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Agatha Christie

 
Who2 Biography: Agatha Christie, Writer
 
Agatha Christie
Agatha Christie
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  • Born: 15 September 1890
  • Birthplace: Torquay, Devon, England
  • Died: 12 January 1976 (Natural causes)
  • Best Known As: Author of Murder on the Orient Express

Name at birth: Agatha May Clarissa Miller

From the 1920s until the 1970s Agatha Christie was the world's most popular mystery author, reportedly selling more than one billion books worldwide. While other mystery authors like Raymond Chandler and Dashiell Hammett came and went, Christie continued to turn out gentle stories of murder and detection in polite society, sometimes publishing two or three books in a year. Her two most popular detectives, Hercule Poirot and Miss Jane Marple, were featured in 30 and 12 novels, respectively. Dozens of Christie's stories became movies, most notably the star-studded 1974 film Murder on the Orient Express. In 1971 Christie was made a Dame of the British Empire for her contributions to British literature and culture.

Christie's play The Mousetrap has been running continuously in London's theater district since its premiere on November 25, 1952. It is now regarded as history's longest-running play.

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Biography: Agatha Christie
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Agatha Christie (1890-1976) was the best selling mystery author of all time and the only writer to have created two major detectives, Poirot and Marple. She also wrote the longest-running play in the modern theater, "The Mousetrap".

The daughter of an American father and a British mother, Agatha Mary Clarissa Miller was born at Torquay in the United Kingdom on September 15, 1890. Her family was comfortable, although not wealthy, and she was educated at home, with later study in Paris. In 1914 she was married to Col. Archibald Christie; the marriage produced one daughter.

In 1920 Christie launched a career which made her the most popular mystery writer of all time. Her total output reached 93 books and 17 plays; she was translated into 103 languages (even more than Shakespeare); and her sales have passed the 400 million mark and are still going strong.

It was in her first book, The Mysterious Affair at Styles (1920), that Christie introduced one of her two best-known detectives, Hercule Poirot, and his amanuensis, Captain Hastings. Her debt to the Sherlock Holmes stories of Sir Arthur Conan Doyle is manifest in the books in which this pair appears. Like Holmes, Poirot is a convinced and convincing spokesman for the human rational faculty (he places his faith in "the little grey cells"), uses his long-suffering companion as a sort of echo-chamber, and even has a mysterious and exotically-named brother who works for the government. Captain Hastings, like Dr. John Watson a retired military man, has much in common with his prototype: he is trusting, bumbling, and superingenuous, and by no means an intellectual. Yet occasionally he wins applause from the master by making an observation which by its egregious stupidity illuminates some corner previously dark in the inner recesses of the great mind. There is even a copy of Conan Doyle's ineffectual Inspector Lestrade in the person of Inspector Japp.

While writing in imitation of Conan Doyle, Christie experimented with a whole gallery of other sleuths.

Tuppence and Tommy Beresford, whose specialty was ferreting out espionage, made their debut in The Secret Adversary (1922); their insouciant, almost frivolous approach to detection provided a sharp contrast to that of Poirot.

The enigmatic, laconic Colonel Race appeared first in The Man in the Brown Suit (1924), but, since his principal sphere of activity was the colonies, he was used only sporadically thereafter.

Superintendent Battle, stolid, dependable, and hardworking, came onto the scene in The Secret of Chimneys (1925) and later solved The Seven Dials Mystery (1929), but probably because of a lack of charisma was relegated to a subordinate role after that.

Others who debuted during this experimental period were the weird pair of the other-worldly Harley Quin and his fussbudgety, oldmaidish "contact," Mr. Satterthwaite, and the ingenious Parker Pyne, who specialized not in solving murders, but in manipulating the lives of others so as to bring them happiness and/or adventure. Pyne was often fortunate enough to have the assistance of Mrs. Ariadne Oliver, the mystery novelist who bore an uncanny resemblance to her creator.

