - his right leg is shorter than his left. From earliest childhood he was marked as "different by his effeminacy, " as he explained in a Rolling Stone interview: "The boys would want to fight me because I didn't like to be with them. I wanted to play with the girls. See I felt like a girl." In the hope of curing his physical ailment and curbing his behavior, Richard's mother enrolled him in a charismatic Baptist church in Macon. There, at the age of ten, he started a gospel group called the Tiny Tots Quartet. This experience filled him with the desire to be a professional gospel singer like his hero, Brother Joe May, the "Thunderbolt of the Midwest. "

Richard's religious fervor was not lasting, however. He dropped out of school in the ninth grade and joined a travelling medicine show. Then he hired on with Sugarloaf Sam, a minstrel show, where he occasionally donned a dress and danced with the chorus girls. It was during this period that he met Billy Wright, a popular postwar black performer. "Billy was an entertainer who wore very loud-colored clothing, and he wore his hair curled, " Richard told Rolling Stone, "I thought he was the most fantastic entertainer I had ever seen."

As early as 1951 Richard cut his first recordings, having won a rhythm and blues talent contest at Atlanta's Eighty One Theatre. The songs, "Get Rich Quick, " "Why Did You Leave Me, " "Every Hour, " and "Thinkin' 'bout My Mother, " did not sell. Optimistically, Richard recorded four more sides of the same blues/boogie-type material, and it likewise failed. He returned to Macon with his band, the Upsetters, and half-heartedly sent a demo tape to Art Rupe of Specialty Records in Los Angeles. That tape languished at Specialty for almost a year, during which time Richard garnished his live act with various outrageous spectacles.

Rupe, it turned out, was looking for another black singer with a Ray Charles sound, and eventually Richard's tape came to him for review. He invited the young rocker to cut some songs in New Orleans. At first Richard began taping the same kind of blues-oriented songs he had been recording, but during a break he launched into a raucous song of his own invention, "Tutti Frutti, " that contained the memorable line "Wop-Bop-A-Loo-Bop, A-Lop-Bam-Boom." Rupe was captivated. He ordered new lyrics (to replace Richard's frankly sexual ones), and released the song just before Christmas in 1955. It was resting at number 21 on the charts by the end of December.

"Many white kids had never heard a black man singing with the 'brakes off', " writes Stuart Colman in They Kept On Rockin'. "But when Tutti Frutti was released … several white stations thought the time was right and showed no hesitation in programming the disc … From that point on there began a hit trail of some of the classiest black rock 'n' roll records that America and the world would ever see." Even though Richard sometimes had to watch other performers (like Pat Boone) score with his material, he did not lack for top hits himself.

Backed by the best studio musicians and his own inimitably vigorous piano playing, Richard soon had chart-toppers with "Long Tall Sally, " "Rip It Up, " "Slippin' and Slidin', " "Lucille, " "The Girl Can't Help It, " "Jenny, Jenny, " and "Good Golly, Miss Molly." Rolling Stone correspondent Gerri Hirshey noted that onstage and in the movies, Richard "was compelled to invent his particular brand of majesty. This was Little Richard, 'Handsomest Man in Rock & Roll.' His image was an immaculate conception, a fantasy born of years in travelling medicine shows, drag-queen revues, churches and clubs. … But in Fifties America, this made for a terrible mess. He was black and gay, talented and loud, and worse - much worse - absolutely sure of himself."

Teens of both races loved the audacious Richard. No one was prepared, therefore, for his sudden abandonment of fame and fortune to study the Bible at a Seventh-day Adventist seminary. In 1957 Richard vowed never to sing rock 'n' roll again - some say an airplane malfunction frightened him into a conversion; another story has it that he interpreted the Soviet launching of Sputnik as a sign that rock and roll was evil and that he should quit performing. The Bible studies did not occupy Richard too long, though. By the early 1960s he was back on tour, this time in England with an unknown group called the Beatles. By his account in Rolling Stone, Richard not only taught his musical British admirers some of his falsetto voice stunts and riffs, he also had an opportunity to buy a 50 percent share of the group. He was a musician, not a businessman, so he passed on the Beatles' offer and returned to America to launch his own comeback.

For roughly twelve years Richard performed his old hits and - less successfully - new material to audiences hungry for classic rock. Then, in the mid-1970s, the lifestyle again began taking its toil. Richard told Rolling Stone: "I was getting deeper and deeper into drugs. All I wanted to do was to have sex with beautiful women and get high. I spent thousands of dollars getting high." He missed engagements, or performed poorly, and eventually was overcome by the conflicts of his bisexual personality. Once again he turned to the church, becoming an evangelist preacher and Bible salesman.

