Tina Turner

Source

• Born: 26 November 1939
• Birthplace: Nutbush, Tennessee
• Best Known As: The singer of "What's Love Got to Do With It?"

Name at birth: Anna Mae Bullock

Tina Turner was only 18 when she began singing with frenetic rhythm & blues star Ike Turner in the late 1950s. Eventually the two married and Tina got nearly equal billing in the band, which became known as Ike and Tina Turner Revue. Their hot stage act was a hit on repeated tours of the U.K. and the U.S. and they released several records; their biggest hit, "Proud Mary," came out in 1970. Tina Turner left Ike in 1976, amid acrimonious tales of drugs and abuse, and went solo. (She recounted many of those stories in a 1986 autobiography, I, Tina.) In 1984 she released the album Private Dancer. It included a number one single ("What's Love Got to Do With It?") and won Grammy Awards for record of the year, female pop performance and female rock vocal of the year. Turner settled into her new persona as a proud survivor and grande dame of R&B, and continued to record and tour her high-energy act into the 21st century, including a worldwide "50th Anniversary Tour" in 2008. She also tried her hand at acting, most notably as the Acid Queen in The Who's rock opera Tommy (1975) and as the domineering Aunty Entity in the apocalyptic Mad Max Beyond Thunderdome (1985, with Mel Gibson).

In her autobiography, Turner says that Ike gave her the stage name of Tina Turner before the release of their first hit single together, "A Fool In Love," in 1960... Ike and Tina Turner were inducted into the Rock and Roll Hall of Fame in 1991. The Hall calls them "one of the highest energy ensembles on the soul circuit in the late '60s and early '70s"... Ike Turner died in 2007... "We Don't Need Another Hero," Tina Turner's 1985 theme for Mad Max Beyond Thunderdome, was also a popular hit... She was played by Angela Bassett in the 1993 biopic What's Love Got To Do With It; Laurence Fishburne played Ike.

Previous:	Timothy Treadwell (Adventurer / Activist), Tiffani Thiessen (Actor)
Next:	Tiny Tim (Fictional Character), Titian (Artist)

View more Entertainment & Arts videos

Well-known for her trademark legs, throaty voice, and boundless stage energy, Tina Turner (born Anna Mae Bullock, 1939) was one of the sexiest and most popular international performers of the 20th century. She first began singing with the Kings of Rhythm, and then formed the Ike and Tina Turner Revue with the leader of that group. Leaving her abusive partner in 1976, she went on to star in her own right into the mid 1980s.

"T ina" was an invention of Ike Turner. The singer was born Anna Mae Bullock in 1939 in rural Tennessee. Her father, Floyd Bullock, was a farm overseer and church deacon who fought perpetually with his "black Indian" wife Zelma. Turner and her older sister, Alline, spent most of their childhood shuttling between the homes of grandparents, father, mother, and a cousin.

Yearned to Sing

For a time during World War II, when Turner's parents were still married, they moved without their children to Knoxville where work was plentiful in the defense industry. The girls were allowed one visit in two years, and it was on this visit that Turner first sang for money. It was in a ladies' dress shop; the saleswomen gave her quarters. She also experienced her first lively, soulful church visit in the Sanctified Church, where self-expression was encouraged, unlike the constrained atmosphere of her grandparents' Baptist church back home.

In 1956 Zelma Bullock was divorced and living in St. Louis when she ended a long separation from her daughters. Zelma brought them to live with her after her own mother, with whom Turner had been living in Tennessee, died. Reunited with the older sister she idolized, Turner began to experience an awakening to the rhythm and blues of East St. Louis, where the Kings of Rhythm were a hot band holding court at Club Manhattan. Ike Turner led the band, and Alline Bullock was dating the drummer. Younger Anna Bullock watched and waited for weeks for a chance to get on stage with the band, and when she finally did, she sang a B.B. King song and impressed Ike Turner so immediately and overwhelmingly that he asked her to perform regularly with them. He gave her the stage name of Little Ann.

The reputation of Ike Turner mirrored the violence of his childhood, during which his father, a Baptist minister, was murdered by the boyfriend of the minister's lover. Ike Turner and Anna Bullock began their relationship as mentor and protégé. Her romantic involvement at the time centered around Raymond Hill, the band's saxophone player and the father of Anna Bullock's first child, born in 1958. Although Ike still lived with his second wife, Anna moved into their home, and soon after that Ike and Anna had a son named Ricky. They married in Mexico, although it was later discovered that Ike had never divorced his previous wife.

Ike and Tina Turner on the Road

In spite of constant personal strains on their relationship, the Turners continued to make music. In late 1959 Anna Mae Bullock filled in for a last-minute no-show singer during a recording session with the Kings of Rhythm. The result was a smash hit in the summer of 1960 called "A Fool in Love" and was released under the names Ike and Tina Turner.

What became the Ike and Tina Turner Revue was a slick package of Ike Turner's shrewd management and song writing, Tina Turner's intensely energetic and sensual lead voice and body, three backup "Ikettes, " and an eight piece band. They traveled the country, their sound a combination of country blues, ghetto rhythm, and gospel passion, and by 1969 they had released 15 albums and 60 singles, including the hit songs "It's Gonna Work Out Fine, " "I Pity the Fool, " "I Idolize You, " "Poor Fool, " and "Tra La La La La."

"River Deep"

Stardom for the Ike and Tina Turner Revue came about first in Europe. Legendary pop producer Phil Spector wanted Tina to sing on a record without Ike. The normally autocratic husband agreed to the arrangement thanks to a generous financial offer. Released late in 1966 the song" River Deep, Mountain High" topped the British pop charts for many weeks in 1966.

Ike and Tina Turned toured Europe twice in the 1960s with the Rolling Stones. Tina had taught Mick Jagger, the leader of that group, how to dance on stage. By the time the revue returned to the United States, Ike and Tina Turner had "crossed over" more than the Atlantic. They were wildly popular with mainstream audiences who were stunned by the forceful blend of hard rock and roll and provocative soul. Tina Turner aptly describes their style in her introduction to "Proud Mary" when she says, "we never do anything nice and easy, we always do it nice - and rough." That song won a Grammy Award in 1971 for best rhythm and blues vocal by a group. Albums released by the revue in the 1970s include Working Together (1970), Blues Roots (1972), Nutbush City Limits (1973), and The Gospel According to Ike and Tina (1974).

Although Tina Turner continued to tour and record with the group during the early 1970s, her own identity began to emerge both personally and professionally. She released three solo albums and appeared in the rock opera film Tommy as the "Acid Queen." Years of physical and emotional abuse by Ike Turner became too much for her, and she walked out on him and the group during a concert tour stop in Texas in July 1976. Fleeing with only thirty-six cents and a gas station credit card, Turner worked cleaning friends' houses and even living on food stamps while she began putting her life together.