The year 1926 was a watershed year for Christie. It saw the publication of her first hugely successful novel, The Murder of Roger Ackroyd, in which the narrator is the murderer, a plot twist that provoked great controversy about the ethics of the mystery writer. It was also a year of personal tragedy: her mother died, and then she discovered that her husband was in love with another woman. She suffered a nervous breakdown and on December 6 disappeared from her home; subsequently her car was found abandoned in a chalk-pit. Ten days later, acting on a tip, police found her in a Harrogate hotel, where she had been staying the entire time, although registered under the name of the woman with whom her husband was having his affair. She claimed to have had amnesia, and the case was not pursued further. The divorce came two years later.

In 1930 she married Sir Max Mallowan, a fellow of All Souls College, Oxford, and one of Britain's foremost archaeologists. She often accompanied him on his digs in Iraq and Syria and placed some of her novels in those countries. In Come, Tell Me How You Live (1946) she wrote a humorous account of some of her expeditions with her husband.

Also in 1930, writing under the penname of Mary Westmacott, she published Giant's Bread, the first of six romances, none of which showed distinction. In that same year in Murder at the Vicarage, undoubtedly the best-written Christie novel, she first presented Jane Marple, who became one of her favorite sleuths and showed up frequently thereafter. Miss Marple was one of those paradoxes in whom readers delight: behind the Victorian, tea-and-crumpets, crocheted-antimacassar facade was a mind coldly aware of the frailty of all human beings and the depravity of some.

In the mid-1930s Christie began to produce novels that bore her unique stamp. In them she arranged a situation which was implausible, if not actually impossible, and into this unrealistic framework placed characters who acted realistically for the most realistic of motives. In Murder in the Calais Coach (1934) the murder is done with the connivance of a dozen people; in And Then There Were None (1939) nine murderers are invited to an island to be dispatched by an ex-judge with an implacable sense of justice; in Easy to Kill (1939) four murders are committed in a miniscule town without any suspicions being aroused; in A Murder Is Announced (1950) the killer advertises in advance. Also interesting in these books is Christie's philosophy that it is quite acceptable to kill a killer, particularly one whose crime is a heinous one.

In addition to her fiction, her archaeological reminiscences, the children's book Star over Bethlehem (1965), a collection of her poetry (1973), and her autobiography (1977), Christie authored 17 plays. Her own favorite was Witness for the Prosecution (1953), based on one of her novellas, but the public disagreed. The Mousetrap opened in London in 1952 and played there for over three decades, a run unparalleled in theater history. Many of her mysteries were made into movies - And Then There Were None three times - with the most successful those in which Margaret Rutherford portrayed Miss Marple.

Named a Dame of the British Empire in 1971, Christie died on January 12, 1976.

Further Reading

Besides An Autobiography (1977), there is a good biography by Gwen Robyns, The Mystery of Agatha Christie (1978). It contains a bibliography, although not as complete a one as that in Contemporary Authors. Janet Morgan's Agatha Christie: A Biography (1985) traces the writer's career through her first marriage and 1928 divorce. Christie is also a central figure in Sir Max Mallowan's Mallowan's Memoirs (1977). A semi-factual, semi-fictional look at the 1926 disappearance can be found in Kathleen Tynan's Agatha (1978).

 
Britannica Concise Encyclopedia: Dame Agatha Mary Clarissa Christie
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Agatha Christie, 1946.
(click to enlarge)
Agatha Christie, 1946. (credit: UPI/Corbis-Bettmann)
(born Sept. 15, 1890, Torquay, Devon, Eng. — died Jan. 12, 1976, Wallingford, Oxfordshire) British detective novelist and playwright. Her first novel, The Mysterious Affair at Styles (1920), introduced Hercule Poirot, the eccentric Belgian detective who would appear in about 25 novels. The elderly spinster Miss Jane Marple, her other principal detective figure, first appeared in Murder at the Vicarage (1930). Most of her approximately 75 novels, such as Murder on the Orient Express (1933; film, 1978), were best-sellers; translated into 100 languages, they have sold more than 100 million copies. Her plays include The Mousetrap (1952), which set a world record for longest continuous run, and Witness for the Prosecution (1953; film, 1958). She was married to the eminent archaeologist Sir Max Mallowan (1904 – 78).