Little Richard renounced his strict religion early in 1988 and began to perform again, in a more subdued manner. He has had no trouble lining up engagements, even though he no longer decks himself in mirror-studded jackets, eyeliner, and tie-dyed headbands. Had he never taken the stage again, he would still have enjoyed a prominent place in the pantheon of rock 'n' roll legends. Hirshey sums up his career: "Little Richard bent gender, upset segregationist fault lines and founded a tradition of rock dadaists devoted to the art of self creation. But unlike the studied incarnations, … Richard never seemed to think about it. He went, with the inspiration of the moment, be it divine or hormonal, and caromed like a shiny, cracked pinball between God, sex and rock & roll."

Little Richard's acceptance in 1993 of the Grammy Lifetime Achievement Award was tainted slightly by his voiced displeasure at his award being presented before the actual telecast. The standing ovation he received upon his introduction to the crowd testified to his continued popularity.

Further Reading

Colman, Stuart, They Kept On Rockin', Blandford, 1982.

Given, Dave, The Dave Given Rock 'n' Roll Handbook, Exposition, 1980.

Shaw, Arnold, The Rockin' '50s, Hawthorne, 1974.

Shaw, Arnold, Black Popular Music in America, Schirmer, 1986. Stambler, Irwin, The Encyclopedia of Pop, Rock, and Soul, Martin's, 1974.

People, January 8, 1979.

Rolling Stone, July 19-August 2, 1984.

Jet, March 15, 1993.

 
Black Biography: Little Richard
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rock singer

Personal Information

Born Richard Wayne Penniman, December 5, 1932, in Macon, GA; son of Charles (a brickmason and bar owner) and Leva Mae Penniman; married Ernestine Campbell, 1959 (div. 1961).
Education: Attended Oakwood College, Huntsville AL.
Religion: Christian, with a brief detour into Judaism.

Career

Performing artist, 1948-57, 1960-76, and 1986--; appeared with "Sugarfoot Sam" minstrel show, c. 1949; recorded with RCA Records, 1951, Peacock Records, 1952, and Specialty Records, 1955-59; appeared in several motion pictures, including The Girl Can't Help It, 1956; Rock Around the Clock, 1956; Mr. Rock 'n' Roll, 1974; and Down and Out in Beverly Hills, 1986; Black Heritage Bible, salesman, 1977; minister, Universal Remnant Church of God; numerous television appearances.

Life's Work

Before there was Prince, before there was Michael Jackson, before androgyny was hip, and most certainly before Paul McCartney induced his first teeny-bopper swoon with a falsetto whoop, there was Little Richard. A true rock and roll trailblazer, Little Richard was one of the first performers to unleash the full savage beauty of rock in its most uninhibited form. His manic piano style and his fevered-- sometimes nonsensical--vocals taught two generations (and counting) of rock fans what it meant to really cut loose. The joyous abandon of Little Richard's approach has delighted audiences worldwide for decades and served as inspiration for countless rockers over the years, including such notables as the Beatles and Rolling Stones.

Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. The third of twelve children, Richard was a somewhat weak and slightly malformed child, with one leg shorter than the other, an oversized head, and one eye larger than the other. From a very early age, he preferred the company of girls to boys, and the other boys often taunted him for his effeminate manner. In spite of the teasing, Richard was a confident child. His mother remembered him as a prankster with a quick mind and strong will.

In hopes of harnessing his excess energy, Richard's mother sent him to the local charismatic Baptist church. By the time he was ten, Richard's main aspiration was to become a preacher. He was intrigued by Pentecostal practices such as speaking in tongues and healing by the laying of hands on sick people. The church also gave Richard an outlet for his natural singing skills. He began performing gospel songs first as a member of a children's group called the Tiny Tots, and later he performed with some of his siblings as the Penniman Singers at churches and revivals throughout the area.

By his early teens, Richard's passion for the church had waned. Meanwhile, he was not working very hard to conceal his homosexuality, much to the dismay of his father and the delight of local gossipmongers. Completely uninterested in school, Richard dropped out during ninth grade. He left home and began traveling across Georgia with a series of vaudeville shows and other itinerant troupes, including Sugarfoot Sam from Alabama; the King Brothers Circus; and the Broadway Follies, which was based in Bailey's 81 Theatre in Atlanta. Along the way he acquired the name Little Richard, as well as the trademark high-rise hairstyle and flamboyant stage persona that would remain with him for much of his career.

While performing at Bailey's 81 Theatre, Richard had the opportunity to meet a number of R&B stars who passed through town. One of them was Billy Wright, a major recording star of the late 1940s and early 1950s. Wright helped Richard get a recording contract with RCA, and in 1951 Richard recorded four songs backed by Wright's band. One of them, "Every Hour," was modestly successful on local radio, but overall the songs went nowhere. After several months of performing one-night stands around Macon, Richard returned to the studio in 1952 to record four more tracks for RCA. Again, they failed to sell.

