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main ladki kaise pataun

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Q: Muze ladki patani hai abhi aur woh sirf 14 saal ki hai?
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Continue Learning about General History

What is the English name of Korameenu?

KoramenuCommon names:bullseye snakehead; giant snakehead; great snakehead; cobra snakehead; Indian snakehead; soal (Pakistan); haal (Assam, India); sal, gajal (West Bengal, India); pumurl, bhor (Bijar, India); kubrah, sawal, dowlah (Punjab, India); saal (Orissa, India); poomeenu, phoola-chapa, phool-mural (Andra Pradesh, India); aviri, puveral (Tamil Nadu, India); chaeru-veraal, curuva, bral (Kerala, India); hoovina-murl, madinji, aviu (Karnataka, India); ara, gangara, kalumaha (Sinhalese, Sri Lanka); iru viral (Tamil, Sri Lanka); ara (Sri Lanka); trey raws (Cambodia).


What is the mystique of the Nibelungenlied?

The Niebelungenlied is a combination of two older epics. The earliest manuscripts of the (combined) epic date from around 1200-1205. The key motifs are vengeance, spectacular violence, doom, gloom and destruction. (There's precious little 'mystique'). Many German nationalists just loved the Nibelungenlied. In 1860 a fervent nationalist wrote: Brach Etzels Saal in Glut zusammen, Als er die Nibelungen zwang, So soll Europa stehen in Flammen Bei der Germanen Untergang! (English: Just as Attlita's hall collapsed in glowing embers when he defeated the Nibelungs, so Europe will go up in flames if the Germans perish). The Nazis turned this into a shorter slogan ... and went a long way to acting it out for real.


What was the political system of the Mayans?

Political structuresA typical Classic Maya polity was a small hierarchical state (ajawil, ajawlel, or ajawlil) headed by a hereditary ruler known as an ajaw (later k'uhul ajaw).[18] Such kingdoms were usually no more than a capital city with its neighborhood and several lesser towns, although there were greater kingdoms, which controlled larger territories and extended patronage over smaller polities.[citation needed] Each kingdom had a name that did not necessarily correspond to any locality within its territory. Its identity was that of a political unit associated with a particular ruling dynasty. For instance, the archaeological site of Naranjo was the capital of the kingdom of Saal. The land (chan ch'e'n) of the kingdom and its capital were called Wakab'nal or Maxam and were part of a larger geographical entity known as Huk Tsuk. Interestingly, despite constant warfare and eventual shifts in regional power, most kingdoms never disappeared from the political landscape until the collapse of the whole system in the 9th century AD. In this respect, Classic Maya kingdoms are highly similar to late Post Classic polities encountered by the Spaniards in Yucatán and Central Mexico: some polities could be subordinated to hegemonic rulers through conquests or dynastic unions and yet even then they persisted as distinct entities.[citation needed] Mayanists have been increasingly accepting a "court paradigm" of Classic Maya societies which puts the emphasis on the centrality of the royal household and especially the person of the king. This approach focuses on Maya monumental spaces as the embodiment of the diverse activities of the royal household. It considers the role of places and spaces (including dwellings of royalty and nobles, throne rooms, temples, halls and plazas for public ceremonies) in establishing power and social hierarchy, and also in projecting aesthetic and moral values to define the wider social realm.Spanish sources invariably describe even the largest Maya settlements as dispersed collections of dwellings grouped around the temples and palaces of the ruling dynasty and lesser nobles. None of the Classic Maya cities shows evidence of economic specialization and commerce of the scale of Mexican Tenochtitlan. Instead, Maya cities could be seen as enormous royal households, the locales of the administrative and ritual activities of the royal court. They were the places where privileged nobles could approach the holy ruler, where aesthetic values of the high culture were formulated and disseminated, where aesthetic items were consumed. They were the self-proclaimed centers and the sources of social, moral, and cosmic order. The fall of a royal court as in the well-documented cases ofPiedras Negras or Copan would cause the inevitable "death" of the associated settlement.


Were the Mayans civilized?