For more information on Dame Agatha Mary Clarissa Christie, visit Britannica.com.

 
Columbia Encyclopedia: Dame Agatha Christie
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Christie, Dame Agatha, 1890–1976, English detective story writer, b. Torquay, Devon, as Agatha Mary Clarissa Miller. Christie's second husband was the archaeologist Sir Max Mallowan, and she gained much material for her later novels during his excavations in the Middle East. An extraordinarily popular author, Christie wrote over 80 books, most of them featuring one of her two famous detectives; Hercule Poirot, an egotistical Belgian, and Miss Jane Marple, an elderly spinster. Her novels, noted for their skillful plots, include The Mysterious Affair at Styles (1920), The Murder of Roger Ackroyd (1926), Murder on the Orient Express (1934), Death on the Nile (1937), And Then There Were None (1940), Death Comes as the End (1945), Funerals Are Fatal (1953), The Pale Horse (1962), Passenger to Frankfurt (1970), Elephants Can Remember (1973), and Curtain (1975); her plays include The Mousetrap (1952), one of the longest-running plays in theatrical history, and Witness for the Prosecution (1954). Christie also published novels under the pseudonym Mary Westmacott. She was named Dame Commander, Order of the British Empire, in 1971.

Bibliography

See her memoir, Come, Tell Me How You Live (1944, repr. 2001).

 
Quotes By: Agatha Christie
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Quotes:

"I married an archaeologist because the older I grow, the more he appreciates me."

"An archaeologist is the best husband a woman can have; the older she gets the more interested he is in her."

"I have learnt that I am me, that I can do the things that, as one might put it, me can do, but I cannot do the things that me would like to do."

"Every murderer is probably somebody's old friend."

"Curious things, habits. People themselves never knew they had them."

"One doesn't recognize the really important moments in one's life until it's too late."

See more famous quotes by Agatha Christie

 
Wikipedia: Agatha Christie
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Dame Agatha Christie

Agatha Christie's memorial plaque, Torre Abbey
Born Agatha Mary Clarissa Miller
15 September 1890(1890-09-15)
Torquay, Devon, England
Died 12 January 1976 (aged 85)
Wallingford, Oxfordshire, England
Pen name Mary Westmacott
Occupation Novelist
Nationality British
Genres Murder mystery, Thriller, Crime fiction, Romances
Literary movement Golden Age of Detective Fiction
Spouse(s) Archibald Christie (1914-1928)
Max Mallowan (1930-1976)
Official website

Agatha Mary Clarissa, Lady Mallowan, DBE (née Miller; 15 September 1890  – 12 January 1976), commonly known as Agatha Christie, was an English crime writer of novels, short stories and plays. She also wrote romances under the name Mary Westmacott, but is best remembered for her 80 detective novels and her successful West End theatre plays. Her works, particularly featuring detectives Hercule Poirot or Miss Jane Marple, have given her the title the 'Queen of Crime' and made her one of the most important and innovative writers in the development of the genre.

Christie has been referred to by the Guinness Book of World Records as the best-selling writer of books of all time and the best-selling writer of any kind, along with William Shakespeare. Only the Bible is known to have outsold her collected sales of roughly four billion copies of novels.[1] UNESCO states that she is currently the most translated individual author in the world with only the collective corporate works of Walt Disney Productions surpassing her.[2] Christie's books have been translated into (at least) 56 languages.

Her stage play The Mousetrap holds the record for the longest initial run in the world, opening at the Ambassadors Theatre in London on 25 November, 1952, and as of 2009 is still running after more than 23,000 performances. In 1955 Christie was the first recipient of the Mystery Writers of America's highest honour, the Grand Master Award, and in the same year, Witness for the Prosecution was given an Edgar Award by the MWA, for Best Play. Most of her books and short stories have been filmed, some many times over (Murder on the Orient Express, Death on the Nile and 4.50 From Paddington for instance), and many have been adapted for television, radio, video games and comics.