Richard spent the next couple of years refining his outrageous stage act in dives, while washing dishes to support himself. In 1954 Richard sent a tape of his band, the Upsetters, to Bumps Blackwell of Specialty Records. Blackwell convinced Specialty owner Art Rupe to bring Richard in for a recording session. At the session, Richard sang timidly, and Blackwell considered the idea a flop. He changed his mind, however, when during a break Richard launched into a raucous rendition of his original song "Tutti Frutti." Blackwell realized then that Little Richard was the real thing. Within a month of its release, "Tutti Frutti" (with lyrics toned down from Richard's original bawdy ones) sold 200,000 copies, and rose to number two on Billboard's R&B chart.

Over the next couple of years, Little Richard recorded a string of hits that reads like a list of rock's greatest classics: "Long Tall Sally," "Lucille," and "Good Golly Miss Molly," just to name a few. What his lyrics lacked in comprehensibility, they more than made up for in raw energy. Now a star, Richard moved to Hollywood and bought a Cadillac, in spite of the fact that he had been pressured into signing a bad contract with Specialty that gave him a fraction of the income that he should have received from record sales. Even more frustrating was the fact that as good as his sales were, they paled in comparison to the numbers put up by white performers, like Pat Boone, for their versions of Richard's songs.

In 1957, at the very peak of his fame, Richard shocked the music world by announcing that he was quitting rock and roll in order to devote his life to religion. He enrolled in Oakwood College, a Christian institution in Huntsville, Alabama, and traveled across the U.S. as an evangelist. He also recorded several albums of gospel music. By early 1960, however, the urge to rock had returned, and Richard embarked on a British tour. While in England, he made the acquaintance of an unknown band called the Beatles, with whom he forged a lasting friendship.

Back in the United States, Richard spent most of the 1960s toiling in semi-obscurity, and it took most of the decade for his comeback to really kick in. Gradually, he worked his way from dingy clubs into better venues. He played to enthusiastic crowds during several tours of Europe in the second half of the decade. Richard's comeback was finally complete by 1969, capped by a rollicking performance at that year's Atlantic City Pop Festival. As a new generation was introduced to Little Richard through their own rock heroes like the Rolling Stones, Richard was able to return to the charts with hits such as "Freedom Blues" in 1970, "Midnight Man" in 1971, and "Rockin' With The King" in 1972.

Along with this renewed success however, came a renewed passion for the high life. Richard delved headlong into a lifestyle that included heavy drinking, drug abuse, and all sorts of sexual follies. In 1975, startled by the death of his brother Tony, Richard again decided to leave show business and return to religion. He kicked his drug habit and resumed the evangelical work he had begun twenty years earlier. Over the next several years he concentrated on preaching and selling Bibles. By the mid-1980s, Richard was ready to return, at least in part, to the secular business of entertaining people. In 1986 he released an album of religious-flavored pop songs called Lifetime Friend. He also appeared in the film Down and Out in Beverly Hills that year, and began showing up frequently in guest spots on television.

As Little Richard continued to ping-pong between his alternating careers as preacher and screecher, the early 1990s found him in show-biz mode. His 1992 children's album, Shake It All About, sold a quarter of a million copies. The following year he received a lifetime achievement award from the National Academy of Recording Arts and Sciences, an honor he attained by actively campaigning for it. When the Rock and Roll Hall of Fame and Museum opened in 1995, Little Richard was among its charter members. At the Cleveland facility's grand opening, Richard emphasized that it was he and a handful of other black musicians who paved the way for the next forty years' worth of rock stars. "I am the architect of rock and roll," he told the crowd. Few would disagree that he was, if not the architect, at least a key member of that sonic architectural firm.

Awards

Rock and Roll Hall of Fame, charter member; received star on Hollywood Walk of Fame, 1990; Little Richard Day recognized, Los Angeles, 1990; National Academy of Recording Arts and Sciences, lifetime achievement award, 1993.

Works

Selective Discography

  • Singles "Tutti-Frutti," Specialty, 1955.
  • "Long Tall Sally," Specialty, 1956.
  • "Slippin' and Slidin'," Specialty, 1956.
  • "Rip It Up," Specialty, 1956.
  • "The Girl Can't Help It," Specialty, 1957.
  • "Lucille," Specialty, 1957.
  • "Jenny, Jenny," Specialty, 1957.
  • "Keep a Knockin'," Specialty, 1957.
  • "Good Golly, Miss Molly," Specialty, 1958.
  • Albums Here's Little Richard, Specialty, 1958.
  • Little Richard 2, Specialty, 1958.
  • The Fabulous Little Richard, Specialty, 1959.
  • Well Alright, Specialty, 1959.
  • Little Richard's Greatest Hits, Joy, 1964.
  • Little Richard Sings Freedom Songs, Crown, 1964.
  • King of Gospel Songs, Mercury, 1965.
  • Wild and Frantic, Modern, 1965.
  • Greatest Hits, Live, Okeh, 1967.
  • Every Hour with Little Richard, RCA, 1970.
  • The Rill Thing, Reprise, 1971.
  • King of Rock n Roll, Reprise, 1971.
  • Second Coming, Reprise, 1971.
  • Little Richard's Greatest Hits, Trip, 1972.
  • The Very Best of Little Richard, United Artists, 1975.
  • Lifetime Friend, Warner Brothers, 1987.
  • 22 Classic Cuts, Ace, 1987.
  • Shut Up!: A Collection of Rare Tracks, 1951-1964, Rhino, 1988.
  • Shake It All About, 1992.

