Well, for one, they teach people how to dance. But they do it because it's their passion, and they enjoy the challenge of doing it. And as far as hobbies go, well it just depends on the person. a dance teacher always carry the students to the studio and teach them the steps and the dance and she have to do it as a subject on the syllabus so she just do it but not for fun and she will give some students notes notes also do better at it.

The choreographer of Aaja Nachle's songs is Vaibhavi Merchant. Full details of the cast and credit are mentioned at this page: http://www.filmytown.com/aajanachle.htm

A dance is a matter of opinion. Dance being art and art being in the of the beholder.

Rolling In The Deep Choreography by Paul Jr

Depending on your skill level. It can take 1 year to maybe even 8 years, Depending on what kind of dancer you are talking about. Jazz,Lyrical,Contemporary, Ballet, Hip-Hop, ETC.

It took me 3 years to become a ballerina and im only 15.

A dancer i believe who was also on Americas best dance crew. look him up on youtube!

A Choreographic device is a method applied to a movement phrase that changes or developes the phrase. Chroeographic devices such as CANNON, this is where the performance of a movement is passed from one dancer to the next, like a ripple or (Mexican wave.) You can Also Change the direction the dance is perfomed in, as well as the levels and the order in which the movements are performed in the phrase or (motif).

There are many devices which help chreographers to create new and inventive ways in which the body can move and perform movements.

Marc Breaux and Dee-Dee Wood were the choreographers of Mary Poppins. They also choreographed the dance between Mary's umbrella and Bert's cane in 'Jolly Holliday.' Marc also provided the voice for the cow in 'Jolly Holliday' ("Mary makes the sun shine bright.")

that depends on your motivation. are you seeking to maximize your earnings? are you doing it simply because you love the work?

if the former, the short answer is "whatever the market will bear." this is a complex issue, as what you can charge will be more or less than what someone else can charge, depending more or less on your/their perceived credibility and value. you also must factor in your time, and how many hours you can actually devote to the activity. the lower your cost, in general theory, the busier you will be. the higher your cost, the less customers you will find, but you need spend less time to earn the same amount. it has also been found in some cases that the more you charge, the more work you will have, but this only applies when servicing the elites whose disposable income is more or less unlimited.

in the latter case (because you love it), you can charge nothing and you may find you have all the work you desire.

what you are asking is a question of economics, and there is no one 'right' answer to questions of economics.

krumpin tutting glideing theatrical performance etc stuff like tht

By exploing the poetry of T.S.Elliots Old Possum's Book of Practical cats you will be able to see that the poetry is an obvious base for the narrartive movement content. It goes a bit deeper then this though, as the poems them self have alot of musicality to them, for instance the way you read the structures and phrasing of the poems is very reflective in the choreography, also the the pronunciation of words is clearly an influence within the choreography.

Most character have there own "theme tune" which Andrew Lloyd Webber has mimicked in his compositions from the way we read theses poems. These themetunes oftern relate to a particular style of dance. The tap dance section that the Gumbie Cat doese. Also the skimbleshanks railway cat has a composition that has a very distinctive train rythmm in it which envolved in the dancers dancing pony steps to.

Ashley Banjo

YOU

Type your answer here... R D Burman

because he is very cleaver and can do anything whilst still alive.

Basic steps and moves is about as basic as it gets. Try stepping in a square to a song with a steady beat to start, not too fast, though. When you are ready to move on, create your own step pattern, maybe to a faster song. After this, try going back to the steady song and add some moves with your arms and upper body. When you have mastered all this, try the fast song to to the routine you have created. If you would rather try a routine already created by another person, go ahead, but master it in the ways just explained.

I believe it was Relient k or finger eleven

Rob Mashall