Franz Schubert

Franz Schubert's father was a schoolteacher. He worked at a local primary school in Vienna, where he also had some influence on Schubert's early education and musical development. His father's role as an educator likely contributed to Schubert's intellectual and artistic upbringing.

Franz Schubert's Impromptu in B-flat major, D. 899, is characterized by its lyrical melodies and rich harmonic language, reflecting the Romantic spirit. The piece features a ternary form (ABA), where the flowing main theme contrasts with a more agitated middle section. Schubert's use of chromaticism and varied textures enhances emotional depth, while the delicate interplay between the hands creates a sense of intimacy. Overall, it captures the essence of Schubert's melodic gift and his ability to convey profound sentiment within a compact structure.

Franz Schubert had a particular fondness for the Vienna Philharmonic Orchestra, which was closely associated with the musical life of Vienna during his time. While he did not have the opportunity to hear his own symphonies performed by a large orchestra during his lifetime, he admired the orchestral music of his contemporaries and predecessors. Schubert's own orchestral works, including his symphonies, were influenced by the styles and traditions upheld by the orchestras of Vienna.

Franz Schubert often frequented several cafes in Vienna, notably the Café Griensteidl, which was a popular meeting place for artists and intellectuals of his time. Another significant spot was the Café Landtmann, where he enjoyed socializing with friends and fellow musicians. These cafes were central to the cultural life of the city and provided a vibrant atmosphere for creativity and conversation.

Franz Schubert was not known to have been in significant trouble with the law during his lifetime. He led a relatively quiet life focused on his music, and while he faced financial difficulties and personal struggles, there are no notable records of legal issues or serious criminal behavior. His reputation primarily revolves around his contributions to classical music rather than any legal controversies.

The Erlkönig, or "Elf King," is a character from Johann Wolfgang von Goethe's poem, which Franz Schubert set to music in his famous art song (lied) "Erlkönig." In the song, the Erlkönig represents a supernatural figure who tempts and ultimately seduces a child away from his father during a nighttime ride. The piece is notable for its dramatic narrative and the contrasting musical themes that differentiate the characters, creating a sense of tension and urgency. The Erlkönig embodies themes of death, fear, and the allure of the unknown.

Franz Schubert was spared from military service due to his health issues, specifically his frail constitution and frequent illnesses. In 1813, he was deemed unfit for duty after a medical examination, which allowed him to focus on his music rather than military obligations. His exemption enabled him to compose extensively during a crucial period of his artistic development.

"Who is Sylvia?" is a song composed by Franz Schubert, based on a poem by the German poet Friedrich Schiller. The piece is part of Schubert's song cycle "Die schöne Müllerin," and it captures themes of love and longing. The music is characterized by its lyrical melody and expressive piano accompaniment, showcasing Schubert's ability to convey deep emotion through song. This work is often celebrated for its beautiful harmonies and introspective lyrics.

In Schubert's "Erlkönig," the character of the Erlking is differentiated musically through his lyrical, flowing melodies that contrast sharply with the agitated piano accompaniment representing the father and the child. The Erlking's music is more serene and seductive, often in a higher register, which highlights his enchanting and deceptive nature. Additionally, the dynamics and tempo shift when the Erlking speaks, creating a sense of urgency and drawing the listener into his beguiling presence. This stark contrast captures the tension between the dangers of the Erlking and the desperation of the father and child.

The title "On Her Knees" often signifies submission, vulnerability, or humility, suggesting a physical position that reflects emotional or psychological states. It can evoke themes of devotion, sacrifice, or power dynamics within relationships. Additionally, it may imply an act of prayer or seeking forgiveness, highlighting the complexities of human experiences and the intersection of strength and fragility.

Franz Peter Schubert composed his "Unfinished Symphony," known as Symphony No. 8 in B minor, in 1822. Although it remains incomplete with only two movements, it is believed that he worked on it for several months during that year. The exact timeline of its composition is not fully documented, but it reflects Schubert's innovative style and significant musical creativity of that period.

Yes, Franz Schubert owned a piano. In fact, he had several pianos throughout his life, which were essential for his composition work. Schubert often composed his music at the piano, using it as a tool to explore melodies and harmonies. His close relationships with piano manufacturers and the availability of pianos in his social circle greatly influenced his music.

Franz Schubert was Austrian. He was born in Vienna on January 31, 1797, and spent most of his life there, contributing significantly to the classical music scene of the city. Schubert is best known for his lieder (songs), symphonies, and chamber music. His works greatly influenced later composers and the development of romantic music.