Further Reading

Books

  • Simon, George T., The Best of the Music Makers, Doubleday, 1979.
  • Stambler, Irwin, The Encyclopedia of Pop, Rock, and Soul, St. Martin's, 1989.
  • White, Charles, The Life and Times of Little Richard: The Quasar of Rock, Harmony, 1984.
Periodicals
  • American Heritage, February-March 1995, pp. S54-56.
  • Jet, September 25, 1995, pp. 58-61.
  • Keyboard, February 1988, pp. 56-62.
  • Rolling Stone, July 19, 1984, pp. 41-49; April 19, 1990, pp. 50-54.

— Robert R. Jacobson

 

(born Dec. 5, 1932, Macon, Ga., U.S.) U.S. rhythm and blues singer and pianist. Born into a strict religious family, he sang and played piano in church but was later ejected from his home by his father, reportedly for homosexual behaviour. He performed in nightclubs, traveled with a medicine show, and recorded as a blues artist from the early 1950s. His first big hit came with "Tutti Frutti" (1956), an energetic performance that, with his penchant for the outrageous, set a standard for the emerging rock idiom. Similar hits followed, including "Long Tall Sally," "Lucille," and "Good Golly, Miss Molly." In 1957 he underwent a religious conversion and was later ordained a minister. He soon returned to music, becoming a regular attraction in Las Vegas, and he continued to tour and appear in films with much success. He was an original inductee into the Rock and Roll Hall of Fame.

For more information on Little Richard, visit Britannica.com.

 
Columbia Encyclopedia: Little Richard
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Little Richard, 1935–, American musician and singer, b. Macon, Ga., as Richard Wayne Penniman. One of the first rock musicians in the 1950s, he recorded “Tutti Frutti,” “Long Tall Sally,” and “Good Golly Miss Molly.” Since then, he has turned to religion. His music influenced, among others, the Beatles. See also rock music.
 
Quotes By: Little Richard
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Quotes:

"They shoulda called me Little Cocaine, I was sniffing so much of the stuff! My nose got big enough to back a diesel truck in, unload it, and drive it right out again."

"I got fame and fortune, and I lost my sense of reasoning."

 
Wikipedia: Little Richard
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Little Richard
Little Richard performing in Austin, Texas in March, 2007
Little Richard performing in Austin, Texas in March, 2007
Background information
Birth name Richard Wayne Penniman
Also known as The Architect of Rock 'n' Roll, The Originator, The Georgia Peach, The Living Flame, King of Rockin' and Rollin' Rhythm & Blues Soulin'
Born December 5, 1932 (1932-12-05) (age 76)
Origin Macon, Georgia, U.S.
Genre(s) Rock & roll, rhythm & blues, soul, gospel
Instrument(s) Vocals, piano, keyboards
Years active 1951 - present
Label(s) RCA Victor, Peacock, Specialty, Gone, Atlantic, Bell, Brunswick, Coral, Critique, Elektra, End, Guest Star, Kent, Lost-Nite, Mainstream, Manticore, MCA, Mercury, Modern, Okeh, Reprise, Vee Jay, Warner Bros., WTG

Rev. Richard Wayne Penniman (born December 5, 1932), known by the stage name Little Richard, is an American singer, songwriter and pianist. He is considered the key figure in the transition from rhythm and blues to rock 'n roll in the 1950s. The Rock and Roll Hall of Fame web site entry on Richard observes that, "more than any other performer—save, perhaps, Elvis Presley, Little Richard blew the lid off the Fifties, laying the foundation for rock and roll with his explosive music and charismatic persona. On record, he made spine-tingling rock and roll. His frantically charged piano playing and raspy, shouted vocals on such classics as 'Tutti Frutti,' 'Long Tall Sally' and 'Good Golly, Miss Molly' defined the dynamic sound of rock and roll."[1]

Although he began his recording career in 1951, Penniman's reputation rests on a string of groundbreaking hit singles recorded from 1955 through 1957, which not only helped lay the foundation for rock and roll music,[1] but also influenced generations of rhythm & blues, rock and soul music artists. Little Richard's injection of funk during this period, via his saxophone-studded mid-1950s road band, The Upsetters,[1] also influenced the development of that genre of music. He was subsequently honored by being one of seven of the first inductees into the Rock and Roll Hall of Fame in 1986 and was one of only four of these honorees (along with Ray Charles, James Brown, and Fats Domino) to also receive the Rhythm & Blues Foundation's Pioneer Lifetime Achievement Award.

