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The answer to this one is obviously very subjective. It can also change a lot from performance to performance. For example in the BBC recorded version with Sir Derek Jacobi, when he delivers the line "death, the undiscovered country from which no traveller returns" he looks at the locket around his neck with a picture of his father, who has returned from that undiscovered country. It made me totally doubt Hamlet's sincerity in this soliloquy. Or in the recording of the 1964 Broadway production with Richard Burton, when Rosencrantz and Guildenstern are talking to Hamlet in 2,2 one of them, when Hamlet's back is turned, surreptitiously looks into the book Hamlet has been reading and has thrown casually on a table. Hamlet turns around and whichever one it was closes the book. This was an immediate signal to Hamlet that these guys are not friends, they are spies. That was for me a theme running through that production, how Hamlet is constantly spied on and betrayed by those nearest to him, and how he reacts with increasing violence to the discovery.

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