Mauriac finds the dehumanization and brutality of the Holocaust that Wiesel experienced to be the most disturbing aspects. He is particularly troubled by the loss of faith and humanity, as well as the sheer level of suffering and inhumanity that Wiesel and others endured.

Juliek plays the violin in Elie Wiesel's book "Night" to bring a sense of beauty and hope amid the horrors of the concentration camps. Music becomes a form of resistance and a way for Juliek to maintain his humanity and dignity in the face of extreme suffering.

The gravediggers want to take Elie's father's body to be burned in the crematorium. They feel that he is too weak and will not survive much longer, so they want to dispose of his body to make room for other prisoners.

Moishe is a Jewish man living in Sighet. He is somewhat like a teacher to Elie, helping him to learn Kabbalah. He also returns to Sighet and warns the Jews of what is to come but they do not listen. He is like a prophet.

I believe Elie began the story with him as a way to introduce religion, faith, and also to show that nobody listened when they were warned. His loss of faith sets a theme for the book.

Eliezer, the protagonist of the book "Night" by Elie Wiesel, played Beethoven for the dying men in the concentration camp. He played his violin to offer a moment of solace and humanity amidst the horrors of the Holocaust.

In the book "Night" by Elie Wiesel, Buna is a labor camp within Auschwitz where Elie and his father are sent. While at Buna, Elie and the other prisoners suffer extreme hardships, including starvation, harsh working conditions, and cruelty at the hands of the Nazis. Elie witnesses the dehumanization of the prisoners and struggles to maintain his own humanity in the face of such brutality.

Elie's father was not cruel to him. Despite the difficult circumstances they faced in the concentration camps, Elie's father remained a source of support and comfort for him. Their relationship was one of love and mutual protection.

Elie is upset by Madame Schachter's son's reaction because it symbolizes the breakdown of familial bonds and the loss of humanity in the concentration camp. It reminds Elie of the harsh reality of survival in the camp and the dehumanizing effect it has on the prisoners, leading to a sense of despair and hopelessness.

"Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust." - Elie Wiesel, Night

"I sometimes think that if only I could have put all this pain into a book or a piece of music, I could have made a living out of it." - Elie Wiesel, Night

"What are you, my God, I thought angrily, compared to this afflicted crowd, proclaiming to Him: You are not so strong! You are not so great! You are not so powerful!" - Elie Wiesel, Night

Elie Wiesel was 15 years old at the beginning of the evacuation from Buna in the book Night.

In the book "Night," towards the end, Elie and his father's relationship is strained due to the harsh conditions in the concentration camp. Elie begins to feel resentment towards his father for being weak and dependent. However, their bond is tested when Elie's father becomes ill, and Elie feels conflicting emotions of guilt and responsibility towards him.

During the death march, Elie and his father try to support each other and keep each other going by taking turns helping each other walk and sharing their food. They cling to each other for emotional support and comfort, despite their own physical weaknesses and the harsh conditions of the march. Eventually, Elie's father succumbs to exhaustion and dies on the march.

Elie Wiesel was liberated from the Buchenwald concentration camp on April 11, 1945.

The SS men fled the camp to avoid capture and punishment for their crimes committed during the Holocaust. They feared retaliation from Allied forces or being held accountable for their participation in the genocide.

If the children had gone to the assembly place as ordered, they would have been accounted for and safely evacuated from the premises in case of an emergency. By following the directive, they would have ensured their own safety and made it easier for authorities to locate and protect them.

People have different ways of expressing grief, and not everyone cries when they experience loss. Additionally, the shock and disbelief of seeing a loved one die can sometimes prevent immediate emotional reactions. This can be influenced by cultural norms, personality differences, and coping mechanisms.

In the book "Night" by Elie Wiesel, Elie's father was not angry at him for "deserting" him. Their bond was strong, and they both faced the horrors of the Holocaust together. Elie's father relied on his son for support and companionship during their time in the concentration camps.

Wiesel leaves his father during the sirens to go to a different block with more favorable conditions. He feels guilty and regretful afterward for leaving his father behind during such a dangerous situation. His decision haunts him, and he struggles with a mix of shame and self-preservation.

Elie feels like he is arguing with death itself because of the immense suffering and cruelty he witnesses during the Holocaust. The continuous death and loss in the concentration camps create a sense of futility and hopelessness, leading Elie to feel like he is fighting against an all-encompassing force that is determined to destroy him and everyone around him.

Meir and his son represent the bond of love and protection between fathers and sons, a theme that is commonly explored in Elie Wiesel's works. They share the universal experience of family connection and the desire to protect and care for one another despite the challenges they face during the Holocaust. Their relationship serves as a poignant example of the enduring strength and resilience found in familial ties, which Wiesel often portrays in his writing.

Elie Wiesel does not join in the scramble for food in the concentration camp because he is in a state of shock and disbelief, struggling to process the horror of the situation. Additionally, he may be prioritizing survival by conserving his energy and avoiding risky situations that could result in injury or death.

The prisoners in the wagon are kept in close quarters, are deprived of personal space and basic necessities, and are treated with aggression and disregard by their captors. This treatment can lead to the prisoners exhibiting animalistic behaviors such as fighting for resources, acting out of fear or survival instincts, and losing a sense of humanity through dehumanization.

Possible reasons could include strained family relationships, unresolved conflicts, emotional detachment, or cultural beliefs about expressing grief.

Wiesel is describing the sadistic pleasure that the SS men derive from having the power to inflict harm and death on others. By referring to their fingers on the triggers, he highlights the cold and detached manner in which they carry out their violent acts. The phrase suggests that the SS men take pleasure in the control and dominance they exercise over their victims.

The author likely uses a series of short sentences in the evacuation passage to create a sense of urgency and convey the fast-paced nature of the event. The effect is to heighten tension and maintain a feeling of rapid action, keeping the reader engaged and mirroring the chaotic atmosphere of an evacuation.