The chromatic scale is important in music theory because it includes all 12 notes in an octave, allowing for a more complete understanding of harmony and melody. In composition, it is used to create tension, resolution, and color in music. In performance, musicians use the chromatic scale to add embellishments, create chromatic passages, and explore different tonalities.
In music, a fifth is an interval between two notes that are five steps apart in a scale. It is a common building block in harmony and chord progressions because it creates a stable and consonant sound. When used in chords, the fifth helps to establish the tonality and overall sound of the chord, contributing to the overall harmony of a piece of music.
Chords in music are groups of notes played together, creating harmony. They provide the foundation for a musical piece by establishing the tonality and mood. Chords contribute to the overall harmony by creating tension and resolution, adding depth and richness to the sound, and guiding the listener through the emotional journey of the music.
The major key in music theory is significant because it establishes a specific set of notes and intervals that create a sense of brightness and positivity in a composition. It influences the overall tonality by providing a framework for the melody and harmony to follow, shaping the emotional impact and mood of the music.
Thirds in music refer to intervals between notes that are three steps apart in a scale. They contribute to the overall harmony of a musical piece by creating a sense of consonance or stability when played together. Thirds are often used in chords to add richness and depth to the sound, helping to establish the tonality and mood of the music.
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The name for the use of conventional keys harmony is 'tonality'.
Expanded or extended tonality can be related to composers such as Hindemith and early Schoenberg. It means extension of the common practice tonality. It results in highly chromatic music, where remotely related regions / harmonies are introduced, often in rather dense manner, free use of extended chords (9ths, 11ths, 13ths) as well as quartal harmony. Basically, it is all about quite free use of the whole chromatic gamut, while still maintaining a sense of central tone (tonic), though it is often hard to determine if you are in major or minor due to the high degree of chromaticism.
atonality and serialism
more chromatic
Chromatic Harmony is the use of chords containing tones not found in the prevailing major or minor scale but included in the chromatic scale (which has twelve tones): often found in Romantic Music. Diatonic harmony is created exclusively from whatever melodic resource we choose to create within.
Highly chromatic harmony.
Justine Shir-Cliff has written: 'Workbook for Chromatic harmony' -- subject(s): Harmony
as tonality. Tonality refers to the system where all pitches and chords are organized and related to a central pitch or "tonic" that provides a sense of stability and resolution in music. It is a fundamental concept in Western music that helps create a sense of harmony and coherence in a composition.
James Brooks McDaniel has written: 'From the top down' -- subject(s): Tonality, Harmony
A. G. Crosskey has written: 'Harmony and tonality in the music of Franz Liszt with particular reference to the sonata in B minor'
Late Romantic composers could see that harmony was becoming much more complicated and fluid, but they probably couldn't imagine a freedom from tonality. It took Schoenberg and others of the early 20th century to achieve that.