In 1968 Booker Books, a subsidiary of the agri-industrial conglomerate Booker-McConnell, bought a 51 percent stake in Agatha Christie Limited, the private company that Christie had set up for tax purposes. Booker later increased its stake to 64 percent. In 1998, Booker sold its shares to Chorion, a company whose portfolio also includes the literary estates of Enid Blyton and Dennis Wheatley.[3]

Contents

Biography

Early life and first marriage

Agatha Mary Clarissa Miller was born in Torquay, Devon, England. Her mother, Clarissa Margaret Boehmer, was the daughter of a British army captain[4], but had been sent as a child to live with her own mother's sister, who was the second wife of a wealthy American. Eventually Margaret married her stepfather's son from his first marriage, Frederick Alvah Miller, an American stockbroker. Thus the two women Agatha called "Grannie" were sisters. Despite her father's nationality as a "New Yorker" and her aunt's relation to the Pierpont Morgans, Agatha never claimed United States citizenship or connection.[5]

The Millers had two other children: Margaret Frary Miller (1879–1950), called Madge, who was eleven years Agatha's senior, and Louis Montant Miller (1880–1929), called Monty, ten years older than Agatha. Later, in her autobiography, Agatha would refer to her brother as "an amiable scapegrace of a brother".[6]

During World War I she worked at a hospital as a nurse; she liked the profession, calling it "one of the most rewarding professions that anyone can follow".[7] She later worked at a pharmacy, a job that influenced her work, as many of the murders in her books are carried out with poison.

Despite turbulent courtship, on Christmas Eve 1914 Agatha married Archibald Christie, an aviator in the Royal Flying Corps.[8] The couple had one daughter, Rosalind Hicks. They divorced in 1928, two years after Christie discovered her husband was having an affair. It was during this marriage that she published her first novel in 1920, The Mysterious Affair at Styles.

Disappearance

In late 1926 Agatha's husband Archie revealed that he was in love with another woman, Nancy Neele, and wanted a divorce. On 3 December 1926 the couple quarreled, and Archie Christie left their house in Sunningdale, Berkshire to spend the weekend with his mistress at Godalming, Surrey. That same evening Agatha disappeared from her home, leaving behind a letter for her secretary saying that she was going to Yorkshire. Her disappearance caused an outcry from the public, many of whom were admirers of Agatha Christie's novels. Despite a massive manhunt, there were no results until eleven days later. [9]

Agatha Christie's gravestone in Cholsey

Eleven days after her disappearance, Christie was identified as a guest at the Swan Hydropathic Hotel (now the Old Swan Hotel[10]) in Harrogate, Yorkshire where she was registered as 'Mrs Teresa Neele' from Cape Town. Christie gave no account of her disappearance. Although two doctors had diagnosed her as suffering from amnesia, opinion remains divided as to the reasons for her disappearance. One suggestion is that she had suffered a nervous breakdown brought about by a natural propensity for depression, exacerbated by her mother's death earlier that year, and the discovery of her husband's infidelity. Public reaction at the time was largely negative with many believing it was all just a publicity stunt, whilst others speculated she was trying to make the police think her husband killed her as revenge for his affair.[11]

Second marriage and later life

In 1930 Christie married archaeologist Max Mallowan after joining him in an archaeological dig. Their marriage was especially happy in the early years and remained so until Christie’s death in 1976.[12] Mallowan rewed in 1977 to his longtime associate, Barbara Parker.[12]

Christie's travels with Mallowan contributed background to several of her novels set in the Middle East. Other novels (such as And Then There Were None) were set in and around Torquay, Devon where she was born. Christie's 1934 novel, Murder on the Orient Express was written in the Hotel Pera Palace in Istanbul, Turkey, the southern terminus of the railway. The hotel maintains Christie's room as a memorial to the author. [13] The Greenway Estate in Devon, acquired by the couple as a summer residence in 1938, is now in the care of the National Trust. Christie often stayed at Abney Hall in Cheshire, which was owned by her brother-in-law, James Watts. She based at least two of her stories on the hall: The short story The Adventure of the Christmas Pudding, which is in the story collection of the same name, and the novel After the Funeral. "Abney became Agatha's greatest inspiration for country-house life, with all the servants and grandeur which have been woven into her plots. The descriptions of the fictional Styles, Chimneys, Stoneygates and the other houses in her stories are mostly Abney in various forms."[14]

Agatha Christie's room at the Hotel Pera Palace, where she wrote Murder on the Orient Express.

