One octave above 300 Hz = 600 Hz.
One octave below 300 Hz = 150 Hz.
Any note sounds similar to the note an octave above it- to understand this you have to know that each musical note can be represented by a frequency in Herz (Hz). This tells you how many times a string would vibrate per second if you were to tune the string to that note. For example, the A above middle C is standard at 440 Hz. A string vibrates back and forth 440 times per second to make this note. If you were to play an A an octave above the one you just played, you would have to make the string vibrate twice as fast. In other words, it would be vibrating at 880 Hz (440 x 2). And if you wanted to go an octave below A 440, you would divide the number in half to get 220 Hz. The ratio of the frequency of any note (including a C) to the frequency of a note an octave below it is 1:2. If were able to freeze a string in mid-vibration and look at the actual physical positions of it as it vibrates twice as fast, you would see that the base note would be vibrating like the outline of an eye, which the note an octave above it would be vibrating like the shape of a sideways figure 8 with pointy ends. You can try it yourself with a long rubber band- pluck the note of the whole length of the rubber band. Now divide it in half with your finger. You will get a note one octave above it. Hope I made things better instead of worse!
Play one octave higher than written. The "g" is actual an 8.
yes, you would be expected most of time to sing the notes octave below the melody pitch.
I Dunno :L Edit: The highest note possible is an A above high C; or 4 ledger lines above the staff. In most of the common repetoire, however, oboes rarely play anything above the D above the staff.
If there is just one dot above or below any note it means the note is staccato which menas short and dettached.
That would be 1200 Hz. Every octave is a superposition of the note below it, so the frequency doubles. The octaves above that would be 2400 Hz, 4800 Hz, and so on...
Any note sounds similar to the note an octave above it- to understand this you have to know that each musical note can be represented by a frequency in Herz (Hz). This tells you how many times a string would vibrate per second if you were to tune the string to that note. For example, the A above middle C is standard at 440 Hz. A string vibrates back and forth 440 times per second to make this note. If you were to play an A an octave above the one you just played, you would have to make the string vibrate twice as fast. In other words, it would be vibrating at 880 Hz (440 x 2). And if you wanted to go an octave below A 440, you would divide the number in half to get 220 Hz. The ratio of the frequency of any note (including a C) to the frequency of a note an octave below it is 1:2. If were able to freeze a string in mid-vibration and look at the actual physical positions of it as it vibrates twice as fast, you would see that the base note would be vibrating like the outline of an eye, which the note an octave above it would be vibrating like the shape of a sideways figure 8 with pointy ends. You can try it yourself with a long rubber band- pluck the note of the whole length of the rubber band. Now divide it in half with your finger. You will get a note one octave above it. Hope I made things better instead of worse!
Play one octave higher than written. The "g" is actual an 8.
An octave consists of the same note being sounded at different intervals one above or below the other, as in middle C and the C above or below it. A unison is the same note being sounded at the same place, as in a piano middle C and a guitar middle C being sounded simultaneously or two voices both singing middle C.
yes, you would be expected most of time to sing the notes octave below the melody pitch.
A bass C is the note one octave below middle C.
If you mean "octave", it is a group of eight things. Most commonly it is used to describe the relationship between a musical tone and another which has half or double its frequency. The tone with half the frequency is an octave below and the one with double the frequency is an octave above. It's called an octave because it's the eighth note in a diatonic (major or minor) scale.
All notes have specific frequencies that they are associated with. For example, "C" has a frequency of 261.6 Hz and "D" has a frequency of 293.7 Hz. Each note has multiple frequencies, which is dependent on the octave. When Engineering chimes for different types of notes with specific frequencies, it is seen that the frequencies depend on the length of tube, the type of material, etc. All notes have specific frequencies that they are associated with. For example, "C" has a frequency of 261.6 Hz and "D" has a frequency of 293.7 Hz. Each note has multiple frequencies, which is dependent on the octave. When Engineering chimes for different types of notes with specific frequencies, it is seen that the frequencies depend on the length of tube, the type of material, etc.
Im thinking you meant to say range, so the range of clarinets (atleast the Bb (B Flat) clarinet) is from the E and octave below and e that's on the bottom line on the staff .... to well, the highest note i can play is an A that is an octave above the a that is a line above the staff. Basically really low to REALLY high...
Higher notes have higher frequencies. A typical tuning fork vibrates at 440 Hertz. That's the tone of the A above middle-C on a piano. The A one octave higher is 880 Hz (2 x 440 Hz). The A one octave above that is 1760 Hz (2 x 880 Hz). The A below middle-C is 220 Hz (440 Hz ÷ 2), the next lower A is 110 Hz, and so on. The lowest note on a piano is 27½ Hz, and the highest is 4186 Hz.
I Dunno :L Edit: The highest note possible is an A above high C; or 4 ledger lines above the staff. In most of the common repetoire, however, oboes rarely play anything above the D above the staff.
That depends on which octave you wish to play the note B. Low B (Below the Stave) would be a slow flow of air. Middle B Medium and Top B above the stave would be fast.