Nonetheless, Tina Turner savored her freedom. Caring for her children for a while, she eventually sent them off: "I had been their mother, I had been his wife. Now it was time to be me. A solo album called Rough, released in 1978, received little attention from the press and even less from listeners. She continued to tour, however, mostly in Europe and in small American clubs and hotels.

Tina's Comeback

Once again, the Rolling Stones provided a ticket for her success, and her special guest performances on their 1981 sold-out U.S. tour introduced Tina Turner to a new generation of listeners fascinated with her wild, sensual, visceral presence. One music critic, after seeing her in concert, described her as she entered the stage "in mid-scream with both legs pumping, hips grinding, long mane whirling, her mouth wrapped around some of the sexiest sounds ever set to music."

After touring with Lionel Ritchie and Rod Stewart and doing her own record-breaking European tour, Tina Turner's 1984 album Private Dancer sold more than 11 million copies worldwide and earned four Grammy Awards, including Record of the Year for "What's Love Got To Do with It."

Another hit album was released in 1986 called Break Every Rule. In 1985, Turner appeared in the film Mad Max: Beyond the Thunderdome, from which came the hit song "We Don't Need Another Hero." She was inducted into the Rock and Roll Hall of Fame in January 1991, and her "Foreign Affairs" tour later that year sold out in 19 countries, drawing over three million fans.

Movie Bio and Album a Hit

In her 1986 best-selling autobiography, I, Tina, written with Kurt Loder, she describes how she endured the persecution and torment of Ike Turner, while at the same time laying the foundation for a wildly successful and popular music career. In 1993, Touchstone Pictures released a film version of the book called What's Love Got To Do with It, starring Angela Bassett as Tina and Laurence Fishburne as Ike. The movie was a box-office success. Turner re-recorded several hits for the soundtrack and even appeared at the film's end as herself. In the wake of the film's success, Turner went on tour again. Variety remarked in a review of a 1993 concert that "watching Tina Turner perform is like watching a tornado traverse the landscape as it builds in power and intensity." The Los Angeles Times reviewer called her show "more effective as a sweeping piece of theater than as a concert, " but he admired her "energy and heart."

In 1996, to promote her album Wildest Dreams, Turner went on a hectic yearlong world tour. The still sultry super-star launched the tour with a private performance for the family of the Sultan of Brunei, reputedly the world's richest man. She continued on to South Africa, then began a circuit of European cities. Turner said European audiences seemed to enjoy her more and were more supportive of her work between hit records. "I am as big as Madonna in Europe, " she told Jet magazine. "I am as big, in some places, as the Rolling Stones."

Turner took her "Wildest Dreams" stage show to the U.S. in May 1997 for her first American appearances in four years. The tour kicked off in Houston, Texas, and went on 47 other cities before ending in July at New York's Radio City Music Hall. For two solid nonstop hours, the 57-year old but ageless rock diva gave a an electric performance that encompassed 20 songs as well as a continuous barrage of video and sound wizardry.

"Living My Wildest Dream

Turner made Europe her home from 1986. Her decision was influenced by her relationship with Erwin Bach, a German executive with EMI records, her European label. Turner and Bach met when he picked her up at the London airport in 1986. They hit it off immediately, began dating steadily, and Turner ultimately moved to London to be with Bach. Although Bach was 16 years her junior and earned considerably less money, the relationship persisted through the 1990s. Because of Bach's own career, the two lived first in London, then in Germany, and finally to Zurich.

Meanwhile, from 1990, Turner spent six years overseeing the construction and decoration of her dream house in southern France. Decorated in an eclectic mix of neoclassical, art deco, and rock-and-roll mementos, the lavish villa was perched high in the hills overlooking Nice harbor, Cap Ferrat, and the Mediterranean beyond. There the grandmother born in rural Tennessee two put down roots between tours. She had reached the pinnacle of her profession, found love with a younger man, and enjoyed living in the present. I don't dwell on the past, she told Harper's Bazaar. "That's me - I don't go back."

Further Reading

Two interesting books on Tina Turner's life and career are I, Tina (1986), her autobiography with Kurt Loder, and Steven Ivory's Tina! (1985). Among the periodicals with additional information are Ebony (January 1992); Rolling Stone (October 15, 1992); a cover story in Vanity Fair (May 1993); TIME (June 21, 1993); and Jet (June 21, 1993). A short biography appears in Notable Black American Women (1992), edited by Jessie Carney Smith.

Other resources include Mills, Bart. Tina (Warner, 1985). Mower, Sarah. "Private Tina, " Harper's Bazaar, December 1996, pages 150-159. (Anonymous) "Living My Wildest Dream, " Ebony (September 1996);

singer; actor; writer

Personal Information

Born Anna Mae Bullock, on November 26, 1939, in Nutbush, TN; daughter of Floyd Richard (a farm overseer and church deacon), and Zelma Bullock; married Ike Turner, c. 1958 (divorced 1976); children: Raymond Craig (with saxophonist Raymond Hill), Ronnie (with Ike Turner), and two stepsons (Ike, Jr. and Michael, from Ike Turner's previous marriage).
Religion: Buddhist (since early 1980s).

Career

Sang with Ike Turner's Kings of Rhythm and the Ike and Tina Turner Revue, 1956-76; solo performer 1976-. Hit recordings include "A Fool in Love," "Proud Mary," "Nutbush City Limits" and "What's Love Got to Do With It." Solo albums include Private Dancer, 1984; Break Every Rule, 1986; What's Love Got to Do With It, 1996; Wildest Dreams, 1996; Twenty-Four-Seven, 2000. Appeared in films Tommy, 1975, Mad Max: Beyond Thunderdome, 1985; What's Love Got to Do With It, 1993. Participated in relief concert Live Aid, 1984, and charity recording "We Are the World," 1985. Author of autobiography I, Tina, 1986.

Life's Work

"We never do anything nice and easy," intones Tina Turner in the spoken introduction to her famed rendition of the rock classic "Proud Mary," recorded with her then-husband Ike. "We always do it nice ... and rough." Tina's life as a hardworking soul singer was often rough and anything but nice; she endured endless touring and--according to her own allegations and those of many others--abuse and exploitation from Ike Turner, who discovered her. She sang with his revue for years and racked up hits like "Proud Mary" and "Nutbush City Limits" before finally leaving him in the mid-1970s, casting about and starting virtually from scratch before returning to prominence in 1984 with a number one hit.

Since then, Turner has remained in the public eye, becoming, in the words of Vanity Fair's Maureen Orth, "the queen mother of rock 'n' roll." A 1992 film version of her life story--based on her 1986 autobiography--was a surprise hit, and even when well into her fifties, she continued drawing large crowds to her concerts. As much as her gritty, rafter-shaking voice, Turner's strength in the face of adversity has made her a legend. "I was a victim; I don't dwell on it," she told Orth, adding, "I stood up for my life."

