The scale you are referring to is likely the "whole tone scale." However, if you mean a specific type of pentatonic scale that incorporates a third mode, it might be the "major pentatonic scale," which can be constructed using whole tones and a specific sequence of intervals. In general, chromatic scales encompass all twelve pitches within an octave and can include variations on pentatonic structures. Clarification on the specific context of "3rd mode" would help refine this answer further.
One difference between a whole tone scale and a pentatonic scale is that a whole tone scale has 6 notes per octave while a pentatonic scale has 5 notes per octave. Another major difference is that a whole tone scale has all adjacent notes a whole step apart, while a pentatonic scale does not consist entirely of whole steps, and since a pentatonic scale is only defined as a scale with 5 notes per octave, there are many pentatonic scales that are possible.
The pentatonic scale consists of five notes and can be constructed in two common forms: major and minor. In the major pentatonic scale, the intervals between the notes are whole step, whole step, minor third, whole step, and minor third. In the minor pentatonic scale, the intervals are minor third, whole step, whole step, minor third, and whole step. This unique arrangement of intervals gives the pentatonic scale its distinctive sound.
In a minor scale, the interval structure consists of a specific pattern of tones and semitones. The natural minor scale follows the sequence: whole, half, whole, whole, half, whole, whole, which translates to intervals of 2 tones followed by 1 semitone, then 3 tones, and finally another semitone. This gives the minor scale its distinctive sound and characteristics. For example, in the A minor scale, the notes are A, B, C, D, E, F, and G, following this pattern of intervals.
An augmented second interval consists of two whole steps and one half step. In terms of scale degrees, it spans three semitones. For example, if you take C and move to D#, you cover this distance, which represents an augmented second. Thus, there are three half steps in the interval of an augmented second.
An interval is the distance between two pitches. These intervals are measured in half-steps and whole steps. For example, a half-step is like C to Db. A whole step would be C to D. A major scale is made up of these steps as so: C MAJOR Whole step, Whole step, Half step, Whole step, Whole step, Whole step, Half step. C to D, D to E, E to F, F to G, G to A, A to B, B to C WWHWWWH You may have noticed that from E to F and from B to C it was a half step just as if it were from C to Db. This is because these pitches are simply a half step away from each other.
The different scale progressions used in music theory include major, minor, chromatic, whole tone, pentatonic, and blues scales.
One difference between a whole tone scale and a pentatonic scale is that a whole tone scale has 6 notes per octave while a pentatonic scale has 5 notes per octave. Another major difference is that a whole tone scale has all adjacent notes a whole step apart, while a pentatonic scale does not consist entirely of whole steps, and since a pentatonic scale is only defined as a scale with 5 notes per octave, there are many pentatonic scales that are possible.
The different modes of the pentatonic scale are the major pentatonic scale and the minor pentatonic scale. Each mode has a unique pattern of whole and half steps that create a distinct musical sound.
The pentatonic scale consists of five notes and can be constructed in two common forms: major and minor. In the major pentatonic scale, the intervals between the notes are whole step, whole step, minor third, whole step, and minor third. In the minor pentatonic scale, the intervals are minor third, whole step, whole step, minor third, and whole step. This unique arrangement of intervals gives the pentatonic scale its distinctive sound.
It depends on the scale in question: * The diatonic scale (seven notes) * The melodic and harmonic minor scales (seven notes) * The chromatic scale (twelve notes) * The whole tone scale (six notes) * The pentatonic scale (five notes) * The octatonic or diminished scales (eight notes) Then of course there are the Indian Swara scales which have varying numbers of notes too.
The opposite of a diatonic scale is a chromatic scale. While a diatonic scale consists of seven distinct pitches within an octave, following a specific pattern of whole and half steps, the chromatic scale includes all twelve pitches available in Western music, encompassing both the diatonic notes and additional sharps and flats. In essence, the diatonic scale is more structured and limited, whereas the chromatic scale is more expansive and inclusive of all semitones.
One whole step.
There are 7 notes in a heptatonic scale. Heptatonic scales are the major and all minor scales including the 7 diatonic scales which are those consisting of 5 whole steps and 2 half steps separated by either 2 or 3 whole steps.
Debussy often used the whole tone scale and the pentatonic scale to create a sense of ambiguity and blur in his music. The whole tone scale, consisting of six consecutive whole steps, lacks a strong tonal center, while the pentatonic scale, with its five notes, offers a more open, less defined harmonic structure. Together, these scales contribute to the dreamy, impressionistic quality characteristic of Debussy's compositions.
Chromatic Harmony is the use of chords containing tones not found in the prevailing major or minor scale but included in the chromatic scale (which has twelve tones): often found in Romantic Music. Diatonic harmony is created exclusively from whatever melodic resource we choose to create within.
What ever note that is a major second interval below the starting note of the scale.
The nearest distance ascending from C to D is just a single whole step, aka a major 2nd interval. The nearest distance ascending from D to C on the whole tone scale is just a whole step shy of an octave, which would be a minor 7th interval.