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Around the Baroque era, tonality went from modal to major and minor. The key signature was born out of the rigid sequence of tones and semitones in major and minor scales.
Johannes Kepler is an mathematician an astronomer and an astrologerhe also created keplers lawGood, thanks for asking.-Ol' Johannes
Gottfried Leibniz was a German mathematician and philosopher born in the 17th century. He was a major advocate of Rationalism and created his own form of notation.
G major, D major, E major, B major, F sharp major, F sharp minor, A sharp major, etc.
Bending (lowering) the 3rd, 5th, and 7th scale degree
The importance of the establishment of major and minor tonality in the Baroque was that each tonality came to be associated with certain types of music. Major tonality was associated with happy occasions and minor tonality with sadness or sensuality.
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There are several types: Tonal (In a key): This can be a major or minor key. Modal (In a mode) Atonal: No key, no tonic note. There are various other more complex types like twelve tonality, whole tonality and polytonality, but these are the main three types.
The tonality of the piece is only established after the intro however it is in G major. The modal sound of the piece makes it sound as though there is a key change however there isn't.
tonality, terraced dynamics or classic
It doesn't make sense to ask what is the tonality of THE Messiah chorus because there are lots of choruses in Messiah. If you mean the most well-known one, the Hallelujah chorus, it's in D major.
Tonal range is the various shades of grey between absolute black and absolute white
It doesn't make sense to ask what is the tonality of THE Messiah chorus because there are lots of choruses in Messiah. If you mean the most well-known one, the Hallelujah chorus, it's in D major.
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