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Bhārat Mātā (Hindi, from Sanskrit भारत माता, Bhārata Mātā), Mother India, or Bhāratāmbā ( Sanskrit: भारताम्बा; अम्बा ambā means 'mother') is the national personification of India as a mother goddess. She is usually depicted as a woman clad in a saffron sari holding a flag, and sometimes accompanied by a lion.

The image of Bhāratmātā formed with the Indian independence movement of the late 19th century. A play by Kiran Chandra Bannerjee, Bhārat Mātā, was first performed in 1873. Bankim Chandra Chatterji's 1882 novel Anandamath introduced the hymn "Vande Mātaram", which soon became the song of the emerging freedom movement in India.

Bipin Chandra Pal insisted that elaborated its meaning in idealizing and idealist terms, along with Hindu philosophical traditions and devotional practices. It represented an archaic spiritual essence, a transcedental idea of Universe as well as expressing Universal Hinduism and nationhood.

Abanindranath Tagore portrayed Bhārat Mātā as a four-armed Hindu goddess wearing saffron-colored robes, holding a book, sheaves of rice, a mala, and a white cloth. The image of Bharatmata was an icon to create nationalist feeling in Indians during the freedom struggle. Sister Nivedita, an admirer of the painting, opined that the picture was refined and imaginative, with Bharatmata standing on green earth and blue sky behind her; feet with four lotuses, four arms meaning divine power; white halo and sincere eyes; and gifts Shiksha-Diksha-Anna-Bastra of motherland to her children.

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