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To do a headspin, a break dancer does a head stand, then he or she will spin on his or her head.
*See links for pictures.
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What are the hardest breakdancing moves?
The headspin might be the hardest breakdancing move for most people, because it usually takes massive pain and excellent balance to execute. However, different people find other moves even more strenuous than the headspin, depending on how their bodies are shaped or built.Of all the standard power moves, it's probably either the airflare or the headspin. Of the standard freezes, it's probably the planche.
What moves are frequently used in break dancing?
Dance movements, acrobatic movements, martial art movements
What is breakdance?
Breakdancing is a form of hip-hop dance made of four elements: toprock, downrock, freezes, and power moves. Breakdancing involves much movement on the floor and unique stunts.Break dancing (also b-boying, b-girling, or breaking) is a type of hip-hop dance involving toprock, downrock, power moves, and freezes. A breakdance battle is when a breaker or team of breakers competes against another dancer or team of dancers in performing more awesome and original moves. The winner is usually decided among the dancers and audience or by judges.Toprock is dancing from a standing position (such as the Indian step).Downrock is dancing with hands and feet on the floor (such as the six-step).Power moves are impressive moves requiring physical strength and endurance (such as the headspin and windmill).Freezes are when a dancer stops in a position requiring much balance, such as (the one-handstand).
Is break dancing easy?
No, it's not easy. It takes a lot of discipline, motivation, and self control. Dancing is very rewarding though. You meet a lot of new friends and develop new talents, and have tons of fun. I say go for it. Good Luck!
Hip hop moves?
It depends what type of moves you are looking for, there are 6 different styles in hip hop so it kind of helps to tell us what style?Popping = Fresno, Twist a Flex, Master Flex, Prep Walk, Dime-Stop, Wave, Body Ripple, Cobra, Boogaloo, Robot Shuffle, Scarecrow, Walkout, Ticking, Strutting, Wacking, Robot Shuffle, Liquiding, Miming, Old Man, Puppet, Gliding, Sliding, Floating, Flexing, Bopping, Pimp Walk,Nu School = Cabbage Patch, Steve Martin, Biz Markie, Smurf, Smurf Variation, Feeler, Reebok, Prep, ATL, TLC, Pork chop, Bart Simpson, Rodger Rabbit, Charlston, Heel&Top, Humpty Step, Tidal Wave, Happy Feet, Criss Cross's, Party Machine, G Step, Sky Walk, Funky Four Corners,Locking = Lock, Pace, Wristroll, Points, Stop And Go, Scoo Bot, Scoo B Doo, Skeeter Rabbit (Skeeter Rappit Around The World) Hi 5's, 6-Step, Scoo Ba(Scoo Bot Hop) Rock Steady (Rock Steady Variation-The Seek) Leg Sweeps, Funky Guitar, Hand Claps, Floor Slaps, Whichaway, Knee Drops, Voltswagen, PimpWalk, Leo Walk, Fives (Hi 5's) Sneak, Sling, Kick Walk, Jazz Split, Up Lock (Muscle Man), Stomp The Coachroach, Hitch Hike, Floor Sweeps, ScarecrowBreaking = Toprock (4 Corners, Hip Twist, Regs, Sailor Step, Salsa Twist, Salsa Step, Corkscrew, Hook, Moonwalk, Uprock, Apache Step, PowerStep, Outlaw) Down Rock (Leg Circles, CCS, Swipes, Half A Sweep, Sweeps, Kicks, 6-Step, 3-Step, Hollabacks, Inverts, Freezes, Suicides, 4-Step, Flic-Flack, Backspin, Coindrop, Flare, Pretzals, Jack Hammer, Kick Ups, Knee Spin, HeadSpin, Reserection, Apple Jack, Bridge, Elbow Freeze, Windmill, UFO, Hand Glide)House = Jack, Jack in a box, Farmer, Footwork, Lofting, Skating, Stomping, Shuffle, Vogue, Wacking (Learning House, So don't know alot!)Krump = Stomp, Chest Pop, Arm Swoops, Arm Swing, Kick, Battle, Bitter, Section, Buck, Labbin, Kill Off, Wobble, Rebounds, (Theres not really enough moves i kno, but there ain't really any moves in krump just be aggressive and chuck yourself about!)I'll add more if i find out anything else in the next weeks, but as for lyrical? follow your heart&do what the words tell you too, can't really help there.Hope this helps everyone :)
Does doing a headspin hurt?