To honour her many literary works, she was awarded a Commander of the Order of the British Empire in 1956. The next year, she became the President of the Detection Club. In 1971 she was made a Dame Commander of the Order of the British Empire, three years after her husband was knighted in 1968 for his archeological work.[15]

From 1971 to 1974, Christie's health began to fail however she continued to write. In 1975, sensing her increasing weakness, Christie signed over the rights of her most successful play, The Mousetrap, to her grandson.[12] Agatha Christie died on 12 January 1976, at age 85, from natural causes, at her Winterbrook House in the north of Cholsey parish, adjoining Wallingford in Oxfordshire (formerly Berkshire). She is buried in the nearby St. Mary's Churchyard in Cholsey.

Christie's only child, Rosalind Margaret Hicks died, also aged 85, on 28 October 2004 from natural causes, in Torbay, Devon.[16] Christie's grandson, Mathew Prichard, was heir to the copyright to some of his grandmother's literary work (including The Mousetrap) and is still associated with Agatha Christie Limited.

Hercule Poirot and Miss Marple

Agatha Christie's first novel The Mysterious Affair at Styles was published in 1920 and introduced the long-running character detective Hercule Poirot, who appeared in 33 of Christie's novels and 54 short stories.

Her other well known character, Miss Marple, was introduced in The Tuesday Night Club in 1927 (short story), and was based on women like Christie's grandmother and her "cronies".[17]

During World War II, Christie wrote two novels, Curtain and Sleeping Murder, intended as the last cases of these two great detectives, Hercule Poirot and Jane Marple, respectively. Both books were sealed in a bank vault for over thirty years, and were released for publication by Christie only at the end of her life, when she realized that she could not write any more novels. These publications came on the heels of the success of the film version of Murder on the Orient Express in 1974.

Like Arthur Conan Doyle with Sherlock Holmes, Christie was to become increasingly tired of her detective, Poirot. In fact, by the end of the 1930s, Christie confided to her diary that she was finding Poirot “insufferable," and by the 1960s she felt that he was "an ego-centric creep." However, unlike Conan Doyle, Christie resisted the temptation to kill her detective off while he was still popular. She saw herself as an entertainer whose job was to produce what the public liked, and the public liked Poirot.[18]

In contrast, Christie was fond of Miss Marple. However it is interesting to note that the Belgian detective’s titles outnumber the Marple titles by more than two to one. This is largely because Christie wrote numerous Poirot novels early in her career, while The Murder at the Vicarage remained the sole Marple novel until the 1940s.

Christie never wrote a novel or short story featuring both Poirot and Miss Marple. In a recording, recently re-discovered and released in 2008, Christie revealed the reason for this: "Hercule Poirot, a complete egoist, would not like being taught his business or having suggestions made to him by an elderly spinster lady".[17]

Poirot is the only fictional character to have been given an obituary in The New York Times, following the publication of Curtain in 1975.

Following the great success of Curtain, Christie gave permission for the release of Sleeping Murder sometime in 1976, but died in January 1976 before the book could be released. This may explain some of the inconsistencies compared to the rest of the Marple series — for example, Colonel Arthur Bantry, husband of Miss Marple's friend, Dolly, is still alive and well in Sleeping Murder despite the fact he is noted as having died in books published earlier. It may be that Christie simply did not have time to revise the manuscript before she died. Miss Marple fared better than Poirot, since after solving the mystery in Sleeping Murder she returns home to her regular life in St. Mary Mead.

On an edition of Desert Island Discs in 2007, Brian Aldiss claimed that Agatha Christie told him that she wrote her books up to the last chapter, and then decided who the most unlikely suspect was. She would then go back and make the necessary changes to "frame" that person. [19] The evidence of Christie's working methods, as described by successive biographers, belies this claim.