From me personally, the Mayans were civilized. But really, the word "civilized" is a perceptual word. Some people might view things as civilized while some may not. It all depends on the hearer. Here are some things about the mayans... you may decide for yourself if they are civilized or not! :)The Maya is a Mesoamerican civilization, noted for the only known fully developed written language of the pre-Columbian Americas, as well as for its art, architecture, and mathematical and astronomical systems. Initially established during the Pre-Classic period (c. 2000 BC to 250 AD), according to the Mesoamerican chronology, many Maya cities reached their highest state of development during the Classic period (c. 250 to 900 AD), and continued throughout the Post-Classic period until the arrival of the Spanish.The Maya civilization shares many features with other Mesoamerican civilizations due to the high degree of interaction and cultural diffusion that characterized the region. Advances such as writing, epigraphy, and the calendar did not originate with the Maya; however, their civilization fully developed them. Maya influence can be detected from Honduras, Guatemala, Northern El Salvador and to as far as central Mexico, more than 1,000 km (620 mi) from the Maya area. Many outside influences are found in Maya art and architecture, which are thought to result from trade and cultural exchange rather than direct external conquest.The Maya peoples never disappeared, neither at the time of the Classic period decline nor with the arrival of the Spanish conquistadores and the subsequent Spanish colonization of the Americas. Today, the Maya and their descendants form sizable populations throughout the Maya area and maintain a distinctive set of traditions and beliefs that are the result of the merger of pre-Columbian and post-Conquest ideas and cultures. Many Mayan languages continue to be spoken as primary languages today; the Rabinal Achí, a play written in the Achi language, was declared a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2005They also had politicsA typical Classic Maya polity was a small hierarchical state (ajawil, ajawlel, or ajawlil) headed by a hereditary ruler known as an ajaw (later k'uhul ajaw).[19] Such kingdoms were usually no more than a capital city with its neighborhood and several lesser towns, although there were greater kingdoms, which controlled larger territories and extended patronage over smaller polities.[citation needed] Each kingdom had a name that did not necessarily correspond to any locality within its territory. Its identity was that of a political unit associated with a particular ruling dynasty. For instance, the archaeological site of Naranjo was the capital of the kingdom of Saal. The land (chan ch'e'n) of the kingdom and its capital were called Wakab'nal or Maxam and were part of a larger geographical entity known as Huk Tsuk. Interestingly, despite constant warfare and eventual shifts in regional power, most kingdoms never disappeared from the political landscape until the collapse of the whole system in the 9th century AD. In this respect, Classic Maya kingdoms are highly similar to late Post Classic polities encountered by the Spaniards in Yucatán and Central Mexico: some polities could be subordinated to hegemonic rulers through conquests or dynastic unions and yet even then they persisted as distinct entities.[citation needed]Mayanists have been increasingly accepting a "court paradigm" of Classic Maya societies which puts the emphasis on the centrality of the royal household and especially the person of the king. This approach focuses on Maya monumental spaces as the embodiment of the diverse activities of the royal household. It considers the role of places and spaces (including dwellings of royalty and nobles, throne rooms, temples, halls and plazas for public ceremonies) in establishing power and social hierarchy, and also in projecting aesthetic and moral values to define the wider social realm.Spanish sources invariably describe even the largest Maya settlements as dispersed collections of dwellings grouped around the temples and palaces of the ruling dynasty and lesser nobles. None of the Classic Maya cities shows evidence of economic specialization and commerce of the scale of Mexican Tenochtitlan. Instead, Maya cities could be seen as enormous royal households, the locales of the administrative and ritual activities of the royal court. They were the places where privileged nobles could approach the holy ruler, where aesthetic values of the high culture were formulated and disseminated and where aesthetic items were consumed. They were the self-proclaimed centers and the sources of social, moral, and cosmic order. The fall of a royal court as in the well-documented cases of Piedras Negras or Copan would cause the inevitable "death" of the associated settlement.And artMaya art of their Classic Era (c. 250 to 900 CE) is of a high level of aesthetic and artisanal sophistication. The carvings and the reliefs made of stucco at Palenque and the statuary of Copá, show a grace and accurate observation of the human form that reminded early archaeologists of Classical civilizations of the Old World[citation needed], hence the name bestowed on this era. We have only hints of the advanced painting of the classic Maya; mostly what has survived are funerary pottery and other Maya ceramics, and a building at Bonampak holds ancient murals that survived by chance. A beautiful turquoise blue color that has survived through the centuries due to its unique chemical characteristics is known as Maya Blue or Azul maya, and it is present in Bonampak, Tajín Cacaxtla, Jaina, and even in some Colonial Convents. The use of Maya Blue survived until the 16th century when the technique was lost. Late Preclassic murals of great artistic and iconographic perfection have been recently discovered at San Bartolo. With the decipherment of the Maya script it was discovered that the Maya were one of the few civilizations where artists attached their name to their work.Not to mention their architecture....Maya architecture spans many thousands of years; yet, often the most dramatic and easily recognizable as Maya are the stepped pyramids from the Terminal Pre-classic period and beyond. There are also cave sites that are important to the Maya. These cave sites include Jolja Cave, the cave site at Naj Tunich, the Candelaria Caves, and the Cave of the Witch. There are also cave-origin myths among the Maya. Some cave sites are still used by the modern Maya in the Chiapas highlands.It has been suggested[who?] that temples and pyramids were remodeled and rebuilt every fifty-two years in synchrony with the Maya Long Count Calendar. It appears now that the rebuilding process was often instigated by a new ruler or for political matters, as opposed to matching the calendar cycle. However, the process of rebuilding on top of old structures is indeed a common one. Most notably, the North Acropolis at Tikal seems to be the sum total of 1,500 years of architectural modifications. In Tikal and Yaxha, there are the Twin Pyramid complexes (seven in Tikal and one in Yaxha, that commemorate the end of a Baktún). Through observation of the numerous consistent elements and stylistic distinctions, remnants of Maya architecture have become an important key to understanding the evolution of their ancient civilization-WikipediaThe mayans had theories on astronomy, mathmatics, a lot of views for religion, they wrote on paper and researched agriculture. I would say: Yes. They were civilized.


