H.G. Wells

Eloi and Morlocks appear in H.G. Wells' novel "The Time Machine." The Eloi are a peaceful, childlike people who live above ground, while the Morlocks are underground-dwelling, subterranean creatures who prey on the Eloi. The novel explores themes of class division and evolution.

"H.G. Wells up the Bare Stairs" is a poem by Sylvia Plath that pays homage to the writer H.G. Wells. In the poem, Plath reflects on Wells's life and achievements, likening him to a mythical figure ascending stairs towards a greater understanding of the universe. The poem explores themes of intellectual curiosity, progress, and the human quest for knowledge.

The Time Machine by H.G. Wells is typically recommended for readers aged 12 and older due to its complex themes and language. However, precocious readers may appreciate it at a younger age with guidance and support.

In H.G. Wells' "The Time Machine," the Eloi are described as a race of beings who represent a refined, decadent future form of humanity. They are depicted as delicate, childlike creatures who have evolved into a leisurely and carefree society.

EL is a divine suffix in Hebrew- examples- Israel, Emmanuel ( God with Us), ELizabeth- lit- God dwells within! Beth-el ( House of God) okay it implies religious or divine origins- the People of God- or Divine people, stretching things a bit.

Wells died of unspecified causes on 13 August 1946 at his home at 13 Hanover Terrace, Regent's Park, London, aged 79. Some reports also say he died of a heart attack at the flat of a friend in London, and some Internet sites also cite cancer of the liver or diabetes as cause of death.

HG Wells describes the aliens in "The War of the Worlds" as being large, tripod-like creatures with tentacles and a round, metallic body. They are depicted as highly advanced technologically and violent in their invasion of Earth.

Isabel Mary Wells was his first wife from 1891 to 1895. Amy Catherine Robbins was his second wife from 1895 to 1927.

In H.G. Wells' novel "The Time Machine," the post-human races encountered by the Time Traveller include the Eloi and the Morlocks. The Eloi are described as beautiful but frail and childlike, while the Morlocks are described as ape-like, nocturnal, and living underground. Both races have evolved from humans over thousands of years.

Before becoming a writer, H.G. Wells worked as a teacher and a journalist. He also studied biology and wrote non-fiction works on various scientific and social topics.

Herbert George Wells is considered the Father of Science Fiction novels, writing such famous works as The War of the Worlds, The Time Machine and The Island of Dr. Moreau.

It's also worth considering that most of his novels were written in the late 1800s, to the mid 1900s. Some of the Technology in his novels that he thought up were extremely advance, even for our time (2012) and especially for his time.

So in Short, H.G Wells is famous because he is one of the greatest writers in the history of the planet, His novels are Ground breaking and if you don't think so then you mus be STUPID.

H.G. Wells was a famous author known for his science fiction novels such as "The War of the Worlds" and "The Time Machine." George Bernard Shaw was a playwright and critic who wrote plays like "Pygmalion" and was known for his wit and social commentary.

The cost of the original publication of "The Outline of History" by H.G. Wells can vary greatly depending on the edition, condition, and any accompanying materials. However, first editions or rare editions can cost hundreds to thousands of dollars. It is recommended to check with reputable antique book dealers or online rare book sellers for specific pricing.

No, H.G. Wells was not a member of the Royal Society. He was a famous science fiction writer known for works such as "The War of the Worlds" and "The Time Machine."

a nice pun, I assume you mean Invisiblle Man- there was some humor in the film version where one had the classic grammatical error- I saw a pair of pants walking down the street yesterday- For Real! Unfortunately the Power went to the Invisible Man"s head, and he used it for crime- would have been better if he was a Good Guy like invisible Kid in Legion of Super-Heroes.

The mood of "The Red Room" by H.G. Wells is eerie, mysterious, and suspenseful. It creates a sense of tension and unease as the protagonist navigates through the dark and foreboding room, haunted by the unknown presence within.

â??Moonlight Taleâ?? also known as â??The Beautiful Suitâ?? is a short story by H.G. Wells. The story is about a man whose mother has made him a lovely suit of clothes. He wants to wear it everywhere, but she insists he wear it only on special occasions. One night he disobeys all precautions and wears his suit while exploring the area outside his room. The next morning he is found dead, but with a look of satisfaction that shows him as the happiest he has ever been.

In addition to being a writer, H.G. Wells had interests in politics, social issues, and future technologies. He was a proponent of socialism and wrote extensively on topics such as world government, the future of mankind, and the impact of science and technology on society. Wells was also a member of various organizations dedicated to promoting these interests.

No I do not think so as he was not alive , when that section was given.