Little Richard's early work was a mix of boogie-woogie, rhythm & blues and gospel music, but with a heavily accentuated back-beat, funky saxophone grooves and raspy shouted vocals, moans, screams, and other emotive inflections that marked a new kind of music. In 1957, while at the height of stardom, he became a born-again Christian, enrolled in and attended Bible college, and withdrew from recording and performing secular music.[2][page needed] Claiming he was called to be an evangelist, he has since devoted large segments of his life to this calling.[2][page needed]

Little Richard has earned praise from many other performers. James Brown called Little Richard his idol[3] and credited him with "first putting the funk in the rock and roll beat."[1] Dick Clark described his music as "the model for almost every rock and roll performer of the '50s and years thereafter."[4] Ray Charles asserted that Little Richard was "the man that started a kind of music that set the pace for a lot of what's happening today."[4] In his high school year book, Bob Dylan declared that his ambition was "to join Little Richard."[5] In 1966, Jimi Hendrix, who played and recorded with Little Richard's band from 1964 to 1965, was quoted as saying, "I want to do with my guitar what Little Richard does with his voice."[6] In addition, Otis Redding,[7] Paul McCartney, Mick Jagger, Angus Young, Lemmy Kilmister, Rod Stewart, Bob Seger,[8] and David Bowie and many other music stars have cited Little Richard as being their first major influence.[4] He was chosen as the eighth greatest artist of all time by Rolling Stone magazine[9], although at least six of the seven artists who preceded him on the list were influenced significantly by Little Richard's music.

Contents

Biography

Penniman was born in Macon, Georgia, a son of Charles "Bud" Penniman, a bootlegger, and his wife Leva Mae Stewart.[1] He grew up in a religious family, amid poverty and racism, and singing made his family feel closer to God. His family had a group called the Penniman Singers, who performed in local churches and entered contests with other singing families. His family called him 'War Hawk' because of his loud, screaming singing voice. His grandfather, Walter Penniman, was a preacher, and his father's family were members of the Foundation Templar African Methodist Episcopal (AME) Church in Macon. His maternal grandmother was a member of Macon's Holiness Temple Baptist Church. Penniman attended the New Hope Baptist Church in Macon, where his mother was a member. Penniman's favorites were the Pentecostal churches because of the music and the fun he would have doing the holy dance and talking in tongues with members of the congregation. When he was ten, he became a healer, singing gospel songs and touching people, who would testify that they felt better afterwards. Inspired by Brother Joe May, a singing evangelist known as 'The Thunderbolt of the West', Penniman wanted to become a preacher. It was through the church where Richard's life in music began.[10]

Nearly all of Penniman's dramatic phrasing and swift vocal turns are derived from black Gospel artists of the 1930s and '40s. He said Sister Rosetta Tharpe was his favorite singer when he was a child. She had invited him to sing a song with her onstage at the Macon City Auditorium in 1945, after hearing him sing before the concert. The crowd cheered, and she paid him more money than he had ever seen after the show.[11] He was also influenced by Marion Williams, from whom he got the trademark "whoooo" in his vocal, Mahalia Jackson and Brother Joe May.[12] He was influenced in appearance (hair, clothing, shoes, makeup, etc.) and sound by late 1940s gospel-style, jump blues shouter Billy Wright, who was known as the 'Prince of the Blues'.[13]

One of Penniman's main influences in piano-playing was Esquerita (Eskew Reeder Jr.), who showed Penniman how to play high notes without compromising bass. Penniman met Esquerita when he traveled through Macon with a preacher named Sister Rosa. Another influence was Brother Joe May. Penniman explained, "I used to get in a room and try to make my piano sound just like him. He had so much energy." May generated energy by moving from a subtle whisper to a thunderous tenor and back in a four-bar phrase.

He learned to mix ministerial qualities with theatrics by watching the traveling medicine shows that rolled through his native Macon. Colorful medicine men would wear lavish capes, robes and turbans, all of which left an impression on Penniman.

1950s

In 1951, Little Richard began recording for RCA Victor and then in 1953 Peacock Records. Although the records did not make the commercial splash that the record company had hoped, one of the songs, "Little Richard's Boogie", did offer a glimmer of the style that would later make him famous and change the world of music. In 1954, he prepared a demo tape that was received by Specialty Records on February 17, 1955. Specialty's owner, Art Rupe, purchased Richard's contract from Peacock and placed Richard's career in the hands of A&R man Robert "Bumps" Blackwell.[14] Blackwell had nurtured and groomed Ray Charles (then known as R.C. Robinson) and Quincy Jones at the start of their careers in the music business.