Who is Ali Jawad Zaidi?

ALI JAWAD ZAIDI By Saiyid Siraj Amjad On 10th March 1916, a boy was born in Karhan, a small village in Azamgarh district of eastern Uttar Pradesh. This boy, the eldest of six children was to rise to such great heights that not only would he be a known personality in the district or the state in which he was born but go on to become an internationally known figure in the field of Urdu Literature. This boy, lovingly called "Babu" by his adoring mother, is today known as Ali Jawad Zaidi in literary circles and is internationally recognized as a poet of repute, an authority on Marsiyago of Uttar Pradesh, Mir Anis & Mirza Ghalib, and has written on as diverse subjects as plain prose to poetry, from research works to analytical works. Hailing from a prominent zamindar family of Mohammadabad-Gohna, Azamgarh, Ali Jawad Zaidi was born at his maternal grandfather's home in Karhan. Belonging to a Saiyid family and being the eldest son in his family, he was sent to the local Arabic Madarsa to gain education and proficiency in Islamic Theology and religious matters and had it not been for one of his uncles who took him under his wings, the world of Urdu and society in general would have been deprived of his genius and knowledge. Ali Jawad's father died young and at the time, Ali Jawad was only 11 years old. His early formal education took place in Mahmudabad, the princely state. He then proceeded to Lucknow for his pre-university, graduation (Jubilee College, Lucknow) and Post-Graduation in law, (LLb. from Lucknow University). It was in Lucknow that Ali Jawad grew and blossomed. Although his genius was noticed in his early years as a child in his hometown itself, it was in Lucknow that Ali Jawad came into his own as an orator, poet, student leader and organizer. During his graduation and later while doing his LLB, he came into contact with leaders of the national freedom movement and his conscience saw him take a plunge into the freedom movement in the late 1930's. His poems inspired the revolutionaries of the time and he himself led the student's movement along with other able student leaders. His charisma and dynamism saw him being elected as the Secretary-General of the All India Student's Federation. He was the Secretary-General of the All India Student's Federation, during those hectic and stormy days of the Quit India Movement (1942) launched by Gandhi. His poems got proscribed by the British Government for inciting rebellion against the British Raj. The British government got so frustrated by his political activities that they issued an arrest warrant in order to stop him from organizing student rallies and mobilizing the student power against the Raj. But he was not one to give in easily and went underground. He continued with his work of organizing and inspiring students throughout the length and breath of India. He was finally arrested in Nagpur. He was sentenced to jail for anti-British activity and sent to serve his term at the Nagpur Central Prison and later transferred to the Banares Central Jail. With India's independence, Ali Jawad bid goodbye to active politics, although he could have encashed on his popularity and contribution to the freedom struggle, his view was that he fought the British to free India from the yoke of the British Raj and now that India had gained its independence, it was time for him to move onto other things. He joined the Information Department of the Uttar Pradesh Government and was a Deputy Director there when he was inducted into the Information Service of the Central Government and posted to Srinagar.Although he had taken up Government