Pity and fear
Aristotle did believe that an audience experienced catharsis when watching a tragedy. Catharsis is a process of release and in watching a tragedy an audience is able to get relief from emotions.
Pity and fear
According to Aristotle, viewers experience catharsis when they purge their emotions of pity and fear while watching a tragedy.
The purging of pity and fear is known as catharsis.
Romeo and Juliet is definitely a tragedy. One of the aims of tragedy is to arouse pity or fear with the audience. The heartbreaking tale of the two star crossed loversÊdefinity arouses pity withÊan audience.
Aristotle did believe that an audience experienced catharsis when watching a tragedy. Catharsis is a process of release and in watching a tragedy an audience is able to get relief from emotions.
According to Aristotle, one function of tragedy is to arouse feelings of pity and fear in the audience, leading to a catharsis of these emotions. Through the suffering and downfall of the tragic hero, the audience can experience a purging or cleansing of these intense emotions. This cathartic experience is believed to bring about a sense of emotional renewal and restoration in the audience.
the hero
According to Aristotle, the audience should feel both fear and pity while watching a tragedy. This emotional response, known as catharsis, allows the audience to experience a release of those emotions and gain a sense of emotional purification or relief.
Aristotle's concept of tragedy highlights that it is an imitation of human action that is serious, complete, and of a certain magnitude. Tragedy aims to evoke catharsis, or a purging of emotions such as pity and fear, in the audience through the downfall of a noble protagonist due to a tragic flaw or error in judgment. Aristotle emphasizes the importance of unity of plot, diction, character, and spectacle in creating an effective tragic work.
Pity and fear
According to Aristotle, viewers experience catharsis when they purge their emotions of pity and fear while watching a tragedy.
Aristotle's theory of tragedy, outlined in his work "Poetics," asserts that tragedy is characterized by the depiction of a protagonist's fall from greatness to ruin due to a tragic flaw (hamartia). Tragedy invokes feelings of catharsis in the audience, purging them of negative emotions through pity and fear. Aristotle also emphasizes the importance of unity of plot, character, and theme in creating a successful tragedy.
Aristotle believed that a tragedy, as a form of art, should evoke fear and pity in the audience, leading to a purging or cleansing of these emotions. This process, known as catharsis, serves to provide a sense of emotional release and clarity, allowing the audience to experience a deeper understanding and connection with the human experience portrayed in the tragedy.
Tragedy, according to Aristotle, should evoke emotions of fear and pity in the audience through the depiction of a protagonist's downfall caused by a tragic flaw or error in judgment. The purpose of tragedy is to bring about catharsis, a purging or cleansing of these emotions, leading to a sense of emotional release and moral insight. The tragic plot should be structured in a way that leads to a resolution that is both inevitable and unexpected, generating a sense of awe and admiration for the workings of fate.
The purging of pity and fear through tragedy (according to Aristotle). The release of emotions. The release of emotional tension.
Catharsis is the emotional release and purification that Aristotle believed the audience experienced when watching a tragedy. By witnessing the downfall of the tragic hero, the audience is able to release emotions like pity and fear, leading to a sense of emotional cleansing and renewal.