Blackwell had intended to pit Little Richard against Ray Charles and B.B. King by having him record blues tracks. He arranged for a recording session at Cosimo Matassa's recording studio in New Orleans in the late summer of 1955, when, during a break, Penniman began singing an impromptu recital of "Tutti Frutti", in his raspy, shouted vocal style, while pounding out a boogie-woogie based rhythm on the piano. Blackwell, who knew a hit when he heard one, was knocked out and had Little Richard record the song. However, in order to make it commercially acceptable, he had Little Richard's lyrics changed from "tutti-frutti, loose booty" to "tutti frutti, aw rooty."[15] The song was released on Specialty in late 1955, and became the first of Richard's many hits.[14]

The song, with Little Richard shouting its unique introductory "A-wop-bop-a-loo-bop-a-wop-bam-boom!", was the start of a rapid succession of Little Richard hit songs, characterized by a driving piano, boogie-woogie bass, funky saxophone arrangements, and screams before sax solos performed by Lee Allen, such as "Long Tall Sally", "Lucille", "Rip It Up", "The Girl Can't Help It", "Slippin' and Slidin'", "Jenny, Jenny", "Good Golly, Miss Molly", and "Keep A-Knockin'". His performing style can be seen in such period films as Don't Knock the Rock (1956) and The Girl Can't Help It (also 1956), for which he sang the title song.

Little Richard's first national success, "Tutti Frutti", was covered by Pat Boone, whose version outdid the source record, #12 to #17. Boone also released a version of "Long Tall Sally" with slightly bowdlerized lyrics. But this time, the Little Richard original outperformed it on the Billboard charts, #6 to #8. Bill Haley tackled Little Richard's third major hit, "Rip It Up", but again, Little Richard prevailed. With the record-buying public's preference established, Little Richard's subsequent releases did not face the same chart competition.

Then, suddenly, when at the top of the music world, Little Richard, fearing his own damnation, abandoned rock and roll music to become a born-again Christian, in which he was called to be an evangelist. Although his secular music career in the 1950s was rather brief, his impact on late-twentieth century popular music was incalculable and arguably unparalleled amongst American-born performers.

While Little Richard's retreat to the faith in which he was groomed as a child resulted in an abrupt halt to the recording style that made him famous and changed the world of music, he continued in and out of rock & roll and the ministry into the twenty-first century. He recorded only Gospel music after his spiritual conversion from 1957 to the early 1960s, claiming at the time that rock music was of the devil and that it was not possible to be a rocker and please God at the same time. He was married in 1959.

1960s

In 1963 on a tour of parts of Europe, Little Richard backslid from the ministry; he returned to recording and performing secular material, returning to the Specialty label and the UK charts with "Bama Lama, Bama Loo"[citation needed] In the autumn of 1963 he toured England with a then little-known band called The Rolling Stones. He was divorced in 1964; and that same year he brought a fledgling Jimi Hendrix into his band, who was then known as Maurice James. Soon to become world famous, he toured with Little Richard and played on at least a dozen tracks between the spring of 1964 and 1965. In 1966, Hendrix was quoted as saying, "I want to do with my guitar what Little Richard does with his voice.".[6] Little Richard recorded Rock and Roll and funky soul music in the mid-1960s for the Vee Jay label and when the label folded he moved to Modern records. He then signed to the Okeh label for two albums with his old friend Larry Williams as producer and Johnny Guitar Watson on guitar.[16] He also had three Soul 45's released on the Brunswick label.

1970s

Little Richard had minor hits in the 1960s and 1970s, although not with the greater success of his 1950s recordings. In 1977, following the death of a nephew that he loved as a son, along with a violent clash with his long-time friend Larry Williams over a drug debt,[17] Little Richard repented for his wayward living and returned to evangelism. He then recorded more gospel music and remained fully in the ministry until the mid-1980s. He also represented Memorial Bibles International and sold their Black Heritage Bible, which highlighted the many black people in the Bible. In many sermons during this period, he once again proclaimed that it was not possible to perform rock and serve God at the same time.

In 1975, Little Richard played backing piano on the song "Take It Like A Man", which was a Bachman-Turner Overdrive hit, from the album Head On.

1980s

In the mid-1980s, the world's attention was refocused on Little Richard, following the release of Charles White's authorized biography The Life and Times of Little Richard, in which he candidly explains his struggles with substance abuse, homosexuality, and his repentance which coincided with him reembracing the born-again Christianity that he was raised with as a child. At the same time, the new Rock and Roll Hall of Fame honored Little Richard as one of the first inductees. This resulted in a show business comeback for Little Richard.