Service for a full-time job and chosen that as a career, he was never away from the Arts and Cultural activities, which were his calling from the heart. He soon found himself getting involved in the Arts and Cultural activities in Jammu & Kashmir and found himself being thrust with the responsibility of organizing and conducting the Kashmir festival during the summer months on an annual basis. He was appointed as the Secretary General of the Society of Arts and Culture, Government of Jammu & Kashmir. In the early sixties, he was transferred to Delhi and posted with the Press Information Bureau. His postings with the Press Information Bureau saw him in Mumbai and then back in Delhi. His final posting was in Tehran and he retired from active Government service as Jt. Director, News Services, AIR in August, 1978. Being a secularist and nationalist to the core, religion had always taken a back seat in his life although he was religious is his own way. For him, religion was a personal matter and the nation, its culture and heritage had always been more important. He was a member of the I K Gujral Committee on National Integration. He had been a regular contributor to magazines and newspapers. Thousands of his articles have found place in the print media over the years. He had also worked as the Editor of "Naya Daur", an Udru monthly digest and "Al-Ilm", a monthly published from Mumbai. In the recent past, Naya Daur ran a series on his memoirs on a monthly basis. He had also done some translation work (into English) for the Sahitya Akademi (Gandhi). The nature of his job took him around the world and he has traveled extensively in India. He has brushed shoulders with Heads of State, Prime Ministers, Governors, Cabinet Ministers, Chief Ministers, Ministers in State Governments, and other high ranking officials on the world stage, yet he was a man with his feet firmly set to the ground, humble and simple. During all his years with the government, he did not stop writing. More than half a dozen of his books have won State Government Awards. The Government of India conferred on him the Padmashri, in recognition of his contribution to Urdu literature. Amongst the various awards and honours that have been conferred on him are, the Tamra Patra for his role in the freedom movement, the Ghalib award and the Mir Anis award. He has authored over 80 books in Urdu, English, Hindi and Persian. Many of his works are now reference material for research students. He has been the subject of research scholars and Doctor of Philosophy Degree's have been awarded to four students for research done on his life and works. He has served as the President of the Uttar Pradesh Urdu Academy, Lucknow and as the President of the Zainabbiya Institute of Islamic Studies, Mumbai, apart from stints on the Board of Sahitya Akademi, New Delhi and the Sangeet & Natya Akademi, New Delhi and many other social, literary and cultural organizations. He has also served as an Advisor to the Government of Uttar Pradesh. Being a man of letters, despite failing sight, he continued to write till his very end. Confined to his home in Lucknow during his last years, as time and age took their toll on him, he wrote employing a person who transcribed all that was dictated. Ali Jawad could hardly see, but the spirit was still very much alive with so much in that little head on those fragile shoulders. His deteriorating health had added urgency to his approach towards his works. He used to say that there was so much more he had to give to the world, yet time was running out for him. Amongst his various works are Naath Nigaran-e-Uttar Pradesh (in 2 Volumes), Uttar Pradesh ke Marsiyago (in 2 Volumes) & Do Adabi School, which have been published in Pakistan as well. These books along with his History of Urdu Literature (English), Mirza Ghalib - Ek Parichay (Hindi), Mir Anis, are unique in their approaches to their subjects. Saiyid Ali Jawad ZaidiMohammedabad-Gohna, Dist. Azamgarh (Now - Mau), Uttar Pradesh, India. Date of Birth :March 10, 1916 Date of Death : December 06, 2004 Education : BA (Lucknow University) LLB (Lucknow University) Career : Government Service (Retired as Jt. Dir., News Services, AIR) Other Positions Held : Advisor, Government of Uttar Pradesh. General Secretary, Dept of Arts & Culture, Govt. of J&K. Srinagar Secretary to the Prime Minister of Jammu & Kashmir, Srinagar Member of the Board, Sahitya Academy, New Delhi Member of the Board, Anjum Tarraqqi Urdu, New Delhi Member of the Board, Sangeet & Natak Academy, New Delhi Member of the Board, Lalit Kala Niketan, New Delhi Member, Board of Trustees, Shia Dergee College, Lucknow President, Uttar Pradesh Urdu Academy, Lucknow President, Zainabiya Institue of Islamic Studies, Mumbai Secretary General, All India Students Federation Recipient of the following Awards : - Padma Shri for contribution to Urdu Literature - Sahitya Academy Award for contribution to Urdu Literature - Tamra Patra for contribution to India's Freedom Struggle - Anis Award in recognition of Expertise on Mir Anis - Ghalib Award in recognition of Expertise on Mirza Ghalib - Certificate of Honour presented by The Rotary Club, Lucknow - Awards presented to his various books by Governments and Literary Organizations are marked in the list of his Books below. Since 1987, Ali Jawad Zaidi, asked Government Bodies and Literary Organizations, not to consider his works, for awards. List of Published Books ( Books marked by an '*' are award winning books) Written by Saiyid Ali Jawad Zaidi 1. Meri Gazalain 1959 * Poetry 2. Teesha-e-Awaaz 1985 Poetry 3. Uttar Pradesh Ke Marsiyago Research 4. Do Adbi School 1970 * Crictical Analysis 5. Naath Nigari Uttar Pradesh mein Research & analysis 6. Zabpt Shudaa Nazmain Collection of Proscribed Poems 7. Urdu Main Qaumi Shairi Ke Sau Saal 1957 Criticism & analysis 8. History of Urdu Literature 1993 Research & Analysis 9. Mir Anis (Tr. English) 1986 Biography 10. Rang-e-sang 1944 Poetry 11. Dayar-e-Sahar 1960 Poetry 12. Naseem-e-Dasht-e-Arzoo 1980 * Poetry 13. Inteqhab Ali Jawad Zaidi 1971 Poetry 14. Silsila (Inteqhab) 1990 Poetry 15. Warq Warq Zanjeer 1990 Poetry 16. Dhoop Chaaon 1994 Poetry 17. Urdu Main Shairi Ke Sau Saal (Afsaane ke saath) 1981 Criticism & analysis 18. Hamari Quami Shairi Criticism & analysis 19. Taamiri Adab 1959 * Criticism & analysis 20. Anwaar-e-Abu Al Kalaam 1959 21. Hindustan Mein Islami Uloom Ke Marakaz 1972 22. Fikr-o-Riyaz 1975 * Collection of Muqalaat 23. Tareekh-e-Adab Urdu Ki Tadween 1976 ResearchAli Jawad Zaidi - List of Books (Cont.) 24. Qasida Nigaran-e-Uttar Pradesh 1978 Research 25. Tarrek Adab Ki Tadween (Vol II) 1983 Research 26. Do Aadabi Ischool (Revised Edition) 1980 Critical Analysis 27. Qasida Nigaran-e-Uttar Pradesh (Vol II) 1983 Research & analysis 28. Masnavi Nigari 1985 Research & analysis 29. Diwan-e-Ghani 1964 Research & analysis 30. Zikr-o-Fikr Ghani 1966 Silsila Muqalaat 31. Nasr Nigari Uttar Pradesh Mein Research & analysis 32. Do aadabi Ischool (Pakistan edition) 1988 Critical Analysis 33. Hindustan Mein Arabi Ki Taweej Research & analysis 34. Kamal-e-Abu Kalam 1989 Collection of articles 35. Mir Anis (Hindi) Biography 36. Ghalib - Ek Parichay (Hindi) 1969 Biography 37. Tareek-e-Mushaira 1992 Research 38. Malik Ram