Sometimes true, but only if the composition was long enough, say a symphony or concerto. However, there was nowhere near as much emotional range as in the Romantic era, and in generalClassical compositions stick to one mood.
Most famous and able composers for the trombone, in orchestral line-up, are Richard Wagner and Richard Strauss. Of course there are a lot more composers you could mention, each with his own perspective of how to make use the trombone is his compositions.
In the classical period of Western music, the late eighteenth century, composers were commissioned by patrons, the owners of orchestras: essentially the church, the nobility, and the opera houses. Beethoven was able to earn enough from publications and public concerts to break out of the patronage relationship, though he was not the first; Marenzio in the sixteenth century and Telemann in the early eighteenth were notable earners, and travelling performer-composers could always have some independence.
I'm not sure exactly what you mean here. The Romantic era followed the Classical, Beethoven being the tipping point. You could read endless arguments from music historians as to why Beethoven belongs to the end of the Classical period, and just as many arguing that he was an early Romantic. The Classical period was preceded by the Baroque era. Bach, Vivaldi, Corelli, there are plenty of them. There are numerous smaller movements, such as the short-lived Galante style that was briefly in fashion at the end of the Baroque era, one of J.S. Bach's many sons was a prominent Galante composer (C. P. E. Bach). It's complicated, there's never clearly-defined start and finish points when it comes to any of the arts, but this is a good guide.
Classical music wasn't as you know it today. Today we have multiple genres spanning the entire music scene of the world. Several centuries ago Classical music was simply music. There was no disparity between what was classical and what was not. Nearly everything of the time was classical therefore it became popular from its inception. In terms of instrumental classical music, that took off at the demise of the Baroque Period and beginning of the Classical period. Rising middle-class wages allowed for a wider range of audience in virtuoso performances and public orchestras. Music was a sign of prestige and therefore those who could not perform at least attended. It was one of the primary sources of entertainment besides plays. Popularity for classical music has dwindled since the 19th century. And there is little hope it will be revived through the few neo-classical artists remaining.
I would try classical music archives, to find a complete or mostly complete listing of Beethoven or any other composer's compositions. You could also obtain an anthology that lists everything he wrote, but that may be hard to obtain--depending on your resources.
There are many facts that could be learned about the Classical period in music. One fact is that rhythms were very straight-forward.
Why not? It could be that it was a period of his musical life, when he experimented with classical rock? Experiment is everything in music!
Originally it was designed during the Baroque music period of time, to play Classical/Baroque. Today however it could be used to play any style of music.
No.
Most famous and able composers for the trombone, in orchestral line-up, are Richard Wagner and Richard Strauss. Of course there are a lot more composers you could mention, each with his own perspective of how to make use the trombone is his compositions.
discharge has its own mind, it could mean your getting your period and it could not. because once you do get your period it can happen before the period or after or just randomly during the month
In the classical period of Western music, the late eighteenth century, composers were commissioned by patrons, the owners of orchestras: essentially the church, the nobility, and the opera houses. Beethoven was able to earn enough from publications and public concerts to break out of the patronage relationship, though he was not the first; Marenzio in the sixteenth century and Telemann in the early eighteenth were notable earners, and travelling performer-composers could always have some independence.
Without context it's difficult to say. It could refer to the period between Baroque and Romantic; it could mean "as opposed to 'modern' or 'quantum'", it could mean lots of other things.
White males
I'm not sure exactly what you mean here. The Romantic era followed the Classical, Beethoven being the tipping point. You could read endless arguments from music historians as to why Beethoven belongs to the end of the Classical period, and just as many arguing that he was an early Romantic. The Classical period was preceded by the Baroque era. Bach, Vivaldi, Corelli, there are plenty of them. There are numerous smaller movements, such as the short-lived Galante style that was briefly in fashion at the end of the Baroque era, one of J.S. Bach's many sons was a prominent Galante composer (C. P. E. Bach). It's complicated, there's never clearly-defined start and finish points when it comes to any of the arts, but this is a good guide.
Depends on the period the music was written; if it was written in the classical period, it could have as many as 9, or, if it was written in the romantic period, it could have as many as 15! In symphonie fantastique, the composer, at the beginning of the score, asks for the number of violins he wants by using the mark al meno, or at least.
So that they could be protected during times of war