Keanu Reeves played the messianic hero Neo in the sci-fi film The Matrix and its two sequels, which together became one of the highest-grossing film series in history. After his early success in the wacky 1988 comedy Bill And Ted's Excellent Adventure, Reeves was pegged by most as a surfer dude or slacker type. He managed to fight his way into mainstream roles, breaking through as a leading man by playing a cop in the blockbuster Speed (1994, with Sandra Bullock). He fortified his reputation as a hunky hero in movies like The Matrix series (1999-2003, with Laurence Fishburne) and the football comedy The Replacements (2000). Critics love to harsh on Reeves's acting ability, pointing to such films as Francis Ford Coppola's Dracula (1992) and Chain Reaction (1996, with Morgan Freeman), but he remains a big draw at the box office. His other films include Johnny Mnemonic (1995, from a story by William Gibson), Devil's Advocate (1997, opposite Al Pacino), The Gift (2000, starring Cate Blanchett), the time-travel romance The Lake House (2006, reuniting him with co-star Bullock), and the sci-fi tale A Scanner Darkly (2006, based on the novel by Philip K. Dick).
It's true: Reeves is a high school dropout...Reeves has played bass guitar in the rock band Dogstar.
From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.
Born in Keanu Charles Reeves in Beirut, Lebanon, in September of 1964 and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.
Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.
Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.
After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).
Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.
As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.
Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers's romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock.
Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada. ~ Jason Buchanan, Rovi
Reeves was born in Beirut, Lebanon, the son of Patricia Bond (née Taylor), a costume designer/performer, and Samuel Nowlin Reeves, Jr., a geologist. His mother was English and his father was a Hawaiian-born American of English, Irish, Portuguese, Hawaiian, and Chinese descent.[2][3][4] Reeves's mother was working in Beirut when she met his father. Reeves' father worked as an unskilled laborer and earned his GED while imprisoned in Hawaii for selling heroin at Hilo International Airport.[5] He abandoned his wife and family when Reeves was three years old, and Reeves does not currently have any relationship with him.[5]
Reeves moved around the world frequently as a child and he lived with various stepfathers. After his parents divorced in 1966, his mother became a costume designer and moved the family to Australia and then to New York City. There she met and married Paul Aaron, a Broadway and Hollywood director. The couple moved to Toronto; they divorced in 1971. Reeves' mother married Robert Miller, a rock promoter, in 1976; the couple divorced in 1980. She subsequently married her fourth husband, Jack Bond, a hairdresser, a marriage that broke up in 1994. Grandparents and nannies babysat Reeves and his sisters, and Reeves grew up primarily in Toronto. Within a span of five years, he attended four different high schools, including the Etobicoke School of the Arts, from which he was later expelled. Reeves stated he was expelled "...because I was greasy and running around a lot. I was just a little too rambunctious and shot my mouth off once too often. I was not generally the most well-oiled machine in the school. I was just getting in their way, I guess."[citation needed]
Reeves excelled more in hockey than in academics, as his educational development was challenged by dyslexia. He was a successful goalie at one of his high schools (De La Salle College "Oaklands"). While Reeves dreamed of becoming an Olympic hockey player for Canada, an injury ended his hopes for a hockey career. After leaving De La Salle College, he attended an anarchistic free school (Avondale Alternative), which allowed him to obtain an education while working as an actor; he later dropped out, never obtaining his high school diploma.[citation needed]
In January 2011, on the BBC program 'The One Show', he spoke of his English ancestry, via his mother, mentioning his happy watching of 'The Two Ronnies' comedy show amongst others when younger, and how his mother imparted English manners that he still has today.
Career
1980s
Reeves began his acting career at the age of nine, appearing in a theatre production of Damn Yankees. At 15, he played Mercutio in a stage production of Romeo and Juliet at the Leah Posluns Theatre. Reeves made his screen acting debut in a CBC Television comedy series entitled Hangin' In. Throughout the early 1980s, he appeared in commercials (including one for Coca-Cola), short films including the NFB drama One Step Away[6] and stage work such as Brad Fraser's cult hit Wolfboy in Toronto. In 1984, he was a correspondent for the Canadian Broadcasting Corporation TV youth program Going Great.[7]
Reeves' first studio movie appearance was in the Rob Lowe ice hockey film Youngblood, in which he played a Québécois goalie. Shortly after the movie's release, Reeves drove to Los Angeles in his 1969 Volvo. His ex-stepfather Paul Aaron, a stage and television director, had convinced Erwin Stoff to be Reeves' manager and agent before he even arrived in Los Angeles. Stoff has remained Reeves' manager, and has co-produced many of his films. After a few minor roles, Reeves received a more sizable role in the 1986 drama film River's Edge, which depicted how a murder affected a group of teens. Following this film's critical success, he spent the late 1980s appearing in a number of movies aimed at teenage audiences, including Permanent Record, and the unexpectedly successful 1989 comedy, Bill & Ted's Excellent Adventure, which, along with its 1991 sequel, Bill & Ted's Bogus Journey, typecast Reeves as a spaced-out teen. Much of his portrayal in the press and much of the response to his acting in the early 1990s still mentioned his portrayal of the airheaded Ted.