"Tina" was an invention of Ike's; the singer was born Anna Mae Bullock in rural Tennessee in 1939. Her father, Floyd Richard Bullock, was a farm overseer and church deacon who fought perpetually with his "black Indian" wife, Zelma. According to the singer's recollection in her autobiography I, Tina, the family grew its own food, buying only "flour and sugar from the country store in Nutbush." The town, in and around which she spent her childhood, was tiny and sparsely populated. At various points, young Anna and her sister were raised by their grandmothers, since their parents moved about, changed jobs, quarreled, and finally split up. Zelma ran off to St. Louis when Anna was eleven, and Floyd stayed only a year longer. Anna found herself in the care of other relatives and cousins over the years. She began working for a friendly white family, the Hendersons, in nearby Ripley, and remembered years later fashioning her dreams of a stable home on their lives.

Yearned to Sing

Anna became a cheerleader in high school. Never satisfied with her own looks, she declared--according to a quote in I, Tina from her girlhood friend Carolyn Bond--"If it's the last thing I do, I'm gonna have long hair and some big hips and big legs." Years later, as Tina Turner, her hair and legs would be her defining features.

In the 1950s, she moved to St. Louis to be with her mother, and it was there that she met the man--and heard the music--that would dominate her future. Ike Turner's Kings of Rhythm were local stars, enthralling club audiences with their energetic R&B in the early '50s, the germinating years of rock and roll; their 1951 single "Rocket 88" was a number one R&B hit and has been called the first rock and roll record. Ike, the bandleader and guitarist, had an evil reputation and myriad girlfriends. Anna, who had always loved singing hymns in church, used to sing along from the audience; "I wanted to get up there so bad," she remembered in her autobiography.

Anna's sister Alline was dating Ike's drummer Gene Washington, who heard Anna sing and eventually arranged to suspend a microphone off the stage so the audience could hear her. He compared her voice to that of blues legend Bessie Smith, noting, "A woman doing that type of thing then was kind of a no-no"; in other words earthy and sexy in a way that was guaranteed to thrill Ike's audience.

Although it took her a considerable length of time to get Ike's attention (since she was too thin to arouse his otherwise voracious carnal appetite), she did finally get him to hear her. Belting out the B.B. King tune "You Know I Love You" when Ike played it on the organ during an intermission, she made a distinct impression, as she recollected to coauthor Kurt Loder: "Boy, Ike--that blew him away. He went 'Giirrrlll!' And he stopped playing the organ and he ran down off that stage and he picked me right up! He said, 'I didn't know you could really sing. What else do you know?'" Soon she was performing regularly with the band but concealing her new activity from her mother, who predictably forbade it when she found out. Ike, however, made a special visit to Zelma and turned on his considerable charm, winning her approval and securing Anna a regular gig. Singing gutsy R&B cover tunes with Ike and the band made her "feel like a star."

Touring and Mothering

Life on the R&B club scene--the so-called "chitlin circuit"--was hardly safe, Ike's assurances to Zelma notwithstanding. Soon Anna became pregnant by Ike's saxophone player and bore her first son, Raymond Craig, in 1958. She took a job in a hospital to supplement her musical income, which was soon raised from $15 to $25 a week. She then moved into Ike's house, though she compared their initial relationship to that of siblings. Later, however, he began "moving in" on her life and would eventually exercise almost complete control over her.

In the meantime, however, she sang on Ike's single "Box Top." It wasn't until the single "A Fool in Love," however, that she would see chart success; the record scored on the R&B and pop charts, after being released under the name "Ike and Tina Turner." The name "Tina" appealed to Ike because it rhymed with "Sheena," the jungle queen from a 1940s movie serial; it became Anna Mae's new moniker. The surname accompanied a quickie marriage in Tijuana, Mexico, in 1962. "I was now Mrs. Ike Turner," Tina remarked of the event. "Or whatever." The group, over the objections of some of its members, became the Ike and Tina Turner Revue.

Tina, as she was now known, was soon pregnant by Ike. Though she felt gratitude and loyalty toward her mentor and husband--who was technically a bigamist, since he had married another woman previously and didn't obtain a divorce for many years--she acknowledged in her memoir that he "kept control of me with fear." He worked her relentlessly, forcing her to tour even when she was hospitalized with jaundice, and beat her when he perceived (or suspected) insolence. Meanwhile, he carried on with various "Ikettes"--Tina's backup singer/dancers--and many other women. The Revue, however, was hot, riding the success of "A Fool in Love" to prestige gigs at New York's Apollo Theater, venues in Las Vegas, and a spot on television's American Bandstand. The group had a string of R&B hits, some of which also made the pop charts.

Ike renewed his record contract and bought a large house in Los Angeles; his and Tina's children were brought there from St. Louis. The Revue kept touring under increasingly stressful conditions, even as Ike's shrewd business sense earned him ever larger sums. The Ikettes left, partly in response to his treatment of Tina. Later, Ike and Tina signed up with Loma Records, a Warner Bros. R&B subsidiary headed by Bob Krasnow. The Revue appeared in a pop festival that was later released as a concert film, The Big TNT Show. They also toured with English rock sensations the Rolling Stones, instantly winning favor with the British band, who worshiped the gritty, soulful sound of black American music and were electrified by Tina's performance.

"River Deep"

Krasnow received a call from legendary pop producer Phil Spector, who wanted Tina to sing on a record--without Ike. The normally autocratic husband agreed to the arrangement thanks to a generous financial offer, although Spector stipulated that Ike stay out of the studio. He then went to work on a lavish production of the song "River Deep, Mountain High," a barnstorming soul number that took his patented "wall of sound" approach to new heights. At his request, Tina refrained from the high-pitched wailing and "chitlin circuit" theatrics Ike had always demanded, in favor of a controlled delivery that stuck closer to the written melody. Released late in 1966 with a tremendous advance hype, the song flopped in the U.S.--perhaps due to botched promotion--but was a hit in the United Kingdom. It has, in retrospect, reached the status of a classic.

England, Tina explained, was "the beginning of my escape from Ike Turner"--an escape that wouldn't be realized physically for more than a decade. But the country's rock musicians tended to adore Tina, and this adoration somewhat cushioned the impact of Ike's blows, which rained down upon her resilient flesh with ever greater frequency and fury as he descended into "blow" himself: cocaine. The Revue and Ike's virtual harem began to appear to Tina as, in her words, a "sadistic little cult"; eventually she tried to run away from him, but he tracked her down. Tina even attempted suicide by taking fifty Valium tablets; though the hospital pumped her stomach, she didn't revive until Ike spoke to her, seemingly brushing aside death in his all-encompassing claim on the woman he'd discovered, managed, married, and monopolized.

