Dialogue means writing down the way that people speak and communicate. Dialogue does several things in writing:
Dialogue can be tricky to write well. The best way to learn how to create believable dialogue is to be observant - listen to conversations, pay attention to how people speak, and jot down interesting remarks you overhear. Notice body language and facial expressions, too. Writers are always eavesdropping to get dialogue ideas!
My whole life, I've been a great eavesdropper! - George V. HigginsWhen writing dialogue, stay away from all those synonyms for "said" - the idea is to keep the reader inside the story, and reading a lot of "he spat," "she expostulated," or "intoned the old man" just jars the reader right out and makes them aware of the mechanics behind the story instead. Also, resist the temptation to add adverbs - "he said bitingly," "she sobbed heartbrokenly," - show any emotion in the way the characters speak, not in adverbs. And just use the word "said." It's short, everyone knows what it means, and the reader can skim right over it without breaking concentration. Look at these two examples and see which one seems smoother to you:
"Well, Bob," the scientist sneered bitingly," as you know, the experiment was a success, thus rendering you completely invisible, as you requested."
"But," Bob whined in an annoying voice, "I've read all about this sort of thing. You did something wrong!" "
Nonsense," the scientist scoffed. "What am I going to do now?"
Bob queried worriedly. "You didn't tell me even I wouldn't be able to see myself!"
OR"I don't see the need for panic, Bob," the scientist raised one eyebrow, but never looked up from his computer screen. He continued to rappidly enter data into the report. "I did explain the invisibility experiment to you quite thorougly. I'm certain we discussed this ... little problem. You didn't seem very concerned before we started, though I did mention that you might have difficulty."
"You don't understand!" Bob's footsteps tapped from one end of the lab to the other as he paced. "This never happened in any of the books I read! None of the superheroes ever had this problem!"
"I hardly think that comic books are a sound basis for scientific experimentation, Bob. You're going to have to come to grips with it, that's all."
"But what am I going to do? I was only supposed to be invisible to other people! You didn't tell me I would't be able to see myself either!"
Notice, also, that in the second example, I did not need to write "Bob said" or "the scientist said" every single time. If you note the actions of the speaker, then the "he said" is implied, and the reader can figure out who said what. Also, if the speaker calls the other character by name, it's obvious who is speaking, so you don't have to note it. You do need to note the speaker periodically - about every third line or so - in order to make certain the reader doesn't get confused. But you do not have to do it each time. In normal, back-and-forth conversation, the reader will be able to follow along most of the time without any problem.
Real conversation doesn't translate into believable dialogue. Listen to people talk, but shortcut what they've said when you write by cutting out 85 percent of the words they use. - Cynthia RiggsFollow the rules you learned for grammar, though. Double quotation marks for dialogue, with single quotes for anything the speaker is quoting another speaker within his/her speech.
"You'll never believe it," Rachel whispered, "but Stan actually said 'Stick it' to his horrible boss the other day!"
Notice that the comma or other punctuation goes inside the quotation marks, not outside. You can add other descriptions besides the dialogue into your chapters. In fact, showing some action is a good way to indicate the character's emotion and personality.
Each character needs to have an individual way of speaking, too. This is where your observations come in handy. Does your character use big words and speak in educated sentences, or does he grunt out broken fragments using short words? A Harvard graduate will speak and gesture quite differently from a high-school dropout who drives a taxicab. Watch out for stereotypes, however - some taxicab drivers are PhD students or closet intellectuals!
Writing Dialogue with More Than Two Speakers
Many scenes in your story will involve more than just two people talking. There's no problem adding more speakers - just be sure that you are very clear about who is talking on each line. You'll probably want to sprinkle a few more "Bill said," and "Alice said," indicators into the section so that the reader doesn't get lost, but otherwise, it's exactly the same as writing a conversation between two characters.
Here's a good example to show you what I mean -- you'll notice that I've done everything I suggested above (except plan it out in advance, because I'm using two characters that I "know" very well inside my head!)
Jess closed the door and slouched against the wall. "That man is going to drive me crazy!"
Kye sprawled onto the sofa. "I dunno. Kirkham's not that bad. He's just a little ...."
"Obsessed. That's what he is. I'm going to murder him."
"No, you ain't. What you're gonna do is ignore him. Let him run around like a squirrel in a trap worrying about how the job's gonna work out. You and me will stay calm and get it done."
Jess ran a hand through his hair. "Can I at least rough him up a little?"
It is YOUR story. Write it in whatever way you wish.If you honestly do not feel qualified to write it, you need to hire a ghost-writer to help you. You will not find any good authors who will write your story for free.
Only you can come up with a good title! Titles come from the story, not the other way around. Write the story first, and you'll find the title.
It depends on what you want the story to be about.Like if you want to just write about one dragon.Or if you want to write about more than one.(I need more details)And tell me what your story should be about.
In order to write a book, you must have:A good ideaInteresting charactersThe drive to keep writing and finish the bookThe drive to edit and revise until the book is the best you can make it
You write book reports in the same way - read the story first.Then, write a short summary of what happened in the story.Next, write whether you enjoyed reading the story or not - and give reasons why.
It is in the front of the book before the story. starts.
It depends when and if a good story idea comes to her mind.
First, you research dolphins until you really understand them. How do they look, act, and sound -- how do they communicate -- how do they get along with humans? Next, write a good story -- it doesn't matter what subject you write about -- a good story is a good story. Click the link below!
To have a good book review you need to state the book and the author then summarise the book and write your opinion on the book. There are some examples in teen-book-review.blogspot.com/
The Story of My Experiments With Truth
Only you can come up with a good name! Titles come from the story, not from some anonymous person on the internet! Titles are not as important as some writers think - your title might change many times between your first write and your final draft!Think about your story - what is going on and who are the people involved? What is something special about the story that might make a good title? Don't sweat it - just write something down and get on with the story!Check out the Related Questions for help with your book, too
Only you can come up with a good name! Titles come from the story, not from some anonymous person on the internet! Titles are not as important as some writers think - your title might change many times between your first write and your final draft!Think about your story - what is going on and who are the people involved? What is something special about the story that might make a good title? Don't sweat it - just write something down and get on with the story!