In 1986, Little Richard finally reconciled his role as a minister and as a rock & roll artist. He recorded an album of inspirational songs for Warner Brother Records that he called "message music" and "messages in rhythm." He had his old friend Billy Preston help him write a song with spiritual lyrics that sounded like rock & roll for the soundtrack of the motion picture Down and Out in Beverly Hills in which he also co-starred. The result was "Great Gosh A'Mighty", which became a hit; he also received critical acclaim for his acting performance.[citation needed] During the second season of Miami Vice, he had a small part in the episode, "Where the Buses Don't Run".

He made a commitment to his mother before she died that he would remain a Christian, saying that he would "stay with the Lord and just travel around." He began performing his old classic rock & roll hits again in the late 1980s, but continued to evangelize by performing some gospel material in his original rocking style, testifying to people on and off-stage, distributing a born-again Christian booklet, and reminding people of God's love for them on his photographs.[citation needed]

1990s

Through the remainder of the 1980s, 1990s and into the twenty-first century, Little Richard has remained a popular guest on television, in music videos, commercials, movies and as a recording artist. He has contributed new recordings to movie soundtracks (eg Twins, Casper the Friendly Ghost, Why Do Fools Fall in Love) and wrote and performed a song for the 2001 film The Trumpet of the Swan. He also sang background vocals on the U2-BB King hit song "When Love Comes to Town," and in the extended "Live From The Kingdom Mix" of the track he preaches as well, sometimes amid funky saxophone playing. Penniman appeared on Living Colour's "Elvis Is Dead", and also recorded new tracks for tribute albums, such as Folkways: A Vision Shared ("The Rock Island Line", backed by Fishbone) (1989) and Kindred Spirits: A Tribute to Johnny Cash ("Get Rhythm") (2002).

He also recorded duets in the 1990s with Jon Bon Jovi, Hank Williams Jr., Living Colour, Elton John, Tanya Tucker, Solomon Burke, and in 2006 with Jerry Lee Lewis, in which they covered the Little Richard-influenced, early 1960s, hit Beatles track "I Saw Her Standing There". He also recently headlined the University of Texas event "40 Acres Fest".[18]

In the 1990s, World Championship Wrestling (WCW) catapulted Macon, Georgia wrestler Marc Mero to fame under the ring name Johnny B. Badd by promoting him as a Little Richard look-alike.[19][20] Little Richard also guest starred in an episode of Columbo (Columbo: Columbo and the Murder of a Rock Star [21]), playing himself.

In 1994, Penniman was featured on an episode of Full House entitled "Too Little Richard Too Late". He played himself in the 1999 film, Mystery, Alaska, singing the "Star-Spangled Banner" and "O Canada" before a pond hockey game between the local team and the New York Rangers.

Richard later recorded the opening theme song for the science mystery cartoon The Magic School Bus.

2000s

In 2000, Robert Townsend directed a biopic about Little Richard's life from childhood to his early 30's (circa 1962). Leon Robinson received an Emmy Award nomination for his outstanding performance in the starring role.

In 2001, Little Richard performed at the July 4 music event in Dublin, Ohio. In 2006 he also appeared as judge on Celebrity Duets on FOX. In 2006-2007, he was featured in a Geico advertisement, wherein he uses his signature "whoop" to denote the joy he would receive while consuming "mashed potatoes, gravy and cranberry sauce" at a Thanksgiving dinner. In 2007, his song "All Around The World" was featured in a Cravendale advertisement for an animation by PicPic. In 2007, he also performed at the Capitol Fourth—a July 4 celebration (televised live on PBS) in front of the White House in Washington D.C. On July 25, 2007, he made an appearance on the ABC show The Next Best Thing.[22] On November 22, 2007, he headlined the halftime show for the Thanksgiving football game of Arizona State University vs. the University of Southern California at Sun Devil Stadium in Tempe, Arizona, broadcast on ESPN.[23] In June 2008, Little Richard also made a cameo appearance on the CBS daytime drama, The Young and the Restless as an ordained piano-playing minister marrying a doubting Gloria and Jeff Bardwell for the second time.[24]

In recent years, Rev. Richard Penniman's spiritual fervor and calling to the ministry have become more obvious, such as when he spoke at his old friend Wilson Pickett's January 2006 funeral,[25] when he officiated at a wedding of twenty couples in December 2006,[26] and when he spoke at Ike Turner's December 2007 funeral.[27] He also allowed a DVD to be recorded of him preaching in the middle of his performance of "Precious Lord" at one of his bandmembers mother's funeral in June 2008.[28] In November 22, 2008 Little Richard came to the Norman Seventh-day Adventist Church to sing praises. On May 30, 2009, Little Richard, following a performance named in honor of Fats Domino, led Domino and others present in prayer.[29] On June 12, 2009, Little Richard, prior to performing for the grand finale of 29th annual Riverbend Music Festival in Chattanooga, Tennessee [30] said, "although I sing rock 'n' roll, God still loves me. I'm a rock 'n' roll singer, but I'm still a Christian."[31]

