f
A whole step consists of two half steps, the smallest note division excluding semitones, so one half step brings the pitch to an "A" and the second up to "B flat"
No, it's a half step. E to F is a half step, and if both are flat, the interval remains the same.
E
F natural
E
F sharp.
Root, whole-step, half-step, whole, whole, half, whole, whole. On a piano, if you start on A you would bo straight up the white notes. if you start on C, you would go C, D, E-flat, F, G, A-flat, B-flat, C
A whole step above D sharp (D#) is E sharp (E#). In music theory, a whole step consists of two half steps, so moving from D# to E# involves skipping over D natural and landing on E#. However, E# is enharmonically equivalent to F, meaning they sound the same but are notated differently.
A sharp, also known as B flat.
The scale goes like this: Do, Re, Mi, Fa, Sol, La, Ti, Do Starting from C, play 8 white note in a row, C, D, E, F, G, A, B, and C. That is a major scale. It is also known as the Ionian mode. Starting from any note, play 8 notes in a row, first note, whole step, whole step, half step, whole step, whole step, whole step and half step. (For example, starting with E - E, F#, G#, A, B, C#, D#, E. If you are looking at the key signature, in the case of sharps, the major key is one half step above the last sharp and, in the cast of flats, the major key is five half steps below the last flat.
If by 'one tone' you mean one step on the chromatic scale, the next note from E flat would be E, which implies the E major scale. If you meant one whole step, as opposed to one half step, the new key would be F major.
No. E-flat is one half step LOWER than E.