"The Palace of Green Porcelain" is a futuristic building that the Time Traveler encounters in H.G. Wells's novel "The Time Machine." It is a museum that contains artifacts and technology from an advanced civilization that has evolved beyond humanity, hinting at what the future may hold for mankind. The Time Traveler's exploration of the palace helps him to understand the trajectory of human progress and the potential consequences of societal choices.

H G Wells's 'The Red Room' is in many ways a parody of the Gothic genre, where evil was often represented by an external entity: ghost, monster, vampire etc. It uses many of the features synonymous with the Gothic genre: the isolated setting, the three "grotesque custodians" of the castle, the darkness, shadows and candles blowing out. However, the suggested ghosts of an earl or his mistreated countess do not materialise and although the young narrator experiences a very disturbing night in the 'red room', he finally concludes that the fear comes from inside himself.

Therefore, it could be said that Wells does support Poe's famous quote: "If in many of my productions terror has been the thesis, I maintain that terror is not of Germany but of the soul", where Poe denied his writing was similar to the Germanic fantasy genre - more commonly known today as the Gothic genre.

Whew! Talk about missing the point of a good story! H.G. Wells never gave a specific number for the population of the Morlocks in his book "The Time Machine". Who cares anyway? That's sorta like asking the number of Santa's helpers at the North Pole! The number of Morlocks or Enoi really would have no meaning in the book or to the "moral" of the story. The drift of the story was that in the future the human race would devolve into two subspecies roughly based on the notion of an "elite" class and a "working" class, that was a pervasive idea in Victorian society of Wells' time. But if you're so totally anal that you absolutely must have an exact quantity for the number Morlocks, then the number of the Morlocks is exactly equal to the number of the Enoi!

There are two future races, the basically evil and brutish Morlocks- and the intellectual but somewhat (sappy) Eloi. I am referring to the H G Wells novel. For some bizarre and unfathomable reason, he makes the lead character- called the Time Traveller, anonymous, which is in itself a handicap- for example in dialogue.

1. Page 21. "He rarely went abroad by daylight, but at twilight he would go out muffled up invisibly, whether the weather were cold or not, and he chose the loneliest paths and those most over-shadowed by trees and banks." (It is an irony that Griffin must cover his invisibility with something designed to make him even more invisible. His condition has thus become a burden rather than a benefit.)

2. Page 103. "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man, -the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become-this." (Griffin is recounting his feelings of exaltation when he realized he had discovered the means of becoming invisible.)

3. Page 114-115. "A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people...trying to understand the riddle of my behavior....I was invisible, and I was only just beginning to

realize the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." (Having deceived his first group of "victims," Griffin is obsessed with the visions of things he can get away with.)

4. Page 122. "Weary, cold, painful, inexpressibly wretched, and still but half convinced of my invisible quality, I began this new life to which I am committed. I had no refuge, no appliances, no human being in the world in whom I could confide...I was half minded to accost some passer-by and throw myself upon his mercy. But I knew too clearly the terror and brutal cruelty my advances would evoke...My soul object was to get shelter from the snow, to get myself covered and warm; then I might hope to plan. But even to me, an invisible man, the rows of London houses stood latched, barred and bolted impregnably." (At this point Griffin still seems to have some consideration for people's reactions toward an invisible human. Nevertheless, he has already discovered that being invisible isn't as "wild and wonderful" as he had thought.)

5. Page 139. "The more I thought it over,...the more I realized what a helpless absurdity an invisible man was,-in a cold and dirty climate and a crowded civilized city. Before I made this mad experiment I had dreamt of a thousand advantages. That afternoon it seemed all disappointment. I went over the heads of things a man reckons desirable. No doubt invisibility made it possible to get them, but it made it impossible to enjoy them when they were got. Ambition-what is the good of pride of place when you cannot appear there? What is the good of the love of woman when her name must needs be Delilah? I have no taste for politics, for the black-guardisms of fame, for philanthropy, for sport. What was I do to? And for this I had become a wrapped-up mystery, a swathed and bandaged caricature of a man." (This is one of the last sane realizations that Griffin could claim. Once he realized what he had done to himself, his only hope was in getting back what he had lost, but he had not developed his theories in reverse. The awareness of his situation leads to his insanity; if he cannot reverse his condition, his only option-to his demented way of thinking-is to use his invisibility to demand the comforts of life from people who would be to terrorized to refuse him.)

6. Page 147. "He has cut himself off from his own kind. His blood be upon his own head." Kemp has been explaining Griffin's intentions to the police. In devising the plan for murder and a "reign of terror," Griffin has become "inhuman," and completely selfish. He "cut himself off" first by creating a condition which would force him to the fringes of society. In planning to terrorize that society for his own ends, he divorces himself from all sense of human compassion.