F sharp.
A whole step consists of two half steps, the smallest note division excluding semitones, so one half step brings the pitch to an "A" and the second up to "B flat"
E natural and F natural are a half step away. With accidental marks like # and b, they tell you to either move up or down a half step. There's another two, but I can't show them on this answer thing. But those are the only ones that make you move up or down a whole step.So, Fb would be moving down a half step. Move down a half step and you've got E natural.
To make a note flat, you take it down a half step: e turns into e flat and e flat turns into D natural. Natural just means the plain old note with nothing done to it. Therefore, to take a G flat up a half step, it turns into a G natural.
E to F-sharp is one whole step. F-sharp is a major 3rd above D, so it's part of the D major scale.
f
E
F sharp.
A whole step consists of two half steps, the smallest note division excluding semitones, so one half step brings the pitch to an "A" and the second up to "B flat"
E
The scale goes like this: Do, Re, Mi, Fa, Sol, La, Ti, Do Starting from C, play 8 white note in a row, C, D, E, F, G, A, B, and C. That is a major scale. It is also known as the Ionian mode. Starting from any note, play 8 notes in a row, first note, whole step, whole step, half step, whole step, whole step, whole step and half step. (For example, starting with E - E, F#, G#, A, B, C#, D#, E. If you are looking at the key signature, in the case of sharps, the major key is one half step above the last sharp and, in the cast of flats, the major key is five half steps below the last flat.
E natural and F natural are a half step away. With accidental marks like # and b, they tell you to either move up or down a half step. There's another two, but I can't show them on this answer thing. But those are the only ones that make you move up or down a whole step.So, Fb would be moving down a half step. Move down a half step and you've got E natural.
An interval is the distance between two pitches. These intervals are measured in half-steps and whole steps. For example, a half-step is like C to Db. A whole step would be C to D. A major scale is made up of these steps as so: C MAJOR Whole step, Whole step, Half step, Whole step, Whole step, Whole step, Half step. C to D, D to E, E to F, F to G, G to A, A to B, B to C WWHWWWH You may have noticed that from E to F and from B to C it was a half step just as if it were from C to Db. This is because these pitches are simply a half step away from each other.
No, it's a half step. E to F is a half step, and if both are flat, the interval remains the same.
To make a note flat, you take it down a half step: e turns into e flat and e flat turns into D natural. Natural just means the plain old note with nothing done to it. Therefore, to take a G flat up a half step, it turns into a G natural.
One half step.
E to F-sharp is one whole step. F-sharp is a major 3rd above D, so it's part of the D major scale.