Share on Facebook Share on Twitter Email
Answers.com

The Miracle Worker

 
American Theater Guide: The Miracle Worker

Miracle Worker, The (1959), a play by William Gibson. [Playhouse, 719 perf.] Having graduated from Boston's Perkins Institute for the Blind, Annie Sullivan (Anne Bancroft) arrives at the Alabama home of Captain Keller (Torin Thatcher) to become a teacher‐companion for his daughter Helen (Patty Duke), who is deaf, dumb, and blind, and also an undisciplined but iron‐willed youngster. It requires all of Annie's persistence, and sometimes a touch of savagery, to begin to bring the girl around. Not until Helen is purposely drenched and manages to spell out the word “water” does Annie realize she has reached the girl. A friendship slowly develops that will in part release Helen from her lonely, dark world. The play was based on Gibson's earlier television version, which in turn had been derived from the true story of the Sullivan‐Keller relationship. Robert Coleman of the Daily Mirror wrote, “Gibson's words are terse and eloquent, highly dramatic, but it is the frightening, harrowing, physical conflicts of his drama that terrify and grip you.” Gibson's sequel Monday After the Miracle (1982), about the later years of Annie and Helen, was commended by some of the critics but failed to find an audience. The original play, on the other hand, remains one of the most‐produced dramas by schools and amateur theatre groups.

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Notes on Drama: The Miracle Worker
Top

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Further Reading
Sources


William Gibson 1957

Initially written for television, The Miracle Worker by William Gibson first aired in 1957. After it was warmly received by television audiences, it was rewritten for the stage and opened on Broadway in 1959 at the Playhouse Theatre. Although some of the reviews were mixed, the audience response was very favorable and during its run the first production of The Miracle Worker rarely failed to fill the 1,000 seat theatre.

Drawing heavily from letters written by Anne Sullivan in 1887, as well as from Helen Keller’s autobiography, William Gibson constructed a drama around the events that took place when Helen Keller and her teacher, Anne Sullivan, first met in the 1880s. The exchanges that take place in The Miracle Worker are all derived from factual events that Gibson has woven together to construct a fluid, emotionally real, depiction of the “miracle” Anne Sullivan was able to work: teaching Helen Keller language.

Audiences and critics alike were most drawn to The Miracle Worker’s honest and emotionally vivid portrayal of the relationship between Annie (as she is called in the play) and Helen. The actors’ intense energy and commitment to truth in the scenes of physical struggle between Annie and Helen were held as the most memorable moments of the play when it first opened on Broadway. Audiences found the story of Annie’s struggle to teach Helen language and her eventual success life affirming and uplifting. Surrounding the major themes of change and transformation and language and meaning is basic integrity and emotional honesty. These two elements are the strongest reasons that The Miracle Worker is so popular among audiences and has been called an American Theatre classic.

Wikipedia: The Miracle Worker
Top

The Miracle Worker is a cycle of 20th century dramatic works derived from Helen Keller's autobiography The Story of My Life. Each of the various dramas describe the relationship between Keller — a deafblind and initially almost feral child — and Anne Sullivan, the teacher who introduced her to education, activism, and international celebrity

Its first realization was a 1957 Playhouse 90 broadcast written by William Gibson and starring Teresa Wright as Sullivan and Patricia McCormack as Keller. Gibson adapted his teleplay for a 1959 Broadway production with Anne Bancroft as Sullivan and Patty Duke as Keller. The two reprised their roles for the 1962 feature film.

It was remade for television in 1979, with Patty Duke as Sullivan, Melissa Gilbert as Keller, and Diana Muldaur and Charles Siebert in supporting roles. In 2000, another television production was made, directed by Nadia Tass and starring Alison Elliott as Sullivan and Hallie Kate Eisenberg as Keller, with David Strathairn and Lucas Black in supporting roles. A 1984 made-for-television sequel, Helen Keller: The Miracle Continues, starred Blythe Danner as Sullivan, Mare Winningham as Keller, and Jack Warden as Mark Twain.

