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An acting company in Shakespeare's day would have an ample supply of swords, daggers, pikes and other weapons for the many plays involving soldiery. Cups and jugs for people who are shown drinking would likely be used and reused. Other props might be brought in for the particular play: a company might have to procure a skull or three to put on Hamlet, although the skull would come in handy if they were to produce Middleton's Revenger's Tragedy.

Essentially, then, theatre companies would treat props the way theatre companies treat props now: the director would make up a "list of properties, such as our play demands" as Peter Quince does, and then would have to find them among props from previous productions, borrow them from other companies, or make them.

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