During the early 1990s, Reeves started to break out of his teen-film period. He appeared in high-budget action films like Point Break, for which he won MTV's "Most Desirable Male" award in 1992. He was also involved in various lower-budget independent films, including the well-received 1991 film, My Own Private Idaho with his close friend, the late River Phoenix. In 1994, Reeves' career reached a new high as a result of his starring role in the action film Speed. His casting in the film was controversial since, except for Point Break, he was primarily known for comedies and indie dramas. He had never been the sole headliner on a film. The summer action film had a fairly large budget and was helmed by novice cinematographer-turned-director Jan de Bont. The unexpected international success of the film made Reeves and co-star Sandra Bullock into A-List stars.
Reeves' career choices after Speed were eclectic: despite his successes, Reeves continued to accept supporting roles and appear in experimental films. He scored a hit with a romantic lead role in A Walk in the Clouds. He made news by refusing to take part in Speed 2: Cruise Control and choosing to play the title role in a 1995 Manitoba Theatre Centre production of Hamlet in Winnipeg, Manitoba.[8]Roger Lewis, the Sunday Times critic, wrote, "He quite embodied the innocence, the splendid fury, the animal grace of the leaps and bounds, the emotional violence, that form the Prince of Denmark... He is one of the top three Hamlets I have seen, for a simple reason: he is Hamlet."[9]
Reeves' other choices after A Walk in the Clouds, however, failed with critics and audiences. Big-budget films such as the sci-fi action film Johnny Mnemonic and the action-thriller Chain Reaction were critically panned and failed at the box office, while indie films like Feeling Minnesota were also critical failures. Reeves started to climb out of his career low after starring in the horror/drama The Devil's Advocate alongside Al Pacino and Charlize Theron. Reeves deferred his salary for The Devil's Advocate so that Pacino would be cast, as he would do later for the less successful The Replacements, guaranteeing the casting of Gene Hackman. The Devil's Advocate did well at the box office, received good reviews, and proved that Reeves could play a grown-up with a career, although many critics felt that his poor performance detracted from an otherwise enjoyable movie. The 1999 science fiction-action hit The Matrix, a film in which Reeves had a starring role, was a box office success and attracted positive reviews.[citation needed]
2000s
In between the first Matrix film and its sequels, Reeves received positive reviews for his portrayal of an abusive husband in The Gift. Aside from The Gift, Reeves appeared in several films that received mostly negative reviews and unimpressive box office grosses, including The Watcher,Sweet November and The Replacements. However, the two Matrix sequels, The Matrix Reloaded and The Matrix Revolutions,Something's Gotta Give, and the 2005 horror-action film, Constantine, proved to be box office successes and brought Reeves back into the public spotlight.
Reeves started filming the surrealist romantic comedy Henry's Crime in December 2009, with filming wrapped up in early 2010. After this he started working as producer and star on the science-fiction space drama Passengers, written by Jon Spaihts.[10]
In April 2011, Reeves confirmed that a third installment of the Bill & Ted movie series was underway.[14]
Personal life and other interests
Reeves' star on the Hollywood Walk of Fame
For nearly a decade following his initial rise to stardom, Reeves preferred to live in rental houses and hotels. He was a long-term resident of the Chateau Marmont. Reeves bought his first house in the Hollywood Hills of Los Angeles around 2003. He also has an apartment on Central Park West in New York City.[citation needed]
He is a U.S. citizen through his American father, and also holds Canadian citizenship by naturalization; he grew up as a Canadian and identifies as such.[citation needed] Due to April 2003 changes in the law, he is entitled to British citizenship through his English mother.
Reeves has never married.[15] In December 1999, his girlfriend, Jennifer Syme, gave birth to a stillborn daughter, Ava Archer Syme-Reeves. Syme died in 2001, a sole driver involved in an automobile wreck, while partying in Los Angeles.[16]
Reeves was sued unsuccessfully in 2008 in Los Angeles Superior Court for $711,974[17] by paparazzo Alison Silva for allegedly hitting and injuring him with his Porsche after visiting a relative at a Los Angeles medical facility.[18][19] The paparazzo's lawsuit took a year and a half to make it to trial, during which time Silva continued to attack Reeves and demand payment. At the trial, all 12 jurors rejected the suit needing only an hour of deliberation to reach their verdict. With the lawsuit rejected, Reeves was cleared of all the charges.[20]
In 2010, photos of a sad-looking Keanu Reeves eating a sandwich while alone led to the spread of the "Keanu is Sad/Sad Keanu" Internet meme and the declaration of June 15 as "Unofficial Cheer-up Keanu Day" by a Facebook fanpage.[21]
Music
Reeves played bass guitar in the grunge band Dogstar during the 1990s. In the 2000s, he performed with the band Becky.
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