Doing the headspin may hurt at first, but the more you do it, the less it'll hurt.
Does doing the headspin kill neurons?
Yes
What are the hardest breakdancing moves?
The headspin might be the hardest breakdancing move for most people, because it usually takes massive pain and excellent balance to execute. However, different people find other moves even more strenuous than the headspin, depending on how their bodies are shaped or built.Of all the standard power moves, it's probably either the airflare or the headspin. Of the standard freezes, it's probably the planche.
How do you prevent your head from hurting when you do a headspin?
Wear a soft beanie or a helmet when you first start trying to headspin. Adjust the balance of your headspins so it hurts less. However you position your head, initially it's going to hurt, gradually it might hurt less, which may become numb after years of practice. You can't prevent it. Peace :)
Can chubby people breakdance?
Yes, chubby people can breakdance. Chubbiness may cause slighter difficulty for using strength while doing a headspin or a baby freeze. You can still take bboying and make it your own but be safe, not stupid.
How do you do the headspin?
You should probably wear a beanie to reduce head injury. First, stand on your head with your hands on the ground on either side to support you. Slowly use your hands to spin. As you become more stable, you can push off with your hands so that you spin faster and faster. Expect discombobulation, since you're spinning quickly while upside-down. Also consult online videos for a better visual aid.
What moves are frequently used in break dancing?
Dance movements, acrobatic movements, martial art movements
What is breakdance?
Breakdancing is a form of hip-hop dance made of four elements: toprock, downrock, freezes, and power moves. Breakdancing involves much movement on the floor and unique stunts.Break dancing (also b-boying, b-girling, or breaking) is a type of hip-hop dance involving toprock, downrock, power moves, and freezes. A breakdance battle is when a breaker or team of breakers competes against another dancer or team of dancers in performing more awesome and original moves. The winner is usually decided among the dancers and audience or by judges.Toprock is dancing from a standing position (such as the Indian step).Downrock is dancing with hands and feet on the floor (such as the six-step).Power moves are impressive moves requiring physical strength and endurance (such as the headspin and windmill).Freezes are when a dancer stops in a position requiring much balance, such as (the one-handstand).
Is break dancing easy?
No, it's not easy. It takes a lot of discipline, motivation, and self control. Dancing is very rewarding though. You meet a lot of new friends and develop new talents, and have tons of fun. I say go for it. Good Luck!
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Hip hop moves?