Ike and Tina scored another big hit with Otis Redding's "I've Been Loving You Too Long" in 1969, but Tina was by this time less interested in R&B than in rock. And it would be rock songs, for the most part written by young white artists, that would provide her biggest hits. In 1970, the Revue scored with their versions of the Beatles' "Come Together" and "I Want to Take You Higher" by funk-rocker Sly Stone; the following year saw their greatest hit, a jumping rock-and-soul rendition of Creedence Clearwater Revival's "Proud Mary." It sold over a million copies. The Revue again toured with the Rolling Stones. They failed to score any more huge hits until "Nutbush City Limits," penned by Tina, stormed up the U.S. and U.K. charts in 1973.

Leaving Ike

Tina had been introduced to Buddhism by a friend, and her chanting helped her survive Ike's increasing abuse and cocaine dependency. In 1975, she starred in her first film, portraying the Acid Queen in Ken Russell's production of the Who's rock opera Tommy. Tina was befriended by costar Ann-Margret, a longtime fan, and appeared on the star's London television special. She also released a solo collection of country songs, but it didn't fare well commercially. Ike and Tina had their last hit together in 1975, "Baby--Get it On," and that year saw the release of Tommy, which garnered Tina rave reviews. Eventually, she vowed to leave Ike--buoyed by predictions of psychics that she would become a big star without him--and fought back against a beating while the band was on tour in Texas in 1976. She then fled with only thirty-six cents and a gas station credit card to her name. Ike pursued her but seemed to realize she was determined to stay away from him. He continued to harass her, however, from a distance, and his threats led her to surrender almost every claim for monetary recompense during their divorce proceedings. "My life's more important," she declared, leaving Ike with the lion's share of their community holdings and shouldering the debt for the shows canceled after she left him.

Tina worked cleaning friends' houses and even living on food stamps while she began putting her life together. Nonetheless, she savored her freedom. Caring for their children for a while, she eventually sent them off: "I had been their mother, I had been his wife. Now it was time to be me." Her 1978 album Rough sank, but she supported herself with cabaret-like shows in Las Vegas and at similar venues. Even so, she remained massively in debt for the canceled performances from the last Ike and Tina tour. Through Ann-Margret she hooked up with Australian manager Roger Davies, who had relocated to the States. He, in turn, revamped her showbiz act, replacing the tuxedoed dancers and elaborate costumes for a stripped-down rock band. She toured Europe in 1980-81, and Davies finally helped her stage the beginning of her U.S. comeback with a well-publicized performance at New York's The Ritz, where Tina Turner brought down the house. A number of celebrities turned up, including members of the Rolling Stones.

Tina's Comeback

Shortly thereafter, Tina joined Rod Stewart in a rendition of his "Hot Legs" on television's Saturday Night Live; the Stones then invited her to tour with them. Her new-wave version of the Temptations' classic "Ball of Confusion," recorded in England with the synthesizer duo Ware and Marsh, appeared on a collection with other star readings and charted well there but wasn't released in America.

Davies, meanwhile, managed to get Tina a deal with Capitol Records, but only for the European market. Her next single with Ware and Marsh, a remake of soul legend Al Green's "Let's Stay Together," was a smash hit in the U.K., and only when imports and dance clubs established its potential in the U.S. did Capitol agree to release it stateside. The company then insisted that Turner cancel her scheduled tour and record an album. Davies insisted that it be recorded in England in tandem with the tour. While she performed, he gathered material for her, and the result, 1984's Private Dancer, would return her to the top in her own country. With hits like "What's Love Got to Do With It," "Better Be Good to Me" and the title song by Dire Straits leader Mark Knopfler, the album shot to number one. Soon she graced the cover of Rolling Stone magazine, took home two American Music Awards, and won two Grammys. In Loder's words, "After a quarter of a century, Tina Turner was an overnight sensation."

After appearing at the gigantic 1984 Live Aid benefit concert, Turner acted in George Miller's 1985 film Mad Max: Beyond Thunderdome, scoring another hit with the song "We Don't Need Another Hero" from the film's soundtrack. In 1986, she published I, Tina, which wasn't a blockbuster, but told her fans the intimate details of her personal struggles. She sang on the all-star charity recording "We Are the World," won a Grammy for her performance in the "Prince's Trust All-Star Rock Concert" and scored a number of hit singles and albums in the ensuing years. In 1991 she and Ike were inducted into the Rock 'n' Roll Hall of Fame.

Film Bio and Album a Hit

The year 1993 saw the release of the Touchstone Pictures film version of Tina's life, What's Love Got to Do With It, starring Angela Bassett as Tina and Laurence Fishburne as Ike. It was a smash; Tina rerecorded several hits for the soundtrack and even appeared at the film's end as herself. In the wake of the film's success, she went on tour again. Variety remarked in a review of a 1993 concert that "watching Tina Turner perform is like watching a tornado traverse the landscape as it builds in power and intensity." The Los Angeles Times called her show "more effective as a sweeping piece of theater than as a concert," but admired her "energy and heart." She had reached the pinnacle of her profession, and found love with a younger man, German record executive Erwin Bach. She publicly refused Ike's request to open for her on tour, declaring, in a Time interview, "He must live his own life now. And I must live mine."

When Turner recorded "GoldenEye" in 1995, she joined the ranks of women, including Gladys Knight and Shirley Bassey, who have recorded theme songs for the James Bond film series. The song, which shares the same title as the film, was written by Bono and the Edge, members of the rock group U2. Turner, who admitted to Jet that she is a Bond fan and has always wanted to be a Bond girl, said, "It (the song) sounds like the right track for the movie."

Wildest Dreams

Turner launched her Wildest Dreams album and its accompanying tour in Europe in April of 1996. Both the album and tour were greeted with great success and the album, in turn, was repackaged and released in the United States. Virgin Records U.S. president and CEO Phil Quartararo told Billboard that the album was "probably more suited to America than anything Tina's made in 10 years." The album featured Bono and the Edge's "GoldenEye," as well as a song written by Sheryl Crow. Sting provided guest vocals on the track, "On Silent Wings." The album also featured a cover of John Waite's "Missing You." A U.S. tour was slated to begin in May of 1997.

In conjunction with the Wildest Dreams American tour, Turner signed on as Hanes Hosiery's spokesperson. Roger Davies, Turner's manager commented in Billboard that Turner is a natural choice as Hanes's spokesperson because "She's famous for her legs." Hanes Hosiery president Cathy Volker told Brandweek that Turner was a perfect choice because she "transcends age and color, and touches women in a way that makes them believe they can do just about anything." The Hanes ad campaign featured Turner's hits, "Simply the Best" and "Missing You." Hanes sponsored the Wildest Dreams tour and ran a contest in which fans were asked to send in letters describing their wildest dreams. Winners were then invited along on the tour. "It's really quite different and enjoyable," Turner said of the campaign in Billboard. "And it adds a little bit more [to] going back to America. And it's a new way of introducing myself to an audience."

