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Daniel Day-Lewis

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Daniel Day-Lewis
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  • Born: 29 April 1957
  • Birthplace: London, England
  • Best Known As: Oscar-winning star of the movie There Will Be Blood

Daniel Day-Lewis is a leading man of stage and screen, known for his two Academy Awards and for his intensity in movies such as My Beautiful Laundrette (1985), The Last of the Mohicans (1992) and The Unbearable Lightness of Being (1988). After a successful career on the British stage, he appeared in supporting roles in Gandhi (1982, starring Ben Kingsley) and The Bounty (1984, with Anthony Hopkins) before moving into leading roles. Known for his commitment to the craft of acting, Day-Lewis has played refined gentlemen as well as rough-and-tumble bruisers in movies such as A Room With A View (1985), The Age of Innocence (1993) and In the Name of the Father (1993). He won an Oscar for his performance in My Left Foot (1989) and was nominated for another for In the Name of the Father, but took time off from the movies to perform on stage. After another critically-praised performance in The Boxer (1997), he again took a break from the movies; there were unconfirmed reports that he had worked as a cobbler in Italy before Martin Scorsese talked him into appearing as Bill "The Butcher" Cutting in Gangs of New York (2002, with Leonardo DiCaprio). Continuing to make himself scarce, he appeared next in The Ballad of Jack and Rose (2005, written and directed by his wife, Rebecca Miller) and There Will Be Blood (2007, with Paul Dano), for which he again won the Oscar as best actor.

His dad was English Poet Laureate Cecil Day-Lewis, and his grandfather was Sir Michael Balcon, a film producer and former head of Ealing Studios... His father-in-law was American playwright Arthur Miller.

 
 
Actor:

Daniel Day-Lewis

  • Born: Apr 29, 1957 in London, England, UK
  • Occupation: Actor
  • Active: '80s-2000s
  • Major Genres: Drama
  • Career Highlights: A Room With a View, My Left Foot, The Unbearable Lightness of Being
  • First Major Screen Credit: The Bounty (1984)

Biography

An actor whose on-screen intensity is rivalled only by his off-screen intensity, Daniel Day-Lewis is one of the most acclaimed and least understood performers of his generation. The stories surrounding his complete immersion in his roles are legendary, from his insistence on remaining in a wheelchair between takes for My Left Foot to his refusal to accept manufactured cigarettes in favor of rolling his own, 18th-century style, while filming The Last of the Mohicans.

Day-Lewis' highly cerebral approach to his work may emanate in part from his background. Born in London on April 29, 1957, he was the son of Poet Laureate Cecil Day-Lewis and actress Jill Balcon. The influence of the cinema was particularly strong on his mother's side: she was the daughter of Sir Michael Balcon, the one-time head of Ealing Studios. Educated at various public schools, Day-Lewis took an early interest in acting. After dropping out of school at the age of thirteen, he managed to get a small part in John Schlesinger's Sunday, Bloody Sunday (1971). Following his debut, he decided to focus on his theatrical training, which he received at the Bristol Old Vic. He acted with that theatre and with the Royal Shakespeare Company for the rest of the decade, and in 1982 he made his second film appearance, playing a street thug in Gandhi.

It was in 1986 that Day-Lewis first stepped into the realm of international acclaim. Two films which featured him in prominent roles, My Beautiful Laundrette and A Room With a View, opened on the same day in New York. A gay street punk in the former and an insufferable Edwardian prig in the latter, Day-Lewis astonished critics and audiences with his chameleon-like versatility. The New York Film Critics Circle took particular note of his talent, naming him the year's Best Supporting Actor for his work in both films. It was only a matter of time before Day-Lewis achieved leading man status, and two years later he did just that in Philip Kaufman's adaptation of Milan Kundera's The Unbearable Lightness of Being. The acclaim the actor received for his portrayal of a philandering Czech surgeon paled in comparison to that surrounding his performance as the cerebral palsy-stricken author and artist Christy Brown in Jim Sheridan's My Left Foot (1989). Day-Lewis won American and British Academy Awards as Best Actor for his work, sealing a reputation as one of the most engaging leading men of his generation.

