American Gangster (movie)

In 2008, the number of gangster-related shootings in the United States varied by region and was influenced by ongoing gang violence in cities like Chicago, Los Angeles, and others. While exact figures can be difficult to pinpoint, reports indicated that gang violence resulted in hundreds of fatalities and injuries that year. Law enforcement agencies often compile statistics on such incidents, but comprehensive national data specific to gangster shootings can be challenging to aggregate. For precise numbers, it's best to refer to crime reports or studies from that period.

"The Godfather" does not simply glorify gangster life; instead, it presents a complex portrayal of organized crime and its moral ambiguities. While it depicts the power, loyalty, and familial bonds within the Mafia, it also highlights the violence, betrayal, and consequences that come with that lifestyle. The film invites viewers to reflect on the darker aspects of ambition and the costs of pursuing power, rather than romanticizing the gangster ethos. Ultimately, it offers a nuanced commentary on the American Dream and the moral compromises involved in achieving it.

In the movie "American Gangster," the choir that sang acapella during the bust scene is the Harlem Boys Choir. Their performance adds a powerful emotional layer to the scene, highlighting the tension and gravity of the moment. The use of gospel music in this context underscores the themes of redemption and moral conflict present throughout the film.

Al Capone became a gangster through a combination of early influences and opportunities in the criminal underworld of Chicago. Growing up in a poor immigrant family, he was drawn to street life and criminal activities from a young age. He initially worked for smaller gangs before rising to prominence within the Chicago Outfit under the notorious gangster Johnny Torrio. Capone's involvement in bootlegging, gambling, and organized crime during Prohibition solidified his reputation and power, ultimately making him one of America's most infamous gangsters.

In gangster slang, "831" is commonly understood to mean "I love you." This interpretation comes from the numerical representation of the phrase: "8" corresponds to the number of letters in "I," "3" represents the number of letters in "love," and "1" stands for the number of letters in "you." The phrase is often used among gang members or in urban communities to express affection or loyalty.

In "American Gangster," Frank Lucas organized his drug trafficking operation with a highly structured and efficient hierarchy. He relied on trusted family members and close associates to manage different aspects of the business, ensuring loyalty and minimizing the risk of betrayal. Lucas controlled the supply chain by directly sourcing heroin from Southeast Asia, cutting out middlemen, which allowed him to maintain higher profit margins. His approach emphasized discipline and secrecy, which contributed to the success and expansion of his empire.

The soundtrack for the movie "American Gangster" features a mix of classic soul and R&B tracks, reflecting the film's 1970s setting. Key songs include "Ain't No Sunshine" by Bill Withers, "Walk On By" by Dionne Warwick, and "The Boss" by James Brown. Additionally, the soundtrack includes tracks from artists like Curtis Mayfield and Bobby Womack, contributing to the film's gritty atmosphere. Overall, the music plays a significant role in enhancing the film's themes and setting.

Frank Lucas' wife, Julie, was from North Carolina. She grew up in the town of Greensboro. The couple married in 1964 and had several children together. Julie played a significant role in Lucas' life during his rise and fall in the drug trade.

Yes, "Breathless" (1960), directed by Jean-Luc Godard, is indeed modeled on American gangster films, particularly those of the film noir genre. The protagonist, Michel, is reminiscent of classic antiheroes found in American crime cinema, embodying a rebellious and charismatic persona. However, Godard subverts traditional conventions, integrating innovative editing techniques and existential themes, which distinguish it as a seminal work in the French New Wave movement. This blend of homage and innovation reflects a critical engagement with American cinematic tropes.

In the film "American Gangster," the song "How Great Thou Art" is sung by Mahalia Jackson. Her powerful rendition adds emotional depth to the scenes in which it is featured, enhancing the film's exploration of themes like faith and redemption. Jackson's performance is a poignant highlight, reflecting her status as a legendary gospel singer.

Yes, Stevie Lucas, a character in the film "American Gangster," dies. He is portrayed as a close associate of the main character, Frank Lucas, played by Denzel Washington. Stevie's death occurs during a violent confrontation as tensions rise in the drug trade. His demise highlights the dangerous and ruthless nature of the criminal world depicted in the film.

Frank Lucas in American Gangster is a drug supplier.

Musketeers of Pig Alley- D.W. Griffith 1912

Its Celine Dion who sings it with a gospel choral from London

One must have few aspirations of success outside of drug dealing, hustling, government aide and general things outside the law making them worthless contributions to society. In addition to this, you must be a fashion victim who is of the impression that you wear sizes at least 3 times bigger than what you need, have an unshakable sense of entitlement to things that you've never worked for, have a HORRIBLE identity crisis, an obvious need for attention, a warped sense of self worth since their clothes are about the only valuable thing that they have to show for, poor literacy and linguistic skills and overall ignorance of general or practical knowledge, a penchant for incarceration, NO knowledge or aptitude for responsible sexual activity, and just being generally worthless.

1billion dollars

do you feel me by Anthony hamilton

Anthony Hamilton - Do You Feel Me

Steven Zaillian

hey i can't recall the name of that song but here is the list of the song from movie....

== # "Do You Feel Me" - 3:56 #* Performed by Anthony Hamilton # "Why Don't We Do It in the Road?" - 3:46 #* Performed by Lowell Fulson # "No Shoes" - 2:24 #* Performed by John Lee Hooker # "Across 110th Street" - 3:47 #* Performed by Bobby Womack # "Stone Cold" - 4:06 #* Performed by Anthony Hamilton # "Hold On I'm Comin'" - 2:31 #* Performed by Sam & Dave # "I'll Take You There" - 4:34 #* Performed by The Staple Singers # "Can't Truss It" - 4:39 #* Performed by Public Enemy # "Checkin' Up on My Baby" - 2:12 #* Performed by Hank Shocklee # "Club Jam" - 3:10 #* Performed by Hank Shocklee # "Railroad" - 2:20 #* Performed by Hank Shocklee # "Nicky Barnes" - 3:11 #* Performed by Hank Shocklee # "Hundred Percent Pure" - 2:13 #* Performed by Marc Streitenfeld # "Frank Lucas" - 2:40 #* Performed by Marc Streitenfeld

jessica washington

hey i really don't know which is that song but here is the list of all the song from the movie....

== # "Do You Feel Me" - 3:56 #* Performed by Anthony Hamilton # "Why Don't We Do It in the Road?" - 3:46 #* Performed by Lowell Fulson # "No Shoes" - 2:24 #* Performed by John Lee Hooker # "Across 110th Street" - 3:47 #* Performed by Bobby Womack # "Stone Cold" - 4:06 #* Performed by Anthony Hamilton # "Hold On I'm Comin'" - 2:31 #* Performed by Sam & Dave # "I'll Take You There" - 4:34 #* Performed by The Staple Singers # "Can't Truss It" - 4:39 #* Performed by Public Enemy # "Checkin' Up on My Baby" - 2:12 #* Performed by Hank Shocklee # "Club Jam" - 3:10 #* Performed by Hank Shocklee # "Railroad" - 2:20 #* Performed by Hank Shocklee # "Nicky Barnes" - 3:11 #* Performed by Hank Shocklee # "Hundred Percent Pure" - 2:13 #* Performed by Marc Streitenfeld # "Frank Lucas" - 2:40 #* Performed by Marc Streitenfeld

trying to find out now myself...think its "rock me baby"

Al Capone

no