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Folk tales require that people use their brains to solve their problems while fairy tales require that people have magic to help them.
Folktales are stories that grow out of the lives and imaginations of the people, or folk. They are a form of traditional literature which began as an attempt to explain and understand the natural and spiritual world. The origin of the folktale lies in the oral tradition.
Some scholars argue that folktales were passed through the migrations of peoples. Once developed, they spread from country to country through people, for example sailors and soldiers, women stolen from their tribes, slaves and captives of war, traders, minstrels and bands, monks and scholars, and young men on the grand tour.
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Dictionary: the body of stories associated with a culture or institution or person.
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Technically speaking, "mythology" is a collection of stories that serve as explanations of the workings of the world, but it has come to mean the historical legends and folklore of a society, including creation and gods.
The term is usually applied to the gods and goddesses such as "Greek Mythology", or "Norse mythology." Mythology consists of legends or stories that provide a common system of beliefs. The Greeks worshipped the gods of their mythology.
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they have similar themes to teach a lesson of some sort
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Paul Bunyan's younger (and smaller) brother was Cordwood Pete.
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Yes, Myths can be true. Usually, they are not true.
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A story that contains elements that are not true and could never possibly be true.
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When a simple merchant, his young son and mute servant are out in the woods, they chance upon a drifting boat, in which there is a baby girl and a bowl containing a live goldfish. The merchant realises that the baby is unusual because her life is bonded to the fish: if the fish leaves the water, she stops breathing. The merchant adopts the baby as her own and names her Bidasari. Years later Bidasari grows up into a beautiful young woman while the merchant has prospered into a wealthy businessman. At the royal palace of this kingdom, the King has just remarried a beautiful woman, the Permaisuri (Queen). The Permaisuri is a proud woman who secretly practises witchcraft. Hidden in her chambers is a magic mirror that can show her anything she asks. She uses it to ask who the most beautiful in all the land is. One day when she asks the mirror this question, the image of Bidasari appears in it. She is enraged by this and carries out a search to find who Bidasari is. Her search leads her to the merchant's house. Under the guise of kindness, the Permaisuri asks the merchant for permission to bring Bidasari to the palace to be her companion. Although the merchant is reluctant to part with his beloved daughter, he lets her go. But once Bidasari arrives at the palace, she is sent to the kitchens as a servant, where she is starved and given the dirtiest jobs. After the Permaisuri is satisfied that Bidasari has been ruined, she once again asks her magic mirror who is the most beautiful in the land. When the mirror shows Bidasari yet again, the Permaisuri flies into a rage and runs to the kitchen where she grabs burning pieces of firewood which she tries to burn Bidasari's face with. She is shocked when the fire goes out and Bidasari's face is left untouched. Bidasari, who has by now realised that the Permaisuri's malice is targeted only at her and will never stop, begs for mercy and explains her life is bonded to that of a fish that is kept in a bowl in her father's garden. The Permaisuri has a servant steal the fish for her from the merchant's garden, and as soon as the fish leaves the water, Bidasari collapses and stops breathing. Satisfied that Bidasari's life is in her hands, the Permaisuri hangs the fish around her neck as a trophy. When she asks the mirror who is the most beautiful in the land, the mirror shows her own image. The merchant realises that the fish is missing, and is told that Bidasari died mysteriously at the palace. Her body is returned to him and he builds a small tomb for her in the woods where her body is laid out in peace. Meanwhile, the Permaisuri's stepson the Prince has been having dreams about Bidasari, although he has never met her. The dreams plague him even in his waking hours, despite his father's advice that such a beautiful woman cannot exist. The Permaisuri sees her stepson acting this way and plants a painting of Bidasari in his room. The Prince finds the painting, which leads him to the merchant who explains the sad tale of Bidasari's death and the mysterious disappearance of the fish. The Prince decides to visit Bidasari's tomb to see her beauty with his own eyes. Coincidentally at this time, back at the palace the Permaisuri is having a bath in the royal bathing pool. The fish manages to break free of its locket and drops into the water where it starts swimming. This causes Bidasari to wake up right before the Prince's eyes. Bidasari tells him of what the Permaisuri did to her, which confirms the Prince's suspicions of his stepmother. When the Permaisuri finishes her bath, she discovers that the fish has gotten free. She manages to catch it just as the Prince is about to help Bidasari leave the tomb, causing her to fall unconscious again. The Prince places Bidasari back in the tomb and promises to make things right. The Prince returns to the palace in a fury, demanding that the Permaisuri give him the fish. The Permaisuri pretends not to know anything, and when the King listens to the Prince's explanation, the King declares that his son has gone insane and calls the royal guards. A fight ensues, during which the Permaisuri is injured and dies. Just before the Prince is about to be captured, the merchant and the Prince's loyal manservants arrive with Bidasari on a stretcher. The merchant explains that the story about the fish being bonded to Bidasari's life is true. The Prince takes the fish from the locket around the Permaisuri's neck and puts it into a bowl of water. As soon as the fish enters the water, Bidasari comes back to life. The King apologises to his son, and the Prince and Bidasari are married
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That would be the ancient Greek master of fables, Aesop.
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That depends on whether you think describing your own story is narrating it. Also, sometimes if it's in third person, describing whats happening and also what different people are thinking, which could be counted as narration or not. It really depends on how you think of narration. If you don't want to decide, then my answer would be yes.
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While most recent writings about Robin Hood place him in Sherwood Forest, which is in Nottinghamshire, the earliest sources of the legend, which are ballads dated before 1450, place him in Barnsdale Heath, which is in Yorkshire, about fifty miles north of Sherwood Forest. I follow the ballads in my novel The Robin Hood Chronicles.
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In the first Chapter of Twilight Bella first sees Cullens at the luch table in the Cafeteria and notices there features(How their Beautful.) In the first Chapter of Twilight Bella first sees Cullens at the luch table in the Cafeteria and notices there features(How their Beautful.)
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The theme of Iqbal is that you shouldn't child labour anybody whatsoever, because it would been fine if the onwer pays them fairly but still. But now Iqbal has made a speech about child labouring and now its illegal to child labour
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A Red Red Rose has a metrical rhythm where the first and fourth lines of each stanza rhyme.
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tale - a narrative that relates the details of some real orimaginary event, incident, or case; story
fable - a short tale to teach a moral lesson, often with animals orinanimate objects as characters; apologue
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julia
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he is by the blue and yellow tent on the left side of the picture. but you have to find wally before he appears i think.
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Persephone was usually depicted as a young goddess holding sheafs of grain and a flaming torch. Sometimes she was shown in the company of her mother Demeter, and the hero Triptolemos, the teacher of agriculture. At other times she appears enthroned beside Hades.
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I believe that the theme of Paul Bunyan is that a person, in this case a large one, can grow and adjust to have a happy life in spite of his differences. Paul had to move away from people in order to protect them from himself. But, while sad at first, he was able to find his special abilities that were of benefit to many. Though a huge exaggeration, the story of Paul Bunyan is more than entertaining, it is also an example of how differences in people are not bad and that it was a good thing that he cared enough about others to go his own way.
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Fables are short, fictional stories that usually have animals as characters. Fables were written in order to convey a good moral to both adults and children.
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There are a few. I'll start things off with:
* The Man from Snowy River
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In some Marvel Comics stories about Thor, if he is out of contact with his hammer, Mjölnir, for more than 60 seconds, he reverts to being an ordinary human. He has to touch his hammer again to regain his powers.