A subsequent return to the stage in Richard Eyre's National Theatre production of Hamlet ended abruptly when Day-Lewis walked off the stage one night, mid-performance, due to "nervous exhaustion." He took a hiatus from film until 1992, when he reappeared, toned up and oiled down, to star in Last of the Mohicans. The film was a success, and it went some way towards giving Day-Lewis a reputation as an unconventional sex symbol. The following year, he returned to the other side of the Atlantic to star in Sheridan's In the Name of the Father, playing an Irish man wrongfully convicted of taking part in an IRA bombing. Best Actor Oscar, BAFTA, and Golden Globe nominations followed suit for his powerful performance. That same year, Day-Lewis' versatility was again on display, as he starred as a turn-of-the-century New York society man in Martin Scorsese's lavish adaptation of Edith Wharton's The Age of Innocence.

Day-Lewis' screen appearances subsequently took on a more sporadic quality, and it was not until 1996 that he was again visible to film audiences. That year, he starred in Nicholas Hytner's adaptation of Arthur Miller's The Crucible. His portrayal of the tragically adulterous John Proctor netted strong reviews, as did his work in the following year's The Boxer, his third collaboration with Sheridan. Starring as a former boxer trying to make a new life for himself after being imprisoned for fourteen years for his work with the IRA, Day-Lewis turned in another powerful performance. Although the film received mixed reviews, the actor earned a Golden Globe nomination for his work.

Subsequently forsaking film work for the simple life of a cobbler in Italy, Day-Lewis was reportedly drawn out of his self imposed exile through the efforts of producer Harvey Weinstein, actor Leonardo DiCaprio and former collaborator Scorsese. Lured to New York and back into the hustle and bustle of the film industry, it seemed that Scorsese had finally found an actor capable of the focused yet unhinged intensity that Gangs of New York's Bill the Butcher demanded. Once again submerging himself so much in the character that the lines of reality and fantasy would become blurred (rumors persisted that he would speak with his film accent even while off-screen in addition to taking lessons by a genuine butcher), Day-Lewis' decidedly methodic approach to creating convincing screen characters would ultimately pay off as many cited his Oscar nominated performance as one of the most convincing of the talented actor's career. ~ Rebecca Flint, All Movie Guide

 
Quotes By: Daniel Day-Lewis

Quotes:

"I suppose I have a highly developed capacity for self-delusion, so it's no problem for me to believe that I'm somebody else."

 
Wikipedia: Daniel Day-Lewis
Daniel Day-Lewis
Birth name Daniel Michael Blake Day-Lewis
Born April 29 1957 (1957--) (age 50)
London, England, United Kingdom
Spouse(s) Rebecca Miller (1996-)
Children Gabriel-Kane Day-Lewis (b.1995)
Ronan Cal Day-Lewis (b.1998)
Cashel Blake Day-Lewis (b.2002)
Parents Cecil Day-Lewis (1904-1972)
Jill Balcon (b.1925)

Daniel Michael Blake Day-Lewis (born 29 April, 1957) is an Academy-Award winning and Golden Globe-award nominated actor. Born in London, England, he became an Irish citizen in 1993.

After studying at the Bristol Old Vic Theatre School, Daniel Day-Lewis performed in numerous stage plays and films that gained him an Academy Award, two BAFTA awards, and four Golden Globe nominations. In the midst of his career, he has become known as one of the most selective actors in the film industry, starring in only four movies in the last ten years. He has also been acknowledged for his constant devotion to his roles and copious amounts of research he performs. Often he will remain in character and speak in the accents he has used on screen throughout the entire shooting schedule.