Contents

Source of the name

The title originates in Mark Twain's description of Sullivan as a "miracle worker." The famed American humorist and author was an admirer of both women, and although his own personal finances were problematic, he helped arrange the funding of Keller's Radcliffe College education by his friend, financier and industrialist Henry Huttleston Rogers.

The "wah-wah" controversy

The "miracle" in The Miracle Worker occurs when Sullivan and Keller are at the water pump refilling a pitcher of water. It is at this moment that Keller makes the intellectual connection between the word Sullivan spells into her hand and the tangible substance splashing from the pump. Keller demonstrates her understanding by miraculously whispering "wah-wah," the baby talk or gibberish equivalent of "water."

Many have questioned the reality of this depiction, as Keller had not uttered a single vowel in the course of the film, and, as an apparently pre-lingually deaf and blind child, would not have been aware of the existence of verbal communication. Although the moment of comprehension is the most satisfying scene in the film, it was designed for hearing audiences. A hearing audience would not be expected to fully relate to the importance of the moment by seeing Keller merely spell the word, which would require an understanding of the manual alphabet. Keller mimics the words Sullivan spells into her hand throughout the film by spelling them back in Sullivan's hand, so at this moment it would only seem that Keller was continuing to mimic without understanding the concept. To bridge that problem, the film's writer and director had actress Patty Duke (and others who portrayed Keller in subsequent remakes of the film) speak the word "wah wah" while she finger-spelled "water." The moment of revelation thus becomes clear for hearing audiences, but has been criticized for setting unrealistic expectations for deaf children to "be like Helen Keller" and speak, when even the most gifted deaf child realistically takes years to utter a comprehensible syllable and a lifetime of speech therapy to maintain the ability. Keller herself never spoke with complete clarity although she practiced daily from her tenth year.

Nevertheless, according to Keller's own account in The Story Of My Life, she was not actually just a little baby when she experienced the illness that destroyed her sight and hearing; she was a year and a half old, at a developmental stage where she understood what was said to her and she had a small spoken vocabulary, including "How d'ye," "tea, tea, tea," and "water," which she in fact pronounced "wah-wah." She continued to say "wah-wah" long after becoming deaf; she describes it as the one word she kept, while substituting a large vocabulary of signs for everything else she wanted to say. She not only remembered that speech existed, but she constantly put her hands over others' mouths as they were talking and attempted to talk as well. This is depicted accurately in the play. Like Laura Bridgman, she did have that year and a half of developmental normalcy, and it is not unreasonable to assume that this is one reason "water" was the first spelled word that gave her the understanding that the symbol and the water itself were meant to be linked.

William Gibson did not use The Story of My Life as his exclusive source for the play. In interviews, he has said he also relied on a printed volume of Sullivan's letters written during the time of her early stay with the Kellers. This is alluded to during the film, which depicts her writing letters in her room. Some of these letters were also reprinted in several editions of The Story of My Life.

Finally, Helen's utterance of "wah-wah" is consistent within the dramatic unity of the play and film. In the middle of the play, Helen's mother tells Sullivan that Helen, before her illness, had been precocious in her learning of language and that her first word had been "wah-wah" for water. This sets up the emotional power of the scene at the well. Through Helen's echoing of the first word that she had spoken as an infant, the viewer is immediately made aware that she has made an intellectual breakthrough and now grasps the existence and purpose of language.

Remakes

The 2005 Bollywood remake is titled Black. It made Time magazine's top 10 films of the year list. It also won eleven Filmfare Awards, the most ever received by a single film.

DVDs

The 1962 film was released on DVD in 2001 by MGM and its 1979 TV remake was released on DVD in March 2009 by Shout! Factory as a 30th anniversary edition (Shout! Factory information page). It features Emmy-winner Patty Duke as Annie Sullivan and Melisa Gilbert as Helen Keller. The DVD also includes Closed Captioning and Audio Descriptions.

External links


 
 

 

Copyrights:

American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Notes on Drama. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Miracle Worker" Read more