you shouldn't, keep action clear of dialogue
An action beginning starts right when the action starts, so it will be more exciting and keep the reader's attention. Have the characters doing things instead of giving long, boring descriptions.
if it is action or not
An adverb describes the action. Verbs are action words; adverbs describe the action. In the example "he giggled uncontrollably" 'giggled' is the verb and 'uncontrollably' is the adverb because it describes the action of giggling.
Convention The means the playwright employs are determined at least in part by dramatic convention. Greek: Playwrights of this era often worked with familiar story material, legend about gods and famous families that the audience was familiar with. Since the audience was familiar with certain aspects of these, the playwrights used allusion rather than explicit exposition. In representing action, they often relied on messengers to report off-stage action. For interpretation the Greeks relied on the CHORUS, a body of onlookers, usually citizens or elders, whose comments on the play reflected reactions common to the community. These plays were written in metered verse arranged in elaborate stanzas. This required intense attention from the audience. English Drama: Minor chara cters play an important role in providing information and guiding interpretation. The confidant, a friend or servant, listens to the complaints, plans and reminiscences of a major character. Minor characters casually comment among themselves on major characters and plot development. Extended SOLILOQUY enables a major character to reveal his thoughts in much greater detail than in natural dialogue. ASIDES, remarks made to the audience but not heard by those on the stage, are common. Realism: Toward the end of the nineteenth century, realistic depiction of everyday life entered the genre of drama, whereas the characters may be unconventional and their thoughts turbulent and fantasy-ridden. Contemporary: Experimentation seems to be the key word here. A NARRATOR replaces the messenger, the chorus and the confidant. FLASHBACKS often substitute for narration. Many contemporary playwrights have abandoned recognizable setting, chronological sequence and characterization through dialogue. Reference : Encarta Encyclopedia
Your pulse measures the action of the heart.
You must show them in action during the first scene -- have them doing something that character would do naturally, and hook the audience with the action. Show them doing something that reveals their personality by their actions and dialogue.
i generally just put the description of the scene that is playing in parenthetical where it cues in on the dialogue. you could describe it in an action after the dialogue i suppose.
An objective narrator reports action and dialog without telling the reader what characters think or feel.
It means you show what your characters are like through the way they act and speak.
Dialogue is people speaking, so it's not the same as action.
the most emotional or suspenseful moment in the play where the main character usually takes an action that makes the outcome of the conflict clear
An objective narrator reports action and dialog without telling the reader what characters think or feel.
You create characters through showing them to the reader, and all of those can work.
The action bubbles in comics are often called "speech bubbles" or "word balloons." These graphic elements contain text that represents the dialogue or thoughts of the characters in the comic.
Dialogue helps to reveal the characters' thoughts, feelings, and motivations, which can drive the plot forward. It can also provide important information or foreshadow events that will impact the storyline. Engaging dialogue can create conflict, build tension, and propel the narrative towards its resolution.
Poe aims to create a sense of suspense and dread throughout the story, building tension as the narrator descends into madness. The elements of setting, action, characters, and dialogue work together to enhance this effect by creating a dark and foreboding atmosphere, portraying the narrator's mental unraveling, and highlighting the eerie and unsettling interactions between characters. Together, these elements contribute to a sense of unease and psychological horror that permeates the narrative.
The main idea of a play is the central theme or message that the playwright is trying to convey to the audience through the characters, dialogue, and action of the play. It is the underlying concept that ties together the plot, characters, and conflicts to create a meaningful and compelling story.