The Western musical system has 12 individual semitones which divide the octave (an octave being the point at which the musical system repeats itself). However, the Western musical system only uses seven letter names to represent notes (A, B, C, D, E, F, G). The remainder of the 5 notes are given names which identify their relationship between the note and the closest named note.
On the piano keyboard, the "named" notes are the white notes. The black notes take their names from the closest white note.
The purpose of Sharps/flats is to raise/lower a note by a half-step.
The word "sharp" indicates a note which is half-step higher (to the right). C-sharp (also, C#) is the black note to the right of the note named "C". D# is the black note to the right of the note named "D".
The word "flat" indicates a note which is half-step lower (to the left). E-flat (also, Eb) is the black note to the left of the note named "E". Db is the black note to the left of the note named "D".
This naming system creates two strange issues.
First, each black note takes on two different names. The black note to the right of C is also to the left of D. This means that this note is known as both C# and Db. Musicians say that C# is the ENHARMONIC EQUIVALENT to Db, and understand that both names refer to the same location on the keyboard.
Second, because not every white note has a black note beside it, certain white notes can also be known by "sharp" or "flat" terminology. For example, there is no black note in between B and C, and no black note in between E and F.
This means that C is to the right of B, and is therefore also B#. B is to the left of C, and is therefore also Cb. By the same logic, F is E# and E is Fb.
Double sharps (and double flats), sharpen or flatten any note by a whole step, so D double flat, which is "D-flat" flat, is the enharmonic for C natural.
It's called an "accidental."
no
A note which is neither sharp nor flat is called natural.A natural
No. On a certain note with both a sharp and flat, (G, for example) they are the same distance from G, but going in diferent directions. G sharp raises the note by one half step while G flat lowers the note by one half step. However, it is possible for a sharp note to mean the same note as a flat note. For example, G sharp is the same note as A flat. This is called being enharmonic.
b flat
It would be a sharp/flat. Like A would be A#/Bb
It's because that note is the only one two half-steps away from another flat/sharp note in both directions.
A note which is neither sharp nor flat is called natural.A natural
No. On a certain note with both a sharp and flat, (G, for example) they are the same distance from G, but going in diferent directions. G sharp raises the note by one half step while G flat lowers the note by one half step. However, it is possible for a sharp note to mean the same note as a flat note. For example, G sharp is the same note as A flat. This is called being enharmonic.
If the note is on the bar, the sharp (or flat, or natural) goes before the note. If you are just writing the note out, the sharp goes after the note.
Hi, If a sharp or flat is applied directly to a note, it will be placed in front of the particular note. Hope that helps!
b flat
It would be a sharp/flat. Like A would be A#/Bb
It's because that note is the only one two half-steps away from another flat/sharp note in both directions.
A natural and a sharp before a note means that the note was previously a double-sharp and is now just a sharp.
Natural - naturally
No. There are a (plus a flat and a sharp), b (plus b flat and b sharp), c (flat and sharp), d (flat and sharp), e (flat and sharp), f (flat and sharp), and g (flat and sharp). That makes a, b, c, d, e, f, g Plus the flat and sharp for each, making 21 notes of the scale.
A D-flat is also an E-sharp in music. Technically, if you flat an E-sharp, you have an E, not a really flat D-flat.
if you are playing a brass instrument you tighten or loosen your ambocure (lips) to come out with a higher or lower note a sharp