It's a Double Diminished Fourth.
Rename A# to Bb (or Db to C#) and you have the more common Minor Third. Change them both and you get an Augmented Second. They all sound the same (in equal temperament tuning at least).
E flat consists of 3 flats, B flat, E flat and A flat. E flat to B flat would be a perfect 5th interval as B flat is in E flat major, but because your question was E flat to B, B is a semitone up from B flat, this would mean the interval becomes a semitone larger, and a semitone larger from a perfect interval is augmented. Therefore, the answer to your question is an augmented 5th. Hope this helps :)
There are three flats in the e flat scale. B E and A flat. So the scale would be E flat, F, G, A flat, B flat, C, D, E flat.I hope this helps you! :)
There are three flats in the key signature of E flat major
E-flat Major: E-flat, G-natural, B-Flat E-flat minor: E-flat, G-flat, B-Flat
The notes for Pink Panther for the trombone are the following: B natural, C, D, E flat, B natural C, D, E Flat, A, G, C, E Flat, G, G Flat F, E Flat, C, B Flat C. B natural, C, D, E Flat, B natural, C, D, E Flat, A, G, E Flat, G, C, B natural, B B natural, C, D, E Flat, B natural, C, D, E Flat A, G, C, E Flat, G, G Flat. F, E Flat, C, B, C. C, B, G, F, E Flat, C, G Flat, F, G, F, G, F, G, F, E Flat, C, B, C. B natural, C, D, E Flat, B natural, C, D, E Flat, A, G, C, E Flat, G, G Flat. F, E Flat, C, B, C. B natural, C, D, E Flat, B natural, C, D, E Flat, A, G, E, G, C, E Flat, B natural, B natural, C, D, E Flat, B natural C, D, E Flat, A, G, C, E Flat, G, G, Flat, F, E Flat, C, B, C. C ,B, G, F, E Flat, C, G Flat, F, G, F, G, F, G, F, E Flat, C, B, C. E Flat, C, B,C, E Flat, C, B, C. :)
E flat consists of 3 flats, B flat, E flat and A flat. E flat to B flat would be a perfect 5th interval as B flat is in E flat major, but because your question was E flat to B, B is a semitone up from B flat, this would mean the interval becomes a semitone larger, and a semitone larger from a perfect interval is augmented. Therefore, the answer to your question is an augmented 5th. Hope this helps :)
augmented 5th, as e flat to b flat is a perfect 5th and b is a semitone above b flat, making the interval augmented
E-flat up to B-natural is an augmented 5th.
No, it's a half step. E to F is a half step, and if both are flat, the interval remains the same.
Going from b-flat and e-flat is equal to a perfect fourth interval, which is five semitones (or "half-steps").
The interval between B flat (B♭) and E sharp (E♯) is an augmented fourth or diminished fifth. This is because E♯ is enharmonically equivalent to F, and the distance from B♭ to F spans four diatonic scale degrees. Thus, the interval spans six half steps, which characterizes it as an augmented fourth.
the interval is a 3rd.
a
The interval from B-flat to D is a major third, regardless of the key.
Major triads are made up of three notes; a major third interval followed by a minor third interval. An example of the C major triad is C E G. A minor triad has a minor third interval followed by a major third interval, such as C E Flat G.
The interval from a flat (B♭) to a double flat (B♭♭) is a whole tone or major second. In terms of half steps, this interval consists of two half steps: from B♭ to B♭♭. Essentially, a double flat lowers the note by two half steps, creating this interval.
The E-flat harmonic minor scale is derived from the E-flat natural minor scale by raising the seventh degree, which is D-flat, to D natural. This alteration creates a leading tone that enhances the resolution to the tonic, E-flat. The E-flat harmonic minor scale consists of the notes E-flat, F, G-flat, A-flat, B-flat, C-flat, and D natural. This scale is often used in classical and jazz music to create a distinct sound with its characteristic augmented second interval between the sixth and seventh degrees.