The second harmonic of a frequency of 440 Hz is 880 Hz. It is exactly twice the frequency of the original sound wave.
440 cycles per second. 1 Hz = 1 cycle per second
The first harmonic of 220 Hz is 220 Hz, the second harmonic is 440 Hz, and the third harmonic is 660 Hz. These harmonics are multiples of the fundamental frequency (220 Hz) that create different pitches when combined.
The fundamental = 1st harmonic is not an overtone!Fundamental frequency = 1st harmonic = 528 Hz.2nd harmonic = 1st overtone = 1056 HzLook at the link: "Calculations of Harmonics from FundamentalFrequency".
The fifth harmonic of a frequency is calculated by multiplying the frequency by the harmonic number. So, the fifth harmonic of 77 Hz would be 77 Hz x 5 = 385 Hz.
The fifth harmonic of a 500 Hz triangular wave would be at a frequency of 2500 Hz. This means that the fifth harmonic would have a frequency that is five times the fundamental frequency of the triangular wave.
440 cycles per second. 1 Hz = 1 cycle per second
The first harmonic of 220 Hz is 220 Hz, the second harmonic is 440 Hz, and the third harmonic is 660 Hz. These harmonics are multiples of the fundamental frequency (220 Hz) that create different pitches when combined.
The first harmonic, is the fundamental frequency, or 550 Hz. The second harmonic would be twice that, or 1100 Hz. The third would be twice that, or 1650 Hz and so on...
The fundamental = 1st harmonic is not an overtone!Fundamental frequency = 1st harmonic = 528 Hz.2nd harmonic = 1st overtone = 1056 HzLook at the link: "Calculations of Harmonics from FundamentalFrequency".
The fifth harmonic of a frequency is calculated by multiplying the frequency by the harmonic number. So, the fifth harmonic of 77 Hz would be 77 Hz x 5 = 385 Hz.
Second Harmonic
The fifth harmonic of a 500 Hz triangular wave would be at a frequency of 2500 Hz. This means that the fifth harmonic would have a frequency that is five times the fundamental frequency of the triangular wave.
Harmonics are integer multiples of the fundamental frequency in a sound. For example, if the fundamental frequency is 100 Hz, the first harmonic is 200 Hz (2 x 100 Hz), the second harmonic is 300 Hz (3 x 100 Hz), and so on. Together, they create the overall timbre or tonal quality of the sound.
It is three times the fundamental frequency. Scroll down to related links and look at "Calculations of Harmonics from Fundamental Frequency".
Clue: 528/440 = 1.2 = 6/5. The wavelengths of the partials (harmonics) of an open pipe are in the proportions 1/1 fundamental 1/2 1st harmonic 1/3 2nd harmonic 1/4 3rd harmonic etc. I'm betting your pipe sounds an F, one of the lowest notes that most male voices can reach. Can you prove it mathematically?
The period is the reciprocal of frequency, so for a frequency of 440 Hz, the period would be 1/440 seconds, which is approximately 0.00227 seconds.
Absolutely 440 Hz is the frequency of the A note that is 1½ steps below middle C, the top line of the bass clef. 880 Hz is the frequency of the A note one octave higher, the second space from the bottom of the treble clef. On a piano, if you slam hard on the lower of those two A keys and just lightly press the higher one, the 440-Hz sound will be louder than the 880-Hz sound. The loudness, or amplitude, of a sound wave has to do with how tightly the air molecules (or the molecules of whatever the sound-propagating medium is) are packed in each wave of the sound, while the sound's frequency or pitch has to do with how frequently the waves are generated (440 times per second in the case of a 440-Hz sound), or how far apart the waves are (frequency is inversely proportional to wavelength).