Michelangelo

Oh, dude, Nostradamus and Michelangelo totally influence computers by... not at all. I mean, Nostradamus made prophecies, not computer code, and Michelangelo was all about sculpting, not coding. Unless you're talking about some secret Renaissance tech we don't know about, these guys are just chilling in history books, not hanging out with our laptops.

Michelangelo did most of his work in Italy, primarily in the city of Florence and later in Rome. Some of his most famous works, such as the statue of David and the Sistine Chapel ceiling, were created in these cities. His contributions to art and sculpture during the Italian Renaissance solidified his reputation as one of the greatest artists in history.

Michelangelo was sent to jail for a year in 1527 for his involvement in a conspiracy against the ruling Medici family in Florence. He was accused of supporting the republican cause and plotting to overthrow the Medici regime. Despite his brief imprisonment, Michelangelo's sentence was eventually commuted, and he was released after a few months.

Ah, pronouncing Michelangelo's last name is like painting a happy little tree. It's pronounced mee-kuh-LAN-jeh-loh. Just say it slowly and let the syllables flow like a gentle stream. Remember, there are no mistakes in pronunciation, just happy little accents.

He was a sculptor at heart. He believed his talents were inspired by god. He was gay and when his friend died, Cecchino dei Bracci, he wrote 49 epigrams, memorable messages, about his friend that alludes to them having a romantic relationship.

They used more light colors. They also liked to show more of nature and the actual personal experience compared to the medieval artists.

When Michelangelo described life as a block of marble with the soul trapped inside, he was likely referring to the idea that each person's true essence, or soul, is hidden within them and needs to be revealed or "unearthed" through self-discovery and personal growth. Just as a sculptor must chip away at a block of marble to reveal the hidden masterpiece within, individuals must work on themselves to uncover their true potential and purpose in life. This metaphor suggests that life is a process of self-realization and actualization, where one must constantly strive to uncover and express their innermost self.

Oh, dude, Michelangelo's parents were Ludovico di Leonardo Buonarroti Simoni and Francesca di Neri del Miniato di Siena. Like, they totally brought Michelangelo into this world so he could paint ceilings and sculpt giant statues. So, yeah, shoutout to Ludovico and Francesca for giving us the guy who made the Sistine Chapel look all fancy and stuff.

There are a couple of sketches which have been described as such, but they don’t resemble real devices that strongly. For example, da Vinci’s “plane” is really an ornithopter, a device which is supposed to fly by flapping its wings. The “helicopter” is a device with a screw-shaped spiral “wing” which is supposed to spin. And the “tank” is a sort of conical wagon with batteries of cannon sticking out of it. The modern names are the closest equivalents we have to da Vinci’s fanciful sketches of devices which would never actually work.

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Donatello died of old age (he was 80) Nonsense answer deleted.

Michelangelo's most famous poem is "The Divine Comedy" by Dante Alighieri, not Michelangelo. Michelangelo was a renowned artist, sculptor, and architect known for works like the Sistine Chapel ceiling and the statue of David.

The statue of David is in the Academia in Florence, Italy. A replica stands outside as you enter the city of Florence. There are many other statues carved by Michelangelo.

Lucrezia di Antonio di Sandro degli Ubaldini da Gagliano was Michelangelo's stepmother. His father married her three years after the death of Michelangelo's mother, Francesca Neri. She lived only twelve years after the marriage and left no real discernible mark on the family.

First and most obvious is in part the fact that most studio training of that period utilized male models as it was not appropriate or even allowed for women to attend studios as students let alone model in the nude (this prejudice wouldn't break for some time later). Therefore artists had to deal with what they had, which often necessitated male models 'standing in' for female poses for ie. paintings and explains part of the somewhat 'masculine' look of some female depictions. But it is unfair to be absolute since, in light of Michs illegal and/or immoral sneaking of cadavers for study, its most likely that he and others also would have studied live females, albeit in privacy. (Ironically the earlier Greeks, which instructed Europeans on the figure, were much less prejudiced and their sophisticated realism of their female sculptures makes it obvious that they did not have this handicap). The forms of male models are more prominent and easier to translate etc. (than female) which also makes it understandable why there's a predominance of great male figure work - fueled in part by male testosterone designing those often pious but nevertheless fantastic and powerful depictions of action scenes etc. Speculation about Mich's sexuality influencing his work is baseless and mention of it in literature is, I can only imagine, an unfortunate part of the 'alternate' crowds agenda - besides it is irrelevant and has nothing to do with the art form Renaissance artists cultivated. Similar confusion haunts Greek work as well with the seemingly more 'feminine' Classical period work being overly praised by the far more advanced work of the Hellenistic period which captivated Mich intellectually.

Michelangelo's work was different from all other sculptors during the Renaissance, he claimed to see a form struggling to get out of every block of marble that he chose. He made them beautiful and realistic, his 'David' shows great attention to detail in the musculature and tension, 'The Pieta' is another, some parts so highly polished the marble looks like skin.

He was inspired by events and culture.

Michelangelo, (1475-1564) worked on the 'Last Judgement' in the Sistine Chapel from 1536 to 1541, twenty-five years after he completed the ceiling. He was 61 years old when he began the 'Last Judgement'.

Mary is much larger in comparison to Jesus than one would expect. This was so Mary could cradle Jesus' body in her lap. The genius of Michelangelo is that the disproportion is not easy to see; however, if you consciously compare the size of Mary's hands to those of Jesus the difference in scale becomes apparent.

Because when was working for Julius the 2nd he become better and better at art.

No, he never married.

Michelangelo was 88 when he died.

Michelangelo's earliest sculpture was a stone relief called the 'Battle of the Centaurs'. He created it when he was about 17.

Michelangelo had four brothers but no sisters. Their names were Lionardo, Buonarroto, Giovansimone, and Gismondo. He was the second oldest after Lionardo.