Early life

Day-Lewis is the son of the late British Poet Laureate Cecil Day-Lewis. His mother, who comes from a Jewish family, is actress Jill Balcon, daughter of Sir Michael Balcon, former head of Ealing Studios. Two years after his birth in London, the Day-Lewis family moved to Croom's Hill, Greenwich where Daniel grew up along with his older sister, Tamasin Day-Lewis, who later become a renowned documentary filmmaker and television chef. Cecil Day-Lewis was already 53 years old at the time of his son's birth, and seemed to take little interest in his children.[2] Following frequent health problems, he died when Daniel was 15. Daniel felt unsettled about his lack of emotion, and regretted not having been closer to his father.

Living in Greenwich, Day-Lewis naturally found himself among some tough South London kids and being Jewish and "posh", he was often bullied.[3] Very quickly, therefore, he mastered the local accent and mannerisms — which he believes to have been the first convincing performances he gave. Later in life, he was known to speak of himself as very much a disorderly character in his younger years, often in trouble for shoplifting and other petty illegalities.[4] [5]

In 1968, Day-Lewis' parents, finding him to be "too wild", sent him to Sevenoaks school in Kent, as a boarder. Though he detested the school, he was introduced to his two most prominent interests, woodworking and acting. He made his debut in Cry, The Beloved Country wearing extensive makeup for his role as a Black boy. While his disdain for the school grew, he made his film debut at the age of 14 in Sunday Bloody Sunday in which he played a vandal in an uncredited role. He described the experience as "heaven", for getting paid £2 to vandalize expensive cars parked outside his local church.[2] After two years at Sevenoaks, Daniel was transferred to the Bedales School in Petersfield.

Leaving Bedales in 1975, his unruly attitude had faded and he now had to make a career choice. Although he loved acting and had excelled onstage at the National Youth Theatre, he found something "seedy" about backstage life, and decided to become a cabinet-maker, applying for a five-year apprenticeship. However, because of a lack of experience, he was not accepted. He then applied (and was accepted) at the Bristol Old Vic Theatre School, which he attended for three years, eventually performing at the Bristol Old Vic itself. (At one point he played understudy to Pete Postlethwaite, whom he would later play opposite in In the Name of the Father, and with whom he shares a brief scene in Last of the Mohicans when he is the arresting officer when Hawkeye is imprisoned for sedition).

Career

1980s

Eleven years after his film debut, Day-Lewis continued his film career with a small part in Gandhi (1982) as Colin, a street thug who bullies the title character, only to be immediately chastised by his high-strung mother. In 1984, he had a supporting role as the conflicted, but ultimately loyal first mate in The Bounty, after which he joined the Royal Shakespeare Company, playing Romeo in Romeo and Juliet. (He later grew to detest the character, however, and often described him as a "wanker").

The actor was next featured on stage as "The Count" in the stage-play of Dracula where he appeared with his hair dyed blond in a throwback to Nosferatu. He later let his hair grow out to give a frosted "punk look" when he played half of a gay bi-racial couple in My Beautiful Laundrette. Day-Lewis gained further public notice when the film was released simultaneously with a completely different character in A Room with a View (1986), in which he played the effete upper-class fiance of the main character (played by Helena Bonham Carter).

In 1987, Day-Lewis assumed leading man status by starring in Philip Kaufman's The Unbearable Lightness of Being, co-starring Lena Olin and Juliette Binoche, as a Czech doctor whose hyperactive and purely physical sex life is thrown into disarray when he allows himself to become emotionally involved with a woman. During the eight-month shoot he learned Czech and first began to refuse to break character on or off the set for the entire shooting schedule.[5]

Day-Lewis put his personal version of "method acting" into full use in 1989 with his performance as Christy Brown in Jim Sheridan's My Left Foot which won him numerous awards, including the Academy Award for Best Actor. During filming, his eccentricities came to the fore, due to his refusal to break character.

