Richard Wagner's philosophy centered around the idea of Gesamtkunstwerk, or "total work of art," which emphasized the integration of music, drama, and visual arts to create a unified artistic experience. He believed that art should serve a higher purpose, often intertwining with themes of mythology, spirituality, and national identity. Wagner also explored concepts of individualism and the transformative power of art, advocating for its ability to elevate society and inspire profound emotional responses. His ideas significantly influenced later artistic movements and discussions around the role of art in culture.
The cast of Der Taktstock Richard Wagners - 1918 includes: Hanni Weisse
Hans-H. Richard Kegel has written: 'Richard Wagners Wiedergeburt'
Morten Bartnaes has written: 'Richard Wagners \\'
Egon Voss has written: 'Studien zur Instrumentation Richard Wagners'
Richard Garbe has written: 'The philosophy of ancient India' -- subject(s): Hindu Philosophy, Philosophy, Hindu
Hermann Wiessner has written: 'Der Stabreimvers in Richard Wagners \\' -- subject(s): Alliteration, German language, Versification
Richard Falckenberg has written: 'History of modern philosophy' -- subject(s): OverDrive, Nonfiction, Philosophy
Daniel Schneller has written: 'Richard Wagners \\' -- subject(s): Performances, Operas, First performances 'Der Ambassadorenhof in Solothurn'
Petra-Hildegard Wilberg has written: 'Richard Wagners mythische Welt' -- subject(s): Opera, Music and mythology
Ernst Meinck has written: 'Die sagenwissenschaflichen Grundlagen der Nibelungendichtung Richard Wagners' -- subject(s): Accessible book
Richard David Bausman has written: 'Concepts of natural rights philosophy in the United States' -- subject(s): Natural law, Philosophy, Individuation (Philosophy)
Robert Richard Brown has written: 'Contemporary philosophy in Australia' -- subject(s): Philosophy, Collections, History