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A collection of musicians is commonly referred to as a band, orchestra, or ensemble, depending on the type of music and the number of musicians involved. A band typically consists of a smaller group playing popular Music Genres, while an orchestra is a larger group that performs Classical Music. An ensemble can refer to any small group of musicians playing together, regardless of genre.
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What do you call a group of eight musicians?
An octet.
What do you call 4 musicians?
A quartet.
What is a call and response?
A call and response is a succession of two distinct phrases usually played by musicians. Glad to help Maddy Ell
What do you call 8 musicians playing at the same time?
Eight musicians playing at the same time can be referred to as an "octet." This term is commonly used in music to describe a group of eight performers, especially in classical and chamber music settings. In different contexts, such as bands or ensembles, they may also simply be called a "band" or "group" of eight musicians.
How did the blues musicians use the call and response in there singing?
Both the call and the response are given by the soloist.
What is a collection of musicians called?
Orchestra.
Which orchestra played the concert for the 25th Anniversary DVD of Les Miserables?
It was probably a collection of freelance musicians from the Musicians Union.
What is the collective noun of collection?
Orchestra is a collective noun for a group of musicians.
What do you call four musicains?
musicians
What do you call four musicians?
A quartet
What do you call many musicians?
Artists.
What do you call a group of eight musicians?
An octet.
What do you call 4 musicians?
A quartet.
What do we call eight musicians or singers?
Octet.
How do you call those who will perform in the recital?
Musicians?
What do you call a person who control musicians?
A conductor
What is a backing band?
A backing band is a group of musicians who accompany an artist on a performance or recording - either comprising an established group, or an ad hoc collection of musicians.
