Yes. He thought the people of each new state should vote whether it ought to be slave or free ('Popular Sovereignty').
He didn't foresee the problem about just one thinly-populated state voting at a time. Every bully-boy in America - from both sides - would cross into the state and intimidate voters. The resulting violence was called 'Bleeding Kansas'.
Yes, Stephen Douglas did write the Kansas-Nebraska act. Stephen Douglas wrote it in 1854 when Pierce was president.
it was unusual because he was a black slave and if they were taught to read and write they could have power and they could gain control of things
The initial purpose of the Kansas-Nebraska Act was to create opportunities for a Transcontinental Railroad. The Kansas-Nebraska Act failed because it did not end the national conflict over slavery. Antislavery forces viewed the statute as a capitulation to the South, and many abandoned the Whig and Democratic parties to form the Republican Party. Kansas soon became a battleground over slavery.
Stephen Foster (1826-1864) is well known penning such iconic American tunes as "The Camptown Races" (recognized by its famous repetitive line "doo dah, dooh dah"), "Old Folks at Home" (also known as "Swanee River" or "Way Down On the Swanee River"), "My Old Kentucky Home," and "Nellie Bly."
No, he taught himself by buying books and reading the Bible. When he was young, his master's wife, Mrs. Auld, taught him to read and write the ABC's until her husband found out, and forbade her to continue
Barton wrote many books , including History of the Red Cross in 1882
Dear Senator (last name): or Dear Senator:
no
Yes,I did
Steaphan
yes
Write one adjective to describe Stephen Austin
Dan Rather Reports - 2006 Come Write-In Senator 6-4 was released on: USA: 1 February 2011
No, bureaucrats write laws and make all the important policy decisions. Politicians are merely puppets.
red badge of courage
Edgar Allen Poe
It was not a folktale. It was a short story by Stephen Vincent Benet (1898-1943) published in The Saturday Evening Post, a popular weekly magazine at the time. It was made into an opera by Douglas Moore in 1938 and later into a play.