Announced Retirement

In January of 2000, Turner sang at the Super Bowl. The album Twenty-Four-Seven was released in February and debuted at number 21 on the Billboard Top 100 Albums list. In March, Turner guest-starred on FOX's hit series, Ally McBeal. The sexagenarian was still, as Ray Cooper, U.S. copresident of Virgin Records, told PR Newswire, "the hardest working person in show business." So it understandably came as a shock to many when it was announced the Turner's 2000 tour would be her last. David Menconi wrote in the News & Observer that Turner was someone "you just can't imagine retiring." To Menconi, Turner seems to delight in performing far to much to ever retire. "Turner giving up live performance" Menconi wrote, "is like a bird swearing off flying." Regardless, Turner remained committed to her decision. She told the South China Morning Post, "There comes a point where it is just undignified to be a rock 'n' roll star."

Awards

Selected Awards: Grammy Awards for best rhythm and blues vocal performance by a group (with Ike Turner) for "Proud Mary," 1971; best female pop vocal performance and record of the year for "What's Love Got to Do With It," 1984; and best female rock performance for "Better Be Good to Me," 1984, "One of the Living," 1985, "Back Where You Started," 1986, and Tina Live in Europe, 1988. American Music Awards for best female vocalist and best video performer, 1984; inducted (with Ike Turner) into Rock 'n' Roll Hall of Fame, 1991; Essence award, 1993.

Works

Selected discography

• With Ike Turner
• "A Fool in Love," Sue, 1960.
• Live! The Ike and Tina Turner Show, Warner Bros., 1965.
• "River Deep, Mountain High," Philles, 1966.
• "I've Been Loving You Too Long," Blue Thumb, 1969.
• Outta Season, Blue Thumb, 1969.
• The Hunter, Blue Thumb, 1969.
• In Person, Minit, 1969.
• Come Together, Minit, 1970.
• "I Want to Take You Higher," Liberty, 1970.
• Workin' Together (includes "Proud Mary"), Liberty, 1971.
• Live at Carnegie Hall/What You See Is What You Get, United Artists, 1971.
• 'Nuff Said, United Artists, 1971.
• Feel Good, United Artists, 1972.
• Nutbush City Limits, United Artists, 1973.
• "Baby-Get It On," United Artists, 1975.
• Solo recordings
• On United Artists
• Let Me Touch Your Mind, 1972.
• Tina Turns the Country On, 1974.
• The Acid Queen, 1975.
• Love Explosion, 1977.
• Rough, 1978.
• On Capitol
• Private Dancer (includes "What's Love Got to Do With It," "Better Be Good to Me," and "Private Dancer"), 1984.
• Break Every Rule, 1986.
• Tina Live in Europe, 1988.
• Foreign Affair, 1989.
• On Virgin
• What's Love Got to Do With It (soundtrack), 1993.
• Wildest Dreams, 1996.
• Twenty-Four-Seven, 2000.
• With other artists
• Tommy (soundtrack; appears on "Acid Queen"), RSO, 1975.
• Live Aid, 1984.
• Bryan Adams, Reckless (appears on "It's Only Love"), A&M, 1985.
• Mad Max: Beyond Thunderdome (soundtrack; performs "We Don't Need Another Hero"), 1985.
• GoldenEye (soundtrack; performs theme "GoldenEye"), 1995.

Further Reading

Books

• Contemporary Musicians, Volume 1, Gale, 1989.
• Rees, Dafydd, and Luke Crampton, Rock Movers & Shakers, Billboard Books, 1991.
• Stambler, Irwin, Encyclopedia of Pop, Rock & Soul, St. Martin's Press, 1989.
• Turner, Tina, with Kurt Loder, I, Tina, Morrow, 1986.

Periodicals

• Billboard, August 10, 1996, p. 11.
• Brandweek, August 18, 1997, p. 15.
• Essence, May 1993, p. 108; July 1993, pp. 51-52, 101-04.
• Jet, November 20, 1995, p. 60.
• Los Angeles Times, September 17, 1993, pp. F1, 15.
• Minority Markets Alert, February 1, 1997.
• News & Observer, October 10, 2000.
• Newsweek, June 21, 1993, p. 66; July 5, 1993.
• PR Newswire, February 15, 2000, p. 702.
• South China Morning Post, December 2, 1999.
• Time, June 21, 1993, pp. 64-65.
• Upscale, August 1993, pp. 89-92.
• Vanity Fair, May 1993, pp. 114-21, 166-77.
• Variety, September 22, 1993.

— Simon Glickman and Jennifer M. York

Quotes:

"I will never give in to old age until I become old. And I'm not old yet!"

"Physical strength in a woman -- that's what I am."

Biography

American entertainer Tina Turner first met her future husband-collaborator Ike Turner in 1959, when he was fronting a popular East St. Louis band called the Kings of Rhythm. From 1960 through 1975, the Ike and Tina Turner Revue toted 25 top-ten Rhythm and Blues hits, the most famous of which was that perennial wedding favorite, "Proud Mary." Turner broke loose from what had become an intolerable and abusive relationship in the mid-1970s, making an impressive solo movie debut as the ear-shattering Acid Queen in 1975's Tommy (five years earlier, she had been featured in the company of Ike in the Rolling Stones' concert documentary Gimme Shelter). As a non-singing film actress, Turner has thus far been confined to a showy villainous turn in 1985's Mad Max Beyond Thunderdome. Turner was portrayed (rather along Mother Teresa lines) by Angela Bassett in the 1993 biopic What's Love Got to Do With It?, which was based on Turner's own book (written with Kurt Loder) and which costarred Laurence Fishburne as Ike Turner. ~ Hal Erickson, Rovi

Tina Turner: One Last Time - Live in Concert Buy this Movie	Tina Turner: Celebrate! The Best of Tina Turner Buy this Movie	Tina Turner: Live in Amsterdam - Wildest Dreams Tour Buy this Movie	Last Action Hero Buy this Movie
What's Love Got to Do with It? Buy this Movie	Kenny Rogers & the First Edition, Vol. 1: With Ike and Tina Turner Revue and Gladys Knight and the Pi Buy this Movie	Shindig Presents: Groovy Gals Buy this Movie	Tina Turner: Do You Want Some Action! Live from Barcelona Buy this Movie

Show More Movies Show Fewer Movies

For The Record...

