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a leader in the creation of electronic music Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries.
Karlheinz Stockhausen
Kontakte or Contracts is an electronic music work by Karlheinz Stockhausen. There are sixteen sections and many subsections in the score. It is dedicated to Otto Tomek.
Eight channel electronic music for trumpet, soprano, bass clarinet and bass is the composition of 'Sirius' by Karlheinz Stockhausen [August 22, 1928-December 5, 2007].
There have been several figures throughout history that contributed to theorizing music.
Karlheinz Stockhausen has: Played himself in "Full House" in 1972. Played himself in "Stockhausen - Lichtwerke" in 1988. Played himself in "Peefeeyatko" in 1991. Played himself in "Lost in Music" in 1992. Played himself in "Helicopter String Quartet" in 1996. Played himself in "Modulations" in 1998. Played himself in "Sonic Acts: From Stockhausen to Squarepusher" in 1998. Played himself in "Kontakte" in 1998.
Karlheinz Stockhausen has written: 'Towards a cosmic music' -- subject(s): Interviews, Music, Philosophy and aesthetics 'Tierkreis' -- subject(s): Zodiac, Chance compositions, Songs and music 'KLAVIERSTUCKE' 'Texte zur Musik 1977-1984' 'Aus den sieben Tagen' -- subject(s): Aleatory music 'Stockhausen courses Kurten' 'Conversations with Stockhausen' -- subject(s): Interviews, Composers 'Nr.4' 'Intervista sul genio musicale' -- subject(s): Interviews, Composers 'Nr.6' 'Telemusik' -- subject(s): Electronic music '\\' -- subject(s): Dance notation 'Klavierstu ck XI, Nr.7' -- subject(s): Aleatory music, Piano music 'The art to listen' 'Nr.1' 'Composition course on Scents-Signs (of Sunday from Light)' -- subject(s): Analysis, appreciation, Operas, Music, Performance
Wendy Carlos (born Walter in Pawtucket RI, 1939) may not be the inventor of the entire genre, but she was certainly a major pioneer. Her synthesized recordings of Bach are still very enjoyable. She used the Moog Synthesizer.Robert Arthur Moog and his company were producing equipment to generate electronic music in the 50's and 60's. He invented the Moog synthesizer, and was producing and selling kits for the building of theremins around that time as well.
Probably it's the guy that invented the Leyden jar, wouldn't you think? In other words, it stored a charge and could give off that charge on demand. In a sense, that's a machine which we now commonly call a `capacitor', although it's made of different materials, it still functions the same.
As with so many, Karlheinz Stockhausen's childhood was blighted by the Nazi party. His mother was "euthanised" by them and his father died as a soldier on the eastern front. As a teenager he had to serve as a stretcher-bearer in the battle for Cologne. He comforted the wounded and dying by playing the piano for them. He witnessed terrible scenes but at night he would go out into the battlefield and watch the explosions of the bombs and anti-aircraft fire. He said it was like the most extraordinary firework display. He never felt in danger because he believed he was protected from above. There are all the elements here to understand him as a composer. The need to invent new worlds, the horror of the militaristic which meant he never composed music with a beat or as he called it a 'tyrannical' rhythm, the trust in the higher - all religion, spirituality etc, the power of music to relieve suffering and direct his audience to a more exalted plain. It also made him self-reliant to an extreme and more conscious than most of the value of life and proximity of death.
Electronic Music Midwest was created in 2002.
stockhausen-american composer