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In the book, Eponine manipulates Cosette when she is young by making her do chores and treating Cosette horribly. She also manipulates Cosette when she is older by writing a message on her house saying "Move away", so Valjean, Cosette, and Toussaint will be moving to England. In the musical, she manipulates Cosette when she is little by making her get in trouble, but she doesn't really manipulate adult Cosette.

In the book, Eponine manipulates Marius by making him promise to give her what she wanted, in return for finding "the young lady's" house, which she does and Eponine takes him there. She also is the one that causes him to go to the barricades, in the hopes that the two will die together. In the musical, she manipulates Marius by making him promise to give her anything, and shows him Cosette's house.

Eponine is much more manipulative in the book than musical...

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โˆ™ 13y ago
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โˆ™ 1mo ago

Eponine manipulates Cosette by purposely misinforming her about Marius's whereabouts, effectively keeping them apart. She manipulates Marius by using lies and her own distress to gain his sympathy and attention, hoping to make him see her as more than a friend.

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Q: How does Eponine manipulate both Cosette and Marius?
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Who is the better part eponine or cosette?

It depends on whether you're thinking from the musical or a movie that would be closer to the book. In the musical, Cosette is a soprano and Eponine is either a mezzo or an alto. Both are good parts. If you're following closer to the book, then Cosette is a better part because she gets more time. However, Eponine also has very complex emotions so it's good to play her too. It all depends on your acting and/or singing.


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The foreman, whose advances she has rejected, throws her out.Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded by her new trade she gets into a fight with a prospective customer and is about to be take to prison by Javert when "The Mayor" arrives and demands she be taken to a hospital instead.The Mayor then rescues a man pinned down by a runaway cart. Javert is reminded of the abnormal strength of convict 24601 Jean Valjean, a parole-breaker whom he has been tracking for years, but who, he says has just been recaptured. Valjean, unable to see an innocent man go to prison in his place, confesses to the court that he is prisoner 24601.At the hospital Valjean promises the dying Fantine to find and look after her daughter Cosette. 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