Born Anna Mae Bullock on November 26, 1939, in, Brownsville, TN; daughter of Floyd Richard (resident overseer) and Zelma Currie Bullock (beautician); married Ike Turner (divorced, 1976); children: Craig (previous relationship); Ron (with Turner); two stepsons. Romantically involved with Erwin Bach, 1986–. Sang with Ike Turner's Kings of Rhythm and the Ike & Tina Turner Revue, 1956-76; solo performer 1976–. Hit recordings include "A Fool in Love," "Proud Mary," "Nutbush City Limits" and "What's Love Got to Do With It." Solo albums include Private Dancer, 1984; Break Every Rule, 1986; What's Love Got to Do With It, 1996; Wildest Dreams, 1996; Twenty-Four-Seven, 2000. Appeared in films Tommy, 1975, Mad Max: Beyond Thunderdome, 1985; What's Love Got to Do With It, 1993. Participated in relief concert Live Aid, 1984, and charity recording "We Are the World," 1985. Author of autobiography I, Tina, 1986. Awards: Grammy Awards, (with Ike Turner) Best R&B Vocal Performance By A Group, 1971; Best Rock Vocal Performance (Female), Best Pop Vocal Performance (Female), Record of the Year, 1984; Best Rock Vocal Performance (Female), 1985; Best Rock Vocal Performance (Female), 1986; Best Rock Vocal Performance (Female), 1988; American Music Awards, Favorite Soul/R&B Female Artist, Favorite Soul/R&B Female Video Artist, 1985; (with Ike Turner) inducted into Rock and Roll Hall of Fame, 1991; Essence Award, 1993. Addresses: Website—Tina Turner Official Website: http://www.officialtina.com.

Singer

Tina Turner exploded onto the rhythm & blues charts as a lead singer in 1960. As a solo artist, she had proved herself a diehard singer of rock and roll. By 2000 her credits included 27 top ten songs and more than 180 million records sold worldwide. Her life with Ike Turner was the subject of the biographical film What's Love Got to Do with It in 1993. Twenty years after the release of her 1960s recording of "River Deep, Mountain High" with the Ike & Tina Turner Review, the song appeared among the top 20 recordings in Rolling Stone's top 100 hits of all time. Youthful, ageless, and a wellspring of energy, even as the diva turned 60 years old, she continued to entertain eager audiences, leaving her legions of fans to marvel at the music that continued even after her retirement from touring in 2000.

Turner was born Anna Mae Bullock on November 26, 1939, in Brownsville, Tennessee. She grew up in Nutbush, Tennessee, not far from Brownsville, where she lived with her sharecropping family in a two-room house. Turner recalled in her 1986 autobiography, I, Tina, that neither she nor her family wanted for anything, thanks to a lush garden and plenty of chickens and cows, as well as game in the surrounding area. "Were we poor? I don't remember being poor. My father was always the top man on the farm: all the sharecroppers answered to him, and he answered to the owner," she recalled. "We always had nice furniture in our house, and Alline and I always had our own separate bedroom. And we had animals—the cows and pigs and chickens and horses—and I knew people who didn't."

Young Anna Mae spent much of her childhood with various relatives, starting with her paternal grandparents. She moved in with the farm overseer's family when her parents moved to Oak Ridge, Tennessee, in search of government jobs promised by the United States during World War II. When her sister Alline graduated from high school and moved to Detroit, Anna Mae moved in with her maternal grandmother. When her grandmother died in 1956 she went to live with her mother and Alline in St. Louis, Missouri.

Her musical talent emerged when she was still a youngster, but it was during her teen years in St. Louis in the mid-1950s that she made her historic liaison with band leader Ike Turner, whom she married in 1960. The collaboration began at the Club Manhattan in East St. Louis, Kansas. Initially Tina Turner performed under the stage name of "Little Anna," until the band's first hit single, "A Fool in Love," scurried up the Rhythm & Blues charts in 1960, with Tina Turner as lead singer. The success of that record led Ike Turner to reinvent his band in order to spotlight Tina Turner. Thereafter the group performed as the Ike & Tina Turner Review. They embarked on a national tour, and a succession of recordings followed, including several hit singles. During the 1960s the Turners worked as an opening act for the Rolling Stones, and Tina released a crossover hit called "River Deep, Mountain High," recorded by the legendary Phil Spector, that moved her into the fore-front of popular music.

"'River Deep, Mountain High' was indeed a Spector masterpiece," wrote co-author Kurt Loder in the book I, Tina. "The sound was so preternaturally deep and lustrous that one felt almost in danger of falling into it. With the enormous studio orchestra pounding away at the rumbling riffs, a soaring string section, and what sounded like a battalion of backup singers doot-do-dooting away, Tina gave the performance of her life. While some of Spector's early work has dated over the years, 'River Deep,' two decades later, can still take the top of your head off."

Sadly, the record was not a success. Spector went into seclusion. Some attributed the failure of the single to the fact that Spector had had 26 consecutive hits on the charts prior to this, and the industry was tiring of his successes. "River Deep, Mountain High" only reached the number 88 spot on domestic charts, but fared much better on the British charts, where it reached number three and then stayed on the charts for another 13 weeks. "That record just never found a home," said Turner in her autobiography. "It was too black for the pop stations, and too pop for the black stations. Nobody gave it a chance. But I still felt real good about that record, felt it was something I could be proud of. … 'River Deep' showed people what I had in me."

Tina Turner's Let Me Touch Your Mind, released in 1972 during the Ike & Tina Turner Review days, was her first solo album. In 1973 she released a second album, called The Country of Tina Turner. The Turners' performances, enhanced with high-energy backup singers called the Ikettes, brought them to the forefront of rock and roll between 1958 and 1978. "Proud Mary," the Turners' frenzied arrangement of a popular classic, became a trademark theme, with music erupting from a slow and soothing introduction into an unbridled melee of rhythm. "Proud Mary" peaked at number four on the record charts, and in 1971 the duo won a Grammy Award for Best R&B Vocal for their interpretation of the rhythmic, pile-driving ballad.

Abuse Took a Toll
One fact that had remained hidden to the public during the Turners' years of stardom was the presence of severe domestic violence that plagued their marriage. Tina Turner, who suffered intense physical and emotional abuse at the hands of her husband, reached her limit in June of 1976. She endured a severe beating shortly after the couple arrived in Dallas for their first stop on a national tour. In desperation, she abandoned Ike Turner, although the tour was a major one for their careers. She left with less than 50 cents in her pocket and spared no time to collect her baggage. One month later, on July 27, 1976, Tina Turner filed for divorce, and emerged with a small fortune from the settlement once the divorce was finalized in March of 1978. The money paid off lawsuits from canceled Ike & Tina Turner Review engagements. Tuner gave the rest away, leaving her virtually penniless. But she forged ahead, intent on creating a solo career of her own.