Ek Mutaalah 1987 Biography 39. Islami Taraki Pasandi 40. Dehalvi Marsiyago - Vol I 1982 * Research & Analysis 41. Dehalvi Marsiyago - Vol II 1987 * Research & Analysis 42. Anis Ke Salaam 1981 Collection 43. Rubiyaat-e-Anis 1985 Collection 44. Mir Anis 1991 Collection & Short biography 45. Jadeed Marsiye Ka Baani - Mir Zamir Laknawi 46. Adbiyaat Kashmiri 1994 47. Mahatma Gandhi (Urdu) 1986 Translation from English 48. Diwan Shams Tabraizi Ki Seer (Urdu) Translation from Farsi 49. Islami Para Para 50. Aap Se Miliye 1963 * Sketches 51. ____ Humsaaya 1985 Sketches 52. Hum Qaabila 1990 Sketches 53. Ehl-e-Qaabila Sketches 54. Yaadon Ke Rahguzar Memoirs 55. _____ Nazr Collection of articles 56. Inteqaab-e-Rind 1983 57. Payaam-e-Aazadi 1947 58. Naghma-e-aazadi (Urdu) 1957 Collection of Poems 59. Naghma-e-aazadi (Hindi) 1957 Collection of Poems 60. Ali Ibn Abu Taalib - Vol I Historical Research 61. Ali Ibn Abu Taalib - Vol II Historical Research 62. Zaidi ke Tafsare Collection 63. Zaidi Ke Muqadmaat Collection 64. An Experiment in Communication Planning 1970 Research & Analysis 65. Human Interest Stories 1970 66. Malik Ram Felicitation Volume 1972 67. The Prophet's Daughter Historical Research 68. Urdu Press in Bihar & Bengal 1978 Research & Analysis 69. Mortality & Growth in Urdu Press 1978 Research & Analysis 70. All India Students Conference Golden Jubilee Celebrations 1986 71. A Short History of Student Movement Historical Research 72. Paro 2005 Long Poem Published by Anwar Zaidi 73. Annual Report (1961-62) J&K Academy of Arts, Culture & Languages 1962 Report 74. Report of the I K Gujral Committee for The Promotion of Urdu (In 2 Vols.) 1975 Report Some other links to 'Ali Jawad Zaidi' are given below : http://www.education.nic.in/cd50years/u/47/3Y/473Y0201.htm http://www.indianmuslims.info/people/list_of_padma_awardees.html http://www.education.nic.in/cd50years/u/47/3Y/473Y0202.htm http://66.102.9.104/search?q=cache:84xpJ15F5NsJ:www.columbia.edu/itc/mealac/pritchett/00fwp/srf/srf_sirsayyid.doc+Ali+Jawad+Zaidi&hl=en&ct=clnk&cd=13 http://www.indvandrerbiblioteket.dk/urdu/lyrik.xml http://www.columbia.edu/itc/mealac/pritchett/00fwp/srf/srf_iqbal.pdf http://www.columbia.edu/itc/mealac/pritchett/00fwp/srf/sabkihindi/srf_s... http://www.columbia.edu/itc/mealac/pritchett/00fwp/srf/srf_sirsayyid.do... http://www.loc.gov/cgi-bin/zgate?ACTION=INIT&FORM_HOST_PORT=/prod/www/data/z3950/locils2.html,z3950.loc.gov,7090&CI=102739 http://www.sahitya-akademi.org/sahitya-akademi/bklst07.htm http://links.jstor.org/sici?sici=0021-9118(200205)61%3A2%3C761%3AMGACB%... http://education.nic.in/cd50years/u/47/3Y/473Y0303.htm http://www.urdustan.net/blog/2004_11_01_archive.html

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What actors and actresses appeared in Bees Saal Pehle - 1972?

The cast of Bees Saal Pehle - 1972 includes: Abhi Bhattacharya Mohan Choti Ramesh Deo Farida Jalal Vinod Mehra Lalita Pawar


When will iss pyar ko kya naam doon finish?

Kya yaar abhi to sirk 1 saal hi hua hai show shuru hua hai or abhi toh isko bohot dur tak jana hai.sp plz stop commenting onthis topic


When was Solva Saal created?

Solva Saal was created in 1958.


When was Herta Saal born?

Herta Saal was born in 1900.


What is the population of Maria Saal?

The population of Maria Saal is 3,903.


When was Mishka Saal born?

Mishka Saal was born in 1949.


When did William Saal die?

William Saal died in November 1978.


What nicknames did William Saal go by?

William Saal went by Bill.


When was Jason Saal born?

Jason Saal was born on 1975-02-01.


When was Bees Saal Pehle created?

Bees Saal Pehle was created in 1972.