Playing a severely paralyzed character onscreen, offscreen Day-Lewis had to be wheeled around the set in his wheelchair, and crew members would curse at having to lift him over camera and lighting wires, all so that he might gain insight into all aspects of Christy Brown's life, including the embarrassments.[4] He also broke two ribs during filming from assuming a hunched-over position in his wheelchair for so many weeks.[6]

Daniel Day-Lewis returned to the stage to work with Richard Eyre, as Hamlet at the National Theatre, but collapsed in the middle of a scene where the ghost of Hamlet's father first appears to his son. He began sobbing uncontrollably and refused to go back on stage; his understudy (a then unknown Jeremy Northam) finished what little was left of the production's run. One rumour following the incident was that Day-Lewis had seen the ghost of his own father, although the incident was officially attributed to exhaustion. He confirmed on the top British celebrity chat show 'Parkinson' on ITV that this rumour was true. He has not appeared on stage since.

1990s

In 1992, three years after his Oscar win, The Last of the Mohicans was released. Day-Lewis' character research for this film was well-publicized; he reportedly underwent rigorous weight training and learned to live off the land and forest where his character lived, camping, hunting and fishing. He even carried a Kentucky rifle at all times during filming in order to remain in character.

While the film carried him to new heights of stardom, Day-Lewis preferred less "Hollywood" films such as The Age of Innocence co-starring Michelle Pfeiffer and directed by Martin Scorsese. He ultimately returned to work with Jim Sheridan on In the Name of the Father, in which he played Gerry Conlon, one of the Guildford Four who were wrongfully convicted of a bombing carried out by the Provisional IRA. He lost a substantial amount of weight for the part, kept his Northern Irish accent on and off the set for the entire shooting schedule, and spent stretches of time in a prison cell. He also insisted that crew members throw cold water and verbal abuse at him. The film earned him his second Academy Award nomination, his third BAFTA nomination, and his second Golden Globe nomination.

In 1996, Day-Lewis starred in a film version of The Crucible based on the play by Arthur Miller and co-starring Winona Ryder. He followed that with Jim Sheridan's The Boxer as a former boxer and IRA member recently released from prison. His preparation included training for six months with former boxing world champion Barry McGuigan.

Following The Boxer, Daniel Day-Lewis took a leave of absence from acting by putting himself into "semi-retirement" and returning to his old passion of woodworking. He moved to Florence, Italy where he became intrigued by the craft of shoemaking, eventually apprenticing as a shoemaker for a time while his exact whereabouts and actions were not made publicly known.[7]

2000s

After a three-year absence from filming, Day-Lewis was convinced to return to acting by Martin Scorsese (with whom he had worked on The Age of Innocence) and Harvey Weinstein to play (opposite Leonardo DiCaprio) the villain gangleader, "Bill the Butcher" (who, ironically, has a pure hatred for Ireland and the Irish people), in Gangs of New York. He began his lengthy, self-disciplined process by taking lessons as an apprentice butcher. Day-Lewis' dedication to the role even threatened his life at one point during filming when he was diagnosed with pneumonia. He refused to wear a warmer coat or to take treatment because it was not in keeping with the period. However, he was eventually persuaded to seek medical treatment.[8] Also, between takes, he would often listen to Eminem tunes, to help get him into the self-righteous frame of mind of the character. His performance in Gangs of New York earned him his third Academy Award nomination and won him the BAFTA Award for Best Actor. At the time, he swore that this film would be his last.

This was not to be the case, however, when Day-Lewis' own wife, director Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose, in which he played a dying man with regrets over how his life had evolved and over how he had raised his teenaged daughter. During filming he arranged to live separately from his wife in order to achieve the 'isolation' needed to focus on his own character's reality. [2] The film received mixed reviews, while Day-Lewis received almost universal praise for his performance.

In 2006, it was reported in Variety that Paul Thomas Anderson's next film would be an adaptation of the controversial novel Oil!, renamed There Will Be Blood and starring Day-Lewis.[9]

Personal life

Because of his desire for privacy, Day-Lewis rarely talks publicly about his personal life, although he had what he would later describe as "the most on-off relationship in the world" with French actress Isabelle Adjani. The strained relationship lasted six years and eventually ended when Adjani notified Day-Lewis, reportedly by fax, that she was pregnant.[10] Gabriel-Kane Day-Lewis was born in 1995 in New York, months after the relationship between the two actors had ended.