On Her Own
In 1977 Turner moved to London, England, and spent the remainder of that decade living and working in Europe. Undeterred by the poor showing of her 1978 solo album Rough (on United Artists), Turner hired manager Roger Davies in 1979. She returned to the United States in 1981, toured with the Rolling Stones, and renewed her efforts to revitalize her career. She met with success in 1984 when her album Private Dancer spun off three top ten singles, including "What's Love Got to Do with It." The song became her first number one hit record, and she won three Grammys that year, including Best Female Pop Vocalist, Best Female Rock Vocalist, and Record of the Year. She was lauded for her sensational comeback, and in 1985 she scored with a number two hit, "We Don't Need Another Hero," from the movie Mad Max: Beyond Thunderdome. Additionally, her recording of "One of the Living" won a Grammy Award for Best Rock Vocal Performance by a Female.

Yet as she conquered the issues of her tempestuous marriage to Ike Turner, she quickly tired of explaining to the press and public about the years she had spent under his Svengali spell. In an attempt to bring closure to the affair, she immersed herself in documenting the painful details of her former marriage in an autobiography, I, Tina. The book, co-written with rock journalist Kurt Loder, appeared in 1986. That same year her Break Every Rule album went multi-platinum, and she added another Grammy to her collection, for "Back Where You Started." In 1987 Turner took to the road for 18 months for a world tour of 25 countries that lasted into 1988. She performed 220 concerts during that promotion, including a phenomenal program in Brazil where she appeared before an audience of 182,000, one of the largest concert audiences ever assembled. Turner's concert tours sold out repeatedly, her recordings registered brisk sales, and her Capitol Records release Tina Live in Europe won a Grammy for Best Rock Vocal Performance by a Female.

By this time Turner's image had grown to legendary proportions. She took some time to rest after the well-received tour, and in 1989 returned to Europe, where she bought a home in London at Notting Hill Gate and settled there. Her 1989 release Foreign Affair, largely self-produced, was her first album after a year's hiatus.

At the Movies
Turner performed in select motion pictures, although acting was never the focus of her career. In 1975 she appeared as the Acid Queen in the film version of the The Who's rock opera Tommy, and in 1985 she portrayed the character of Auntie Entity in Mad Max: Beyond Thunderdome. Her preference was to appear in roles of women who emote strength.

In 1993 a British video appeared, called Tina Turner: The Girl from Nutbush, a documentary including rare footage from the early years of the Ike and Tina Turner Review. The low-visibility project was upstaged, however, when film director Brian Gibson transformed Turner's 1986 autobiography into a feature film. Kate Lanier wrote the screenplay for the movie, which starred Angela Bassett and Laurence Fishburne, and Turner generously provided creative consultation for the project. In related interviews after the movie opened in theaters, Turner expressed her desire to let go of the memories portrayed in the film; Ike Turner avoided endorsement of the final product.

In 1996 the indefatigable Turner released Wildest Dreams, featuring Bono, Sheryl Crow, Sting, and Antonio Banderas, among others. Turner, nearly 60 years old by then, seemed a human dynamo. On her tenth solo album, Twenty Four Seven, released by Virgin Records in January of 2000, she collaborated with several younger artists. It was her first album since 1996, and critics applauded the effort. The Los Angeles Times said of Turner that she "successfully meshes retro-soul with techno flava … [and] is still up to any challenge." In conjunction with the release of her album in 2000, she performed in the pre-game show of Super Bowl XXXIV, and then embarked on an international tour, beginning in South Africa and encompassing 49 cities, with a grand finale at Radio City Music Hall in New York City. Turner then announced her plans to retire from touring at the end of the 2000 tour, which would include 116 concerts. Jon Pareles of the New York Times noted that "Ms. Turner is not about to become a grande dame anytime soon, reflecting from a distance on past triumphs and heartbreak. The way she sings, she's still a fierce contender in the battle of the sexes." The tour was the top-grossing concert tour of 2000 with $80.2 million in ticket sales.

Turner was repeatedly asked why she would choose to retire while fans are still in thrall. "I'm still in good shape, I still have the energy, but when you work at a job for so long, you start to feel the need to make a change," Turner told People. "I'm rock and roll, and I'm a woman. … and at a certain age you stop looking the part." She still had plans to continue recording and make occasional live appearances.

Private Life of "Private Dancer"
It is a surprise to Turner's fans that her on-stage gyrations and shouting match singing style are solely a performance illusion. In person she is slight and calm, not at all like her stage and musical persona. Writers Hedda Maye and Robyn Foyster of Ebony called her "the epitome of classic chic with a classic sense of style." After moving to London in 1977 following her breakup with Ike Turner, she moved on to Cologne, Germany, and then to Zurich, Switzerland, in 1998, where she owned a luxury home shared with Erwin Bach, a German record company executive with whom she had begun a relationship in 1986. Turner has repeatedly said she and Bach do not ever plan to marry. "We're like an old wedded couple anyway, so we really don't see the need," she said in an interview with United Press International. She also spends time in a custom mansion in Cap Ferrat, France, called Anna Fleur. "It offers me security," she told Swiss News, of living in Europe. "It is a place where I have found more success, more appreciation!"

She is the mother of two sons, Craig and Ron, and is also a grandmother and great-grandmother. Shortly before she left Ike Turner, she became a student of Buddhism and continues to practice that religion devotedly. Turner is reportedly a homebody who enjoys decorating her homes and eating Bach's home-cooked meals.

Even in retirement, Turner has continued to triumph on the charts. A 2005 greatest-hits compilation, All the Best, debuted on the charts in the number two position. The collection included three new songs, one of which resulted in a new hit for the diva within four weeks of its release, when "Open Arms" made it atop the Adult Contemporary radio charts. "All the Best could usher in another stage in Turner's long career," wrote Fred Bronson in Billboard. "One thing is certain: The debut of 'Best' expands Turner's overall chart span to 44 years, five months and three weeks." But who's counting?

Selected discography

Singles
"Let's Stay Together," Capitol, 1984.
"Private Dancer," Capitol, 1984.
"What's Love Got to Do with It," Capitol, 1984.
"Better Be Good," Capitol, 1984.
"One of the Living," Capitol, 1985.
"We Don't Need Another Hero," Capitol, 1985.
"Open Arms," Capitol, 2005.

Solo albums
The Country of Tina Turner, United Artists, 1973.
Acid Queen, Razor & Tie, 1975.
Love Explosion, United Artists, 1977.
Rough, United Artists, 1978.
Private Dancer, Capitol, 1984.
Mad Max: Beyond Thunderdome, Capitol, 1985.
Break Every Rule, Capitol, 1986.
Tina Live in Europe, Capitol, 1988.
Foreign Affair, Capitol, 1989.
Simply The Best, Capitol, 1991.
Wildest Dreams, Virgin, 1996.
Twenty Four Seven, Virgin/Parlophone, 2000.
All The Best (2-CD "best of"), Capitol, 2005.

Singles (with Ike Turner)
"A Fool in Love," Sue Records, 1960.
"It's Gonna Work Out Fine," Sue Records, 1961.
"You Should'a Treated Me Right," Sue Records, 1962.
"River Deep, Mountain High," Phillies, 1966.
"I've Been Loving You Too Long," Blue Thumb, 1969.
"The Hunter," Blue Thumb, 1969.
"Proud Mary," Liberty, 1971.

