Yes. If you are running an online radio station, you still have to pay royalties for Classical Music - for the performers. If you had recordings from before 1924 or so, they might be in the public domain. But even though the music was written long ago, the performances were done recently.
Anything transmitted by radio will travel through space forever.
No. If you write something, you automatically own the copyright to your work (unless you have previously assigned it to someone else). However, copyright is just the first step in being able to collect royalties from your work. Performance-rights organizations like ASCAP, BMI and SESAC are (ostensibly) in the business of collecting royalties from the live performance or playback of copyrighted music (in public venues, on radio, television or on the internet) and distributing the royalties that they have collected to the composers and publishers, proportionally to the size of the audience and the number of times the music is played.
There are many radio stations that play music from the 60s. Examples of radio stations that play music from the 60s includes Live365 Internet Radio and the 60s Radio at TuneIn.
Royalties for songs played on the radio can vary widely, depending on factors such as the song's popularity, the station's size, and the licensing agreements in place. Generally, radio stations pay performance royalties to organizations like ASCAP, BMI, or SESAC, which then distribute the payments to songwriters and publishers. These payments can range from a few cents to several dollars per play, but the total amount received by the artist may be relatively small due to the number of parties involved. Overall, radio royalties contribute to the overall income of songwriters and performers but are typically just one part of their revenue stream.
First thing to be noted is that musical composition (song-writer) is a complex career. Even if you were to create a masterpiece, you may not get any commission for it. Say, by chance, you were sorted - a boy band liked you music - and they used you songs as their own! You would in turn get a portion of the royalties that the band made. Royalties being the money that the record company pays you every time that the song is played on the radio or used in an advert, and most commonly, bought. These royalties could add up to millions, if the track was popular, however one enters a music lottery when beginning a career in music. You could quite easily spend you life composing/performing and not gain a penny.
It is noted that Anne Frank enjoyed classical music. In quotes from her diary, she reports listening to a Mozart concert on the radio.
ASCAP collects royalties for public performances of music, such as on the radio, in live venues, and on streaming platforms. These royalties are distributed to songwriters and publishers based on the frequency and popularity of their music being played.
Anything transmitted by radio will travel through space forever.
FM radio stations make most of their money by selling airtime to advertisers. The stations have to pay royalties when they play music.
Owners of a song are compensated for copyrighted music through various means, including royalties from music sales, streaming services, public performances, and licensing agreements. When their music is played on radio, in venues, or used in films and advertisements, they earn performance royalties. Additionally, songwriters and publishers receive mechanical royalties from the reproduction of their music. The specific compensation terms are typically outlined in contracts and agreements with music publishers and performing rights organizations.
Max Graf has written: 'From Beethoven To Shostakovich - The Psychology Of The Composing Process' 'Radio-Technik' -- subject(s): Electro-acoustics, Radio 'Modern Music'
Musicians make money off royalties primarily through the use of their recorded music, which can be played on various platforms such as radio, streaming services, and in movies or commercials. Each time a song is played or sold, the songwriter and performer earn a percentage of the revenue generated, which is collected and distributed by performing rights organizations. Additionally, mechanical royalties are earned from physical sales and digital downloads. Overall, royalties provide a continuous stream of income as long as the music remains in circulation.
For a continuous stream of mixed tracks, access the web-radio site mozart.rad.io. A full catalog of his oeuvre can be found at the Mozart Archiv site, which is in German, but with translatable pages, and simple enough to traverse. However, the best English-language site, with a high quality sound option is the free music Archive, which has an almost-comprehensive catalog of Mozart music.
I believe that the elevator music at the Dubai Mall is "Für Elise - Ludwig van Beethoven". __________________ [Beethoven-- droll...] Your best bet is to go to the mall office and inquire. Perhaps they tune into a specific radio station, or they may have some recordings that they have license to use for such a purpose.
You don't actually keep the copy. It's like hearing it on the radio. Not to mention last.fm has sponsors that allow them to pay the royalties that allow you to listen to that sweet, sweet free music.
No. If you write something, you automatically own the copyright to your work (unless you have previously assigned it to someone else). However, copyright is just the first step in being able to collect royalties from your work. Performance-rights organizations like ASCAP, BMI and SESAC are (ostensibly) in the business of collecting royalties from the live performance or playback of copyrighted music (in public venues, on radio, television or on the internet) and distributing the royalties that they have collected to the composers and publishers, proportionally to the size of the audience and the number of times the music is played.
The duration of My Music - radio - is 1800.0 seconds.