In 1996, while working on the film version of the stage-play The Crucible, he visited the home of playwright Arthur Miller where he was introduced to the writer's daughter, Rebecca Miller. They fell in love and were married two weeks before the film's release. The couple have two sons, Ronan (born June 14, 1998), and Cashel (born May 2002)[11] and divide their time between their homes in the US, and Ireland.[2]

Filmography

Year Title Role Notes
1971 Sunday Bloody Sunday Child vandal uncredited
1982 How Many Miles to Babylon? Alex
Frost in May (TV) Archie Hughes-Forret
Gandhi Colin, South African street tough
1984 The Bounty John Fryer
1985 My Brother Jonathon (TV) Jonathan Dakers
My Beautiful Laundrette Johnny
A Room with a View Cecil Vyse
1988 The Unbearable Lightness of Being Tomas
Stars and Bars Henderson Dores
1989 Eversmile, New Jersey Dr. Fergus O'Connell
My Left Foot Christy Brown Academy Award win: Best Actor
BAFTA win: Best Actor
Golden Globe nomination: Best Drama Actor
1992 The Last of the Mohicans Hawkeye (Nathaniel Poe) BAFTA nomination: Best Actor
1993 The Age of Innocence Newland Archer
In the Name of the Father Gerry Conlon Academy Award nomination: Best Actor
BAFTA nomination: Best Actor
Golden Globe nomination: Best Drama Actor
1996 The Crucible John Proctor
1997 The Boxer Danny Flynn Golden Globe nomination: Best Drama Actor
2002 Gangs of New York Bill "The Butcher" Cutting Academy Award nomination: Best Actor
BAFTA win: Best Actor
Golden Globe nomination: Best Drama Actor
2005 The Ballad of Jack and Rose Jack Slavin
2007 There Will Be Blood Daniel Plainview


Awards
Preceded by
Dustin Hoffman
for Rain Man
Academy Award for Best Actor
1989
for My Left Foot
Succeeded by
Jeremy Irons
for Reversal of Fortune
Preceded by
John Cleese
for A Fish Called Wanda
BAFTA Award for Best Actor in a Leading Role
1989
for
My Left Foot
Succeeded by
Philippe Noiret
for Cinema Paradiso
Preceded by
Russell Crowe
for A Beautiful Mind
BAFTA Award for Best Actor in a Leading Role
2002
for
Gangs of New York
Succeeded by
Bill Murray
for Lost in Translation
Preceded by
Walter Murch
Telluride Film Festival Silver Medallion
2007
Succeeded by
TBA

See also

References

  1. ^ [1]. Retrieved January 25, 2007.
  2. ^ a b c d Segal, David (2005) Washington Post Article/Interview on Daniel Day-Lewis. Washington Post
  3. ^ http://www.dd-l.net/LINKS/LIB/time.html
  4. ^ a b Jenkins, Garry (1995) Daniel Day-Lewis: The Fires Within. St. Martins Pr
  5. ^ a b Wills, Dominic [n.d.]. "Extensive Biography of Daniel Day-Lewis". Tiscali UK. Retrieved 25 February, 2006.
  6. ^ [2005] An Inspirational Journey: The Making of My Left Foot DVD. Miramax Films
  7. ^ [n.d.] (see[2]) New York Times Biography, New York Times. Retrieved 27 February, 2006.
  8. ^ [2006] "Daniel Day-Lewis IMDB biography". Internet Movie Database. Retrieved 27 February 2006.
  9. ^ Fleming, Michael and Mohr, Ian (2006) (see [3]) There Will Be Blood announcement". Variety. Retrieved 25 February, 2006.
  10. ^ Davis, Julia [n.d.] "Daniel Day-Lewis is the antithesis of the attention-seeking Hollywood actor...... (Biography)". Julia Davis. Retrieved 28 February, 2006.
  11. ^ (2006) (see Rebecca Miller IMDB biography. Internet Movie Database. Retrieved 27 February, 2006.

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