Albums (with Ike Turner)
The Sound of Ike and Tina Turner, Sue Records, 1960.
Festival of Live Performances, United Artists, 1962.
Dance with Ike and Tina Turner, Sue Records, 1962.
Don't Play Me Cheap, Sue Records, 1963.
Dynamite, Sue Records, 1963.
Ooh Poo Pah Doo, Harmony, 1965.
Ike & Tina Show 2, Tomato, 1965.
The Ike and Tina Turner Revue Live, Kent, 1965.
The Ike and Tina Turner Revue Live, Warner Brothers, 1965.
Live/The Ike and Tina Show, Loma, 1966.
River Deep and Mountain High, Phillies, 1966.
Ike and Tina Turner's Greatest Hits, Warner Brothers, 1967.
Get It Together, Pompeii, 1969.
Outta Season, Blue Thumb, 1969.
Fantastic, Sunset, 1969.
Her Man, His Woman, Capitol, 1969.
The Hunter, Blue Thumb, 1969.
Cussin', Cryin' and Carryin' On, Pompeii, 1969.
Workin' Together, Liberty, 1970.
On Stage, Valiant, 1970.
Ike and Tina Turner's Greatest Hits, Sunset, 1970.
'Nuff Said, United Artists, 1971.
Soul to Soul, Atlantic, 1971.
Something's Got a Hold on Me, Harmony, 1971.
What You Hear Is What You Get, EMI, 1971.
Feel Good, United Artists, 1972.
Let Me Touch Your Mind, United Artists, 1972.
Nutbush City Limits, United Artists, 1973.
The World of Ike and Tina Live, United Artists, 1973.
The Best of Ike & Tina Turner, Blue Thumb, 1973.
Strange Fruit, United Artists, 1974.
Sweet Rhode Island Red, United Artists, 1974.
Greatest Hits, Vol. 3, Atlantic, 1974.
Proud Mary: The Best of Ike & Tina Turner, EMI America, 1991.
Sixteen Great Performances, ABC, 1975.
Too Hot To Hold, Charly, 1975.
Delilah's Power, United Artists, 1977.
Airwaves, United Artists, 1979.
Great Rhythm & Blues Sessions, Rhino, 1991.
20 Rare Recordings, Sound Solution, 1992.
Get It On, Sound Solution, 1993.
Shake, Sound Solution, 1993.
Funky Ball, Sound Solution, 1993.
Live at Cirkus Krone, ITM/Traditional, 1994.
Mississippi Rolling Stone, Prime Cuts, 1995.
Shake Rattle & Roll, Delta, 1995.
Keep on Pushing, Laserlight, 1995.
Rockin' and Rollin', Laserlight, 1995.
Livin' for the City, Laserlight, 1995.
Nutbush Limits, Laserlight, 1995.

Sources
Books
Turner, Tina, and Kurt Loder, I, Tina, William Morrow, 1986.


Periodicals
Billboard, January 29, 2005; February 19, 2005.
Ebony, November 1989, p. 166; January 1992, p. 102; September 1996, p. 38; May 2000, pp. 52-63.
Entertainment Weekly, March 18, 1994, p. 105; August 2, 1996, p. 72.
Essence, May 1993, p. 93(10); July 1993, p. 50(6).
Jet, January 22, 2001.
Los Angeles Times, January 31, 2000, p. CAL. 73+; January 31, 2000, p. F-2.
New York Times, April 11, 2000.
People, December 4, 2000; July 31, 2000.
Swiss News, November 2000.
Time, June 21, 1993, p. 64(2); March 22, 2004.
UPI NewsTrack, October 18, 2004.
Washington Post, February 9, 2000, p. C1.
Washington Times, October 5, 2000; October 9, 2000.

Online
"Tina Turner," All Music Guide, http://www.allmusic.com (April 25, 2005).
"Tina Turner," The National Academy of Recording Arts & Sciences, http://www.grammy.com/awards/ (June 26, 2005).

• Genres: Rhythm & Blues

Biography

The most dynamic female soul singer in the history of the music, Tina Turner oozed sexuality from every pore in a performing career that began the moment she stepped on-stage as lead singer of the Ike & Tina Turner Revue in the late '50s. Her gritty and growling performances beat down doors everywhere, looking back to the double-barreled attack of gospel fervor and sexual abandon that had originally formed soul in the early '50s. Divorced from Ike in the mid-'70s, she recorded only occasionally later in the decade but resurfaced in the mid-'80s with a series of hit singles and movie appearances; her high-profile status was assured well into the '90s.

Born Annie Mae Bullock near Brownsville, TN, she began singing as a teen, and joined Ike Turner's touring show as an 18-year-old backup vocalist. Just two years later, Tina was the star of the show, the attention-grabbing focal point for an incredibly smooth-running soul revue headed by Ike and his Kings of Rhythm. The couple began hitting the charts in 1960 with "A Fool in Love," and notched charting singles throughout the '60s, though the disappointing position of "River Deep, Mountain High" -- cited by Phil Spector as one of his best productions -- was very hard to take. All expectations were fulfilled in 1971 with "Proud Mary," a number four hit that became the capstone of Ike & Tina's Revue. Frustrated by Ike's increasingly irrational behavior, though, Tina walked out just three years later.

She celebrated her newfound freedom in 1975 with a role in the film version of The Who's Tommy. Playing the Acid Queen, she delivered an outrageous, all-too-brief performance in an otherwise forgettable mistake of a movie. Several albums were recorded for United Artists during the late '70s, but she appeared to be washed up by the turn of the decade. Surprisingly, Tina returned in 1983, first teaming with a Heaven 17 project named B.E.F. on a remake of the Temptations' "Ball of Confusion." Tina's vocal offering was understandably apocalyptic, and she gained a solo deal with Capitol that same year. Her first single, a cover of Al Green's "Let's Stay Together," hit the Top 30 early in 1984. Second single "What's Love Got to Do with It" became one of the year's biggest hits, spending three weeks at number one. Her album Private Dancer included two more Top Ten singles, the title track and "Better Be Good to Me."

With another movie role in 1985 (Mad Max: Beyond Thunderdome), she found a number two hit with its theme, "We Don't Need Another Hero." Her next big hit followed in 1986 ("Typical Male"), after which Tina began to decline, still charting occasionally and selling respectably with albums including 1989's Foreign Affair, 1996's Wildest Dreams, and 2000's Twenty Four Seven. In 2009, Turner oversaw and added spoken word segments to Beyond: Buddhist and Christian Prayers, which featured singing from Regula Curti and Dechen Shak-Dagsay. The CD was officially released a year later in 2010. ~ John Bush, Rovi

This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)