Formula and plot devices

Almost all of Agatha Christie’s books are whodunits, focusing on the English middle and upper classes. Usually, the detective either stumbles across the murder or is called upon by an old acquaintance, who is somehow involved. Gradually, the detective interrogates each suspect, examines the scene of the crime and makes a note of each clue, so readers can analyze it and be allowed a fair chance of solving the mystery themselves. Then, about halfway through, or sometimes even during the final act, one of the suspects usually dies, often because they have inadvertently deduced the killer's identity and need silencing. In a few of her novels, including Death Comes as the End and Ten Little Indians, there are multiple victims. Finally, the detective organizes a meeting of all the suspects and slowly denounces the guilty party, exposing several unrelated secrets along the way, sometimes over the course of thirty or so pages. The murders are often extremely ingenious, involving some convoluted piece of deception. Christie’s stories are also known for their taut atmosphere and strong psychological suspense, developed from the deliberately slow pace of her prose.

Twice, the murderer surprisingly turns out to be the narrator of the story.

In four stories, Christie allows the murderer to escape justice (and in the case of the last three, implicitly almost approves of their crimes); these are The Witness for the Prosecution, Murder on the Orient Express, Curtain and The Unexpected Guest. After the dénouement of Taken at the Flood, her sleuth Poirot has the guilty party arrested for the lesser crime of manslaughter. (When Christie adapted Witness into a stage play, she lengthened the ending so that the murderer was also killed.) There are also numerous instances where the killer is not brought to justice in the legal sense but instead dies (death usually being presented as a more 'sympathetic' outcome), for example Death on the Nile, The Murder of Roger Ackroyd, Crooked House, Appointment with Death and The Hollow. In some cases this is with the collusion of the detective involved. Five Little Pigs, and arguably Ordeal by Innocence, end with the question of whether formal justice will be done unresolved.

Critical reception

Agatha Christie was revered as a master of suspense, plotting and characterization by most of her contemporaries and, even today, her stories have received glowing reviews in most literary circles. Fellow crime writer Anthony Berkeley Cox was an admitted fan of her work, once saying that nobody can write an Agatha Christie novel but the authoress herself.

However, she does have her detractors, most notably the American novelist Raymond Chandler, who criticised her in his book, The Simple Art of Murder.

Portrayals

Christie has been portrayed on a number of occasions in film and television. Several films, such as the 1979 film Agatha by Vanessa Redgrave and the Doctor Who episode "The Unicorn and the Wasp" by Fenella Woolgar, explored and offered accounts of Christie's disappearance in 1926. Others, such as 1980 Hungarian film, Kojak Budapesten (not to be confused with the 1986 comedy by the same name) recreate their own scenarios involving Christie's criminal skill.[20] In the 1986 TV play, Murder by the Book, Christie herself (Peggy Ashcroft) murdered one of her fictional-turned-real characters, Poirot. Several educational programs have been made, such as the 2004 BBC television program entitled Agatha Christie: A Life in Pictures, in which she is portrayed by Olivia Williams, Anna Massey, and Bonnie Wright. Several parodies have been made, including Murder by Indecision, where she is parodied as "Agatha Crispy".

List of works

See List of works by Agatha Christie

Other works based on Christie's books and plays

Plays adapted into novels by Charles Osborne

Plays adapted by other authors

Movie Adaptations

Television Adaptations

Agatha Christie's Poirot television series

Episodes include:

Graphic novels

Euro Comics India began issuing a series of graphic novel adaptations of Christie's work in 2007.

HarperCollins independently began issuing this series also in 2007.

In addition to the titles issued the following titles are also planned for release:

Video games

Unpublished material

  • Snow Upon the Desert (romantic novel)
  • Personal Call (supernatural radio play, featuring Inspector Narracott – a recording is in the British National Sound Archive)
  • The Woman and the Kenite (horror: an Italian translation, allegedly transcribed from an Italian magazine of the 1920s, is available on the internet)La moglie del Kenita
  • Butter In a Lordly Dish (horror/detective radio play, adapted from The Woman and the Kenite)
  • Being So Very Wilful (romantic)
  • Two previously unpublished Poirot short stories will be included with The Secret Notebooks of Agatha Christie by John Curran, to be published in 2009

Animation

In 2004 the Japanese broadcasting company Nippon Hōsō Kyōkai turned Poirot and Marple into animated characters in the anime series Agatha Christie's Great Detectives Poirot and Marple, introducing Mabel West (daughter of Miss Marple's mystery-writer nephew Raymond West, a canonical Christie character) and her duck Oliver as new characters.

