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The only president to be impeached by the House. When he was younger, his mom indentured him and his brother to a tailor named James Shelby.
This web site has a list of his quotes: http://thinkexist.com/quotes/ben_johnson/
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Some examples of masques include "The Masque of Blackness" by Ben Jonson, "Comus" by John Milton, and "The Masque of Queens" by Ben Jonson. Masques were popular in the 16th and 17th centuries as elaborate court entertainments combining music, dance, poetry, and spectacle.
The main idea is the death of Johnsons first son. Jonson is writing his feelings on what he should feel about his sons death. Jonson writes to his son as if his son could hear or read his words. Jonson speaks of his son saying his son is "child of my right hand" , assuming that he would be the next up for the thrown. Jonson also talks about his own sin, was loving him to much as if it were the cause of his sons death. Towards the end of the poem he speaks of his sons death as a loan or a sacrifice of some sort. As if his son was put down here for a certain amount of time and now he has to return/repay the favor to god and give him back. And in a way he is glad that his son is in a better place.
Ben Jonson was an important figure in the London theatre scene at the same time as Shakespeare. Shakespeare played in a couple of Jonson's plays. Jonson for his part wrote some congratulatory verse for the First Folio when it was published in 1623. There is an old story that Shakespeare died from a fever contracted when getting drunk with Jonson. This is just gossip, of course.
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You read that he said that on the internet, didn't you?The internet was invented something like 320 years after Shakespeare was born, so obviously he could not have specifically referred to it. He did however support the general observation, "Don't be gullible," of which skepticism of the internet is only a specific example. Some characters in the plays, such as Sir Andrew Aguecheek in Twelfth Night, are too gullible for their own good, and suffer for it. Some of Shakespeare's contemporaries, especially Ben Jonson and Thomas Middleton, loved writing plays about con men and their gullible marks: see for example Jonson's The Alchemist and Volpone, or Middleton's Michaelmas Term.
They wrote plays. They never wrote them together although they were friendly and Shakespeare had acted in some of Jonson's plays.