It depends what type of moves you are looking for, there are 6 different styles in hip hop so it kind of helps to tell us what style?Popping = Fresno, Twist a Flex, Master Flex, Prep Walk, Dime-Stop, Wave, Body Ripple, Cobra, Boogaloo, Robot Shuffle, Scarecrow, Walkout, Ticking, Strutting, Wacking, Robot Shuffle, Liquiding, Miming, Old Man, Puppet, Gliding, Sliding, Floating, Flexing, Bopping, Pimp Walk,Nu School = Cabbage Patch, Steve Martin, Biz Markie, Smurf, Smurf Variation, Feeler, Reebok, Prep, ATL, TLC, Pork chop, Bart Simpson, Rodger Rabbit, Charlston, Heel&Top, Humpty Step, Tidal Wave, Happy Feet, Criss Cross's, Party Machine, G Step, Sky Walk, Funky Four Corners,Locking = Lock, Pace, Wristroll, Points, Stop And Go, Scoo Bot, Scoo B Doo, Skeeter Rabbit (Skeeter Rappit Around The World) Hi 5's, 6-Step, Scoo Ba(Scoo Bot Hop) Rock Steady (Rock Steady Variation-The Seek) Leg Sweeps, Funky Guitar, Hand Claps, Floor Slaps, Whichaway, Knee Drops, Voltswagen, PimpWalk, Leo Walk, Fives (Hi 5's) Sneak, Sling, Kick Walk, Jazz Split, Up Lock (Muscle Man), Stomp The Coachroach, Hitch Hike, Floor Sweeps, ScarecrowBreaking = Toprock (4 Corners, Hip Twist, Regs, Sailor Step, Salsa Twist, Salsa Step, Corkscrew, Hook, Moonwalk, Uprock, Apache Step, PowerStep, Outlaw) Down Rock (Leg Circles, CCS, Swipes, Half A Sweep, Sweeps, Kicks, 6-Step, 3-Step, Hollabacks, Inverts, Freezes, Suicides, 4-Step, Flic-Flack, Backspin, Coindrop, Flare, Pretzals, Jack Hammer, Kick Ups, Knee Spin, HeadSpin, Reserection, Apple Jack, Bridge, Elbow Freeze, Windmill, UFO, Hand Glide)House = Jack, Jack in a box, Farmer, Footwork, Lofting, Skating, Stomping, Shuffle, Vogue, Wacking (Learning House, So don't know alot!)Krump = Stomp, Chest Pop, Arm Swoops, Arm Swing, Kick, Battle, Bitter, Section, Buck, Labbin, Kill Off, Wobble, Rebounds, (Theres not really enough moves i kno, but there ain't really any moves in krump just be aggressive and chuck yourself about!)I'll add more if i find out anything else in the next weeks, but as for lyrical? follow your heart&do what the words tell you too, can't really help there.Hope this helps everyone :)
Who invented breakdance?
Breakdancing seems so different from all other kinds of dancing that the first question people ask when they see it is: "Where did these kids learn to dance like that?" To many people, this dance seems to have come out of nowhere. But like everything else, Breakdance did come from somewhere, something and someone. In the case of Breakdancing, that someone is the great superstar, James Brown, and the something is the dance, the Good Foot. In 1969, when James Brown was getting down with his big hit "Get on the Good Foot" the Hustle was the big dance style of the day. If you've ever seen James Brown live in concert or on TV, then you know he can really get down. And when he preformed his hit, he did the kind of dance you'd expect James Brown to do. High Energy. This almost acrobatic dance was appropriately enough known as the lot of kids around New York City. By the time the Good Foot became the new dance style, the tradition of dance battle was well established. Dancers would gather at places like Harlem World on 116th Street in Harlem and Battle-dancewise. Battles are covered in more detail in the section on battles, challanges, and contests, but the important thing as fas as the history of Breakdancing is concerned is that Breakdancing was particularly well-suited for competition. And not only was the Good Foot well- suited for dance battles, it appealed to certain young men who were very athletic. The Good Foot, which was soon to be called B-Boy and shortly after that Breakdancing, or Breaking, was very different from the Breaking we see today. In some ways it was simpler. There were no Headspind. No Windmill. No Handglides or Backspins. It was what is now called old-style Breaking. Old-Style Breaking consisted only of floor work, or Floor Rock, and in a way it was more complex than modern Breaking. There may be some small variations on the Headspin and a Backspin, but basically, a Headspin is a head spin and a Backspin is a back spin. But Floor Rock can involve some extremely complicated leg moves, and it is done very fast. And it did not take long before where were a lot of Breakdancing battles happening. Among those for whom old-style Breaking was especially popular were many of the youths and street gangs that roamed the South Bronx. And it was in those streets that Breakdancing really started. Often, the best Breakers in opposing gangs