This depends on he melting temperature of the wire that you are using. It also depends on the firing temperature of the clay. If the melting temperature of the wire is higher than the firing temperature of the clay, then wire can be added to a clay piece.
No. Underglazes are colored clays that are applied to unfired clay and then covered with transparent glazes to be fired. They are fired at the same temperature at which both the glaze and the clay mature. Overglazes are applied over glaze, as the name implies. They are painted on glazed, fired items which are then refired at a much lower temperature. If overglazes are used during underglazing, they will probably burn out because the temperature is too high.
The temperature of three different constructs of clay won't vary according to the shape of the construct. If the clay is at room temerature, the shapes will be at room temperature with possibly some very small variation from the hands of the person working the clay.
Just about everything melts or combusts at high enough temperature. If clay is fired at the correct temperature for the type clay then it's called maturing the clay. It's like baking a cake. It's not batter anymore and it can't be made back into batter. Properly fired clay won't break down into mud again. The chemical nature is changed. The particles of clay melt enough to bond them together then the pot is usually glazed and fired to an even higher temperature to melt the glass like glaze and bond it to the surface of the clay pot. Exact temperature is very important. Too little and you get an ugly pot with glaze that cracks off and too high and it can be a melted, warped mess.
It should be safe to dry clay in a microwave, but it would not be practical. The clay won't get dry at all. Using a regular oven, or just leave the clay on a shelf would be the best bet to dry clay.
This depends on he melting temperature of the wire that you are using. It also depends on the firing temperature of the clay. If the melting temperature of the wire is higher than the firing temperature of the clay, then wire can be added to a clay piece.
Dirt , Humus , Clay
No. Underglazes are colored clays that are applied to unfired clay and then covered with transparent glazes to be fired. They are fired at the same temperature at which both the glaze and the clay mature. Overglazes are applied over glaze, as the name implies. They are painted on glazed, fired items which are then refired at a much lower temperature. If overglazes are used during underglazing, they will probably burn out because the temperature is too high.
The temperature of three different constructs of clay won't vary according to the shape of the construct. If the clay is at room temerature, the shapes will be at room temperature with possibly some very small variation from the hands of the person working the clay.
solid
Average Temperature The average temperature is 68 degrees Fahrenheit.
Any temperature but for best results in a hot spot or freezing spot. Make sure you don't freeze the clay, burn it or crack it. Certain clays have to be at certain temperatures. All clay s different.
Do you mean clay triangle? This is used in the Chemistry Laboratory for holding a clay crucible when heating substances to high temperature to melt them.
they are made from clay that are heated in a high temperature room...
you leave it out in room temperature overnight
Hypothalamus
Just about everything melts or combusts at high enough temperature. If clay is fired at the correct temperature for the type clay then it's called maturing the clay. It's like baking a cake. It's not batter anymore and it can't be made back into batter. Properly fired clay won't break down into mud again. The chemical nature is changed. The particles of clay melt enough to bond them together then the pot is usually glazed and fired to an even higher temperature to melt the glass like glaze and bond it to the surface of the clay pot. Exact temperature is very important. Too little and you get an ugly pot with glaze that cracks off and too high and it can be a melted, warped mess.