Franz Schubert composed over 600 songs, known as Lieder, which are a significant part of his musical legacy. His most famous works include "Ave Maria" and "Die schöne Müllerin." In addition to songs, he also wrote symphonies, chamber music, and piano works, contributing to his reputation as one of the leading composers of the early Romantic era.

The last name of Franz Schubert is pronounced as "SHOO-burt," with the emphasis on the first syllable. The "Sch" in German is pronounced like the English "sh," and the "u" is pronounced like the "oo" in "food." The final "ert" sounds like "urt."

Yes, Peter Schubert was a teacher. He was known for his work in the field of music education, particularly in the context of teaching music theory and composition. His contributions to pedagogy helped shape the way music is taught in various educational settings.

Yes, Franz Peter Schubert composed "Erlkönig," a famous art song (lied) based on a poem by Johann Wolfgang von Goethe. The piece, written in 1815, depicts a dramatic dialogue between a father and his son as they encounter the mythical Erlking. Schubert's composition is renowned for its emotional intensity and innovative use of piano accompaniment to convey the urgency of the narrative.

In Schubert's "Erlkönig," the music vividly represents the urgency and tension of the narrative. The relentless, driving piano accompaniment mirrors the frantic ride of the father and son, while the contrasting vocal lines depict the different characters: the father's anxious tone, the sweet, seductive voice of the Erlking, and the child's fearful cries. This interplay of musical elements effectively conveys the poem's themes of fear, danger, and the supernatural.

Many female singers have performed Schubert's "Ave Maria," including renowned artists like Jessye Norman, Renée Fleming, and Anna Netrebko. Other notable interpretations come from soprano Kathleen Battle and mezzo-soprano Joyce DiDonato. This piece has been embraced across genres, leading to countless renditions by various vocalists.

The composer who is often credited with writing approximately 1,100 pieces of music in just 18 years is Johann Sebastian Bach. His prolific output includes a wide variety of works, such as cantatas, concertos, and keyboard music. Bach's contributions to music have had a lasting impact, influencing countless composers and musicians after him. His ability to produce such a vast body of work in a relatively short time showcases his extraordinary talent and dedication to his craft.

Schubert's "The Elf King" (Erlkönig) follows a through-composed structure, which means it does not adhere to a repeated verse-chorus form. Instead, the music evolves continuously, reflecting the dramatic narrative of the poem by Goethe. Each character, including the narrator, the child, the father, and the Elf King, is represented by distinct musical motifs and vocal styles, enhancing the emotional intensity of the story. This approach allows Schubert to convey the urgency and tension of the tale effectively.

The value of a Schubert cabinet grand piano can vary significantly based on its condition, age, and specific model. Generally, such pianos can range from a few hundred to a few thousand dollars. To determine a more accurate value, it's best to consult a professional piano appraiser or look for similar models sold in recent sales.

Franz Schubert received formal musical training at a young age, studying violin and piano with his father and later attending the Stadtkonvikt, a boarding school in Vienna. There, he was introduced to music theory and composition under the guidance of his teachers. Schubert also had exposure to choral music, which influenced his later works. Despite his formal education, much of his compositional style was developed through personal exploration and the influence of contemporary composers.

Schumann's approach to lieder often emphasizes psychological depth and emotional complexity, integrating the poet's text with intricate musical interplay that reflects the characters' inner experiences. In contrast, Schubert's lieder are characterized by their lyrical beauty and melodic flow, focusing on the clarity of the text and the immediate emotional impact. While Schubert's songs often feature straightforward forms and rich melodies, Schumann experiments with varied structures and harmonic innovations, creating a more dramatic and narrative-driven experience. Additionally, Schumann frequently incorporates elements of narrative and theatricality, reflecting his background in literature and his interest in character development.

i can remember only a small sample. i too learnt it at school...28yrs ago

As by a crystal brooklet I wandered on my way,

among the gentle ripples I spied a trout at play.

and here and there he darted , as swift as swift could be,

was never a fish so lively and frolicsome as he .

As by a crystal brooklet,

I wandered on my way

Among the gentle ripples

I spied a trout at play

As here and there he darted

As swift as swift could be

Was never fish so lively

Nor frolicsome as he.

Was never fish so lively

Nor frolicsome as he.

But skillful was the angler

With cruel delight

He sullied all the crystal water

And hid the fish from sight

Alas, by that deception

The fish, the enticing bait, sought out

And I was left lamenting

The fate of that poor trout.

And I was left lamenting

The fate of that poor trout.