Awards and honors

Discography

Filmography

  • The Girl Can't Help It (1956), performing the title number, "Lucille" and "She's Got It"
  • Catalina Caper (aka Never Steal Anything Wet, 1967)
  • Little Richard: Live at the Toronto Peace Festival 1969
  • The London Rock & Roll Show (1972), performing: "Lucille", "Rip It Up", "Good Golly Miss Molly", "Tutti Frutti" and "Jenny Jenny"

See also

References

  1. ^ a b c d e "Little Richard". Inductees. Rock and Roll Hall of Fame. http://www.rockhall.com/inductee/little-richard. 
  2. ^ a b White, Charles. (2003). The Life and Times of Little Richard: The Authorised Biography. Omnibus Press.
  3. ^ White (2003), p. 231
  4. ^ a b c "http://www.myspace.com/littlerichardtribute
  5. ^ Shelton, Robert (2003). No Direction Home: The Life and Music of Bob Dylan. Da Capo Press. pp. 39. ISBN 0-306-81287-8. 
  6. ^ a b White (2003), p. 125-128, 131-132, 163, 228
  7. ^ http://www.rockhall.com/inductee/otis-redding
  8. ^ [1]
  9. ^ The Immortals: The First Fifty : Rolling Stone
  10. ^ White (2003), p. 15-17.
  11. ^ White (2003), p. 17.
  12. ^ White (2003), p. 16 - 18, p. 103.
  13. ^ White (2003), p. 25.
  14. ^ a b Nite, Norm N. Rock On: The Illustrated Encyclopedia of Rock n' Roll (The Solid Gold Years). Thomas Y. Crowell (1974), p. 390. ISBN 0-690-00583-0.
  15. ^ What's That Sound? • W. W. Norton and Company, Inc
  16. ^ White (2003), p. 133, 253-255
  17. ^ White (2003), p. 186
  18. ^ 40 Acres Fest to rock UT campus for its 15th year - Top Stories
  19. ^ Kapur, B. (December 6, 2004). "TNA Turning Point a success". Canadian Online Explorer. http://slam.canoe.ca/Slam/Wrestling/2004/12/06/767694.html. Retrieved on July 6 2007. 
  20. ^ Foley, M. (2000) Have a Nice Day: A Tale of Blood and Sweatsocks (p.202)
  21. ^ http://www.imdb.com/title/tt0101602/
  22. ^ Lee, Luaine (2007-05-30). "Impersonators vie to become 'The Next Best Thing'". Ventura County Star. http://www.venturacountystar.com/news/2007/may/30/impersonators-vie-to-become-the-next-best-thing/?printer=1/. Retrieved on 2008-10-07. 
  23. ^ "Little Richard to Replace Chuck Berry at Thanksgiving Halftime Performance". thesundevils.cstv.com. 2007-09-07. http://thesundevils.cstv.com/sports/m-footbl/spec-rel/090707aab.html. Retrieved on 2008-10-07. 
  24. ^ "Little Richard Weds Jeff and Gloria!". sonypictures.com. http://www.sonypictures.com/tv/shows/theyoungandtherestless/specials/specials_detail_3788.html. Retrieved on 2008-10-07. 
  25. ^ http://www.sacobserver.com/soul/020906/wilson_pickett.shtml
  26. ^ http://www.contactmusic.com/news.nsf/article/little%20richard%20weds%2020%20couples_1017057
  27. ^ http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=27868760
  28. ^ http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=48403910
  29. ^ http://www.google.com/hostednews/ap/article/ALeqM5g9xOiwsoyZI4Rk0LzM8Iw9sG7g6wD98HI1AO0
  30. ^ http://www.riverbendfestival.com/LITTLERICHARD.php
  31. ^ http://timesfreepress.com/news/2009/jun/13/06-13-little-richard-to-rock-riverbend/
  32. ^ http://www.rockhall.com/hof/inductee.asp?ID=179
  33. ^ Walk of Fame Directory
  34. ^ GRAMMY.com
  35. ^ Rhythm and Blues Foundation Website
  36. ^ BMI.com | BMI Salutes Rock ‘N Roll Past and Present at 50th Annual Pop Awards
  37. ^ CNN.com - Today's Buzz stories: - February 6, 2002
  38. ^ Songwriters Hall of Fame
  39. ^ The Greatest Artists of All Time: Little Richard
  40. ^ http://www.google.com/hostednews/ap/article/ALeqM5g9xOiwsoyZI4Rk0LzM8Iw9sG7g6wD98HI1AO0

External links


 
 

 

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Who2 Biography. Copyright © 1998-2008 by Who2, LLC. All rights reserved. See the Little Richard biography from Who2.  Read more
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Actor. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Black Biography. Contemporary Black Biography. Copyright © 2006 by The Gale Group, Inc. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Little Richard" Read more

 

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