would battle dance wise instead of fighting. They would battle over turf. Or because someone stepped on someone else's shoes. They might battle prove that their gang was better than the other gang. Sometimes they would make a contract that the loser would not go around to the winner's neighborhood anymore. Sometimes they battled just to gain each other's respect. Unfortunately, these Breaking battles did not always stop fight. In fact, they often would cause a fight, since dancers would sometimes get physical when they couldn't win dance wise. No one likes to lose. But today Breaking battles have, to a large extent, replaced fighting in the Bronx. In this way Breakdancing crews-groups of dancers who practice and perform together-were formed. And soon formal crews organized, who not only practiced and preformed together, but who also developed their own dance routines. Some of these crews became very dedicated to their dancing, and since they had nothing better to do, would spend hours a day practicing, developing more and more complex moves, improving their form, and increasing their speed. And then Afrika Bambaataa came along. Bambaataa is the legendary grand master D.J. who is the individual most responsible for the successful growth of Breakdancing. He is a record producer and member of the Soul Sonic Force, who's "Looking For The Perfect Beat" was chosen as the No.4 best single in the 1983 Jazz and pop Critics' Poll. Afrika Bambaataa is also the leader of the Zulu Nation in the Bronx. In 1969, Afrika Bambaataa saw Breakdancing as more than just dancing. He saw it as a way to achieve something. He saw the potential of Breakdancing, and encouraged the dancers to keep at it. To work hard, and to believe that if they stuck with it, something good would come of it. Bambaataa then started one of the first Breakdance crews, the Zulu Kings. The Zulu Kings won a lot of battles and talent shows and preformed in various clubs in New York. At the same time they won a lot of adherents for the Zulu Nation. Old-style Breaking remained popular until about 1977, when the Freak took over, based on the hit record "Freak Out" by the Shieks. Then around 1979 and early 1980 a new Breakdance crew was organized-Rock Steady Crew. Even though Rock Steady Crew was especially talented, a lot of people put them down being old-fashioned. But Bambataa encouraged them. He told them that if they stuck with it, something good would happen. He took them on, and soon they were performing at the Mudd Club, the Ritz, and other Punk rock clubs around New York. When Rock Steady performed for Malcom McLaren and Bow Wow Wow at the Ritz people started taking them seriously. Breakdancing Was In Again. But the new-style Breaking was different from the old. Rock Steady added a lot of acrobatic moves. Breaking now included not only Floor Rock but Headspins, Backspins, Handglides, and Windmills. In 1981, Charles Ahearn made his Hip-Hop movie, Wild Style, a raw vision of rap singing, graffiti, scratching, and Breakdancing in the Bronx. Ahearn called on Rock Steady to do the Breaking and Rock Steady became the preeminent Breakdance crew and new-style Breaking became even more popular. When the spring of 1982 rolled around the Roxy was a well-established New York roller-skating rink. But the popularity of roller skating quickly began to fade, and in June of '82, Pat Fuji turned the Roxy into a dance club on Thursday, Friday, and Saturday night. The Roxy quickly became the Hip Hop center. It was here that rappers, D.J.'s, and Breakdancers would perform and hang out. If you wanted to discover a Breakdancer for your show or video, you would come to the Roxy. Or if you just wanted to watch or learn some new moves, you would come to the Roxy. And the Roxy started to sponsor Breakdance contests, which would help the winners get more recognition. In June, 1983, Pat Fuji hired professional Jazz dancer Rosanne Hoare to run the Street Arts Consortium, whish was a house Breakdancing, rapping, and graffiti art. Rosy was going to officially establish a home for Hip Hop Culture. While the Street Art Consorium never really happened as envisioned, Rosy did provide a home for Breakdancers. She not only provided a place where they could feel at home, but she worked with them as a choreographer, helping to extend their dance possibilities. She also helped many dancer find commercial and performing dance work. Most importantly, Rosy was-and is-always there as a friend whom they can count on. She herself has taken up Breakdancing.
