Lucrecia Reyes-Urtula is a choreographer, dance educator and researcher. She is the founding dance director of Bayanihan Philippine National Folk Dance Company, choreographing artistic dances based on her extensive research on ethnic dances. She was named as National Artist for Dance in 1988.She applied her findings to project a new example of an ethnic dance culture that goes beyond simple preservation and into creative growth. Over a period of thirty years, she has choreographed suites of mountain dances, Spanish-influenced dances, Muslim pageants and festivals, regional variations and dances of the countryside for the Bayanihan Philippine Dance Company of which she is the dance director. These dances have all earned critical acclaim and rave reviews from audiences in their world tours in Americas, Europe, Asia, Australia and Africa.
Among the widely acclaimed dances she has staged are the following: ''Singkil, a Bayanihan signature number based on a Maranao epic poem; ''Vinta, a dance honoring Filipino sailing prowess; Tagabili, a tale of tribal conflict; ''Pagdiwata, a four-day harvest festival condensed into a six-minute breath-taking spectacle; ''Salidsid, a mountain wedding dance ; ''Idaw, Banga'' and ''Aires de Verbena.''''''''''Francisca Reyes Aquino is acknowledged as the Folk Dance Pioneer. This Bulakeña began her research on folk dances in the 1920's making trips to remote barrios in Central and Northern Luzon. Her research on the unrecorded forms of local celebration, ritual and sport resulted into a 1926 thesis titled ''"Philippine Folk Dances ''and Games," and arranged specifically for use by teachers and playground instructors in public and private schools. In the 1940's, she served as supervisor of physical education at the Bureau of Education that distributed her work and adapted the teaching of Folk Dancing as a medium of making young Filipinos aware of their cultural heritage. In 1954, she received the Republic Award of Merit given by the late Pres. Ramon Magsaysay for "outstanding contribution toward the advancement of Filipino culture", one among the many awards and recognition given to her.''''
Her books include the following: Philippine National Dances (1946); Gymnastics for Girls (1947); Fundamental Dance Steps and Music (1948); Foreign Folk Dances (1949); Dances for all Occasion (1950); Playground Demonstration(1951); and Philippine Folk Dances, Volumes I to VI.
verb/action word by:jenela may reyes barcelon
King's Ring / King's Cake
Tu eres mi rey (informal) Usted es mi rey (formal)
Happy Three Kings Day to my friends.
Gold, Frankincense, and Myrrh. oro, incienso, y mirra. Los Reyes Magos (literally, the Meiji Kings) (Melchor, Gaspar, Baltasar) are said to have come from the East to bring those gifts to the newborn baby Jesus. In most Spanish cultures "Three Kings Day" (Día de los Tres Reyes Magos) is the day gifts are exchanged. Christmas Day is for reverence. Three Kings Day (January 6) is the day to exchange gifts.
Lucrecia Reyes-Urtula was born on June 29, 1929. She was a choreographer from the Philippines who passed away in 1999.
Hi to all of you,do you know when is the birthday of lucrecia reyes-urtula?Pls. Reply before monday thanks!
Lucrecia Reyes-Urtula's birthday was June 29. She was born in 1929 in Iloilo City, Philippines and passed away on August 4, 1999.
in my butt
ano bayan di nakakatulong!
Lucrecia Reyes-Urtula, the famous Filipino choreographer, was born on June 29, 1929 in Iloilo City. She passed away on August 4, 1999.
There is little known about the educational background of Lucretia Urtula. However, she was a founding dance director of Bayanihan Philippine National Folk Dance Company so she must have learned dance as well as how to handle business transactions.
Ramon Arevalo Obusan LeonorOrosa Goquingco Lucrera Reyes Urtula Francisca Reyes Aquino
hi to all of you her birthday was on December 25, 1978 mikee,
Di naman nakakatulong!
Lucrecia Kasilag was born on August 31, 1917, in San Fernando, Philippines.
Reyes Urtula is known for his contributions to contemporary dance, particularly through the fusion of traditional Filipino dances with modern choreography. He often incorporates elements of folk dance into contemporary performances, providing a unique perspective on cultural identity. Urtula's work emphasizes storytelling and emotional expression, making his contributions significant in the landscape of contemporary arts. His innovative approach helps bridge the gap between traditional and modern dance forms.