See also

References

  1. ^ Agatha Christie gets a clue for filmmakers – Entertainment News, Michael Fleming, Media – Variety
  2. ^ "Statistics on whole Index Translationum database". UNESCO. http://databases.unesco.org/xtrans/stat/xTransStat.a?VL1=A&top=50&lg=0. Retrieved on 2008-05-14. 
  3. ^ Chorion
  4. ^ Morgan, Janet. Agatha Christie, A Biography. (Page 2) Collins, 1984 ISBN 0-00-216330-6
  5. ^ Wagoner, Mary S. Agatha Christie. (Page 26) Twayne Publishers, 1986 ISBN 0805769366, 9780805769364
  6. ^ Brief Biography of Agatha Christie Christie Bio
  7. ^ Christie, p. 230
  8. ^ Christie, pp. 215, 237
  9. ^ Sunday, 22 February 2009, "MRS. CHRISTIE FOUND IN A YORKSHIRE SPA; Missing Novelist, Under an Assumed Name, Was Staying at a Hotel There. CLUE A NEWSPAPER PICTURE Mystery Writer Is Victim of Loss of Memory, Her Husband Declares. MRS. CHRISTIE FOUND IN A YORKSHIRE SPA" http://select.nytimes.com/gst/abstract.html?res=F60C17FE3C591B7A93C7A81789D95F428285F9&scp=4&sq=Agatha%20Christie%20Disappearance&st=cse Retrieved Sunday, 22 February 2009
  10. ^ The Harrogate Hydropathic hotel, nowadays the Old Swan Hotel, was also known as the Swan Hydro, because of its location on Swan Road, on the site of an earlier Old Swan Hotel. A Brief History of Harrogate
  11. ^ Adams, Cecil, Why did mystery writer Agatha Christie mysteriously disappear? The Chicago Reader, 4/2/82. [1] Accessed 5/19/08.
  12. ^ a b c Thompson, Laura. Agatha Christie: An English Mystery. London: Headline Review. 2008. ISBN 978-0-7553-1488-1.
  13. ^ jbottero; "Agatha Christie's Hotel Pera Palace" http://virtualglobetrotting.com/map/51232/ 2008-06-05 23:08:11
  14. ^ Agatha Christie: A Reader's Companion – Vanessa Wagstaff and Stephen Poole, Aurum Press Ltd. 2004. Page 14. ISBN 1 84513 015 4.
  15. ^ "Biography: Agatha Christie" Retrieved 22, February 2009; http://www.illiterarty.com/authors/biography-agatha-christie
  16. ^ Deaths England and Wales 1984-2006
  17. ^ a b BBC:Dusty clues to Christie unearthed
  18. ^ "Agatha Christie – Her Detectives and Other Characters" Retrieved 22 February, 2009 http://www.christiemystery.co.uk/detectives.html
  19. ^ Aldiss, Brian. "BBC Radio 4 – Factual – Desert Island Discs -Brian Aldiss". bbc.com. http://www.bbc.co.uk/radio4/factual/desertislanddiscs_20070128.shtml. Retrieved on 2009-02-22. 
  20. ^ "Kojak Budapesten" 1990. http://www.imdb.com/title/tt0081006/plotsummary

Further reading

Articles

Books

  • Barnard, Robert (1980). A Talent to Deceive – An Appreciation of Agatha Christie. London: Collins. ISBN 0002161907.  Reprinted as New York: Mysterious Press, 1987.
  • Thompson, Laura (2007). Agatha Christie : An English Mystery. London: Headline Review. ISBN 0755314875. 

External links

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