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What are the key elements of the Neoclassical and Romantic styles?
Wiki User
∙ 15y ago
The neoclassicists held the belief that man was the supreme power of all, the center of all thought and truth. As said by Alexander Pope, "the proper study of mankind is man." They held strictly to reason and order, to intellect and precision. They attempted to achieve perfection. Opposing them was the next era, however, of romanticism. Romantics, in direct opposition to the previous age, believed in the guiding forces of nature. They believed that nature held all truth, and didn't search for such in science and mathematics as the neoclassicists did. They were impassioned and fond of beauty, as well as myth.
I take exception to the above answer. I believe the person has his or her musical periods confused (or perhaps did not see the question as pertaining to music).
MUSICALLY speaking, the Romantic Period (1825 or 30 to 1900 or 1910), was a period of excesses. Composers tried to push the envelope further and further, in everything from the size of the orchestra, chromaticism (both melodic and harmonic), length of works, demands of performers as well as audiences, etc.
It was because of these excesses that some in the early 20th Century believed things could be pushed no further, so they must be broken down and rebuilt. This resulted in several different ways of rebuilding. Schoenberg founded the 12-tone system of atonal, serial composition, and others such as Webern and Berg ran with this. Meanwhile, there were other composers that focused more on sound and ambience, leaving traditional harmony behind, but still working within current ideas of what was accepted as consonant or dissonant (such as Satie or Debussy).
Another significant movement at the same time was neoclassicism. Neoclassical composers like Bartok, Stravinsky, and Hindemith, decided that music needed to return to the more disciplined and ordered nature of the music of the Classical Period. This was applied to most of the same areas that Romantic composers went for excesses. Harmony is a notable exception, as some of these composers, particularly Hindemith, formulated their own harmonic ideas. But they were still acoustically based (as had been functional tonality), and quite refined.
In short, the classical mindset of order and logic was revisited, albeit with a fresh face, by the Neoclassicists, in response to Romantic excesses.
Wiki User
∙ 15y ago
Wiki User
∙ 11y agoThe five elements of style are: the character, plot,setting, theme and style.
Wiki User
∙ 9y agoThere were five major elements or types of writing for classical style. They include concerto, symphony, sonata, serenade, and divermento.
Wiki User
∙ 13y agoRomantic music uses a lot of orchestral instruments and piano.
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What musical periods came first in the chronologtic order?
Musical Periods? Well there's the baroque period from 1600-1750 Then there's the classical period from 1750-1820 and then there's the romantic period from 1820-1913 and then theres the 20th century music from 1913-present time. Baroque music primarily consisted of "notey" music. Mostly fugues and concerto-grosso's. Main composers of the time: J.S. Bach, Antonio Vivaldi, Claudio Monteverdi, George Frideric Handel. Famous pieces from this period: Toccata and Fugue by Bach, The Four Seasons by Vivaldi, and Cello Suite #1 Prelude by Bach, and the oratorio Messiah by Handel Classical music finally introduced the symphony and most importantly, sonata form. They were mostly happy tunes for parties and dances. String quartets were also very big in this period and publishing music and selling it for profit was a very big factor in the classical era. Main composers of the time: Wolfgang Amadeus Mozart, Joseph Haydn, and VERY early Beethoven. Famous pieces from this period: Eine Kleine Nachtmusik by Mozart, Symphony #40, #25 by Mozart. Romantic music was said to had been introduced by Beethoven through his Second Symphony, Eroica (a symphony dedicated to the powerful French dictator, Napoleon Bonaparte). His very strong dynamic changes and sudden changes of key are the epitome of what romantic music is. They primarily break down the huge romantic period down into three small sections: early romantic, middle romantic, late romantic; each one with its very great pieces. Romantic composers: Late Beethoven, Chopin, Liszt, Wagner, Saint-Saens, Tchaikovsky, Dvorak, Mahler, and Rachmaninoff. Romantic pieces: Nocturne #2 by Chopin, 1882 Overture by Tchaikovsky, Le Carnivale des Animeaux by Saint Saens, Symphony #9 by Dvorak, Des Ring de Nieublegen by Wagner, Piano Concerto #2 by Rachmaninoff (second movement). 20th century music has many different types of styles such as primitivism, neo-classicism, "chance" music, and minimalism. There are many styles and even more ways of composing. They say that the "big bang" of 20th century music came from Stravinsky's The Rite of Spring. It's primitive tone shocked audiences and even inspired others. Key composers: Stravinksy, Copland, Glass Key Pieces: Rite of Spring by Stravinsky, Fanfare for the Common Man by Copland, Glasspieces by Glass. I hope this helps you out.
Why Beethoven composed classic music?
Beethoven only composed very few pieces in a "classical tone", primarily his first symphony. He was taught by Haydn, a classical composer, so it would make sense for Beethoven to start off by composing a classical piece. Later on in his life though, he composed very Romantic style music. His second symphony, Eroica, was a key example of the romantic era.
What characteristics of Beethoven's music bridge the gap between the Classical and Romantic eras?
There are many ways in which Beethoven can be seen as both a classical and romantic composer. He is seen as classical in many respects. A quote from Charles Rosen, The Classical style reads "Beethoven enlarged the limits of the classical style beyond the previous conceptions, but never changed its essential structure or abandoned it, as did the composers who followed him. In the other fundamental aspects of his musical language, as well as in the key relations within the single movement, Beethoven may be said to have remained within the classical framework,even while using it in radical and original ways" His symphony no 6, Pastoral, is one of the main pieces that bridges many of the gaps between the classical and romantic era. It is classical in that it is rooted in a tonic-dominant relationship, and includes fugue, cannon and theme and variation. However it can be seen as romantic in that it takes a lot of influence from natural and the natural world. Beethoven was coached and definitely influenced by Haydn, a renowned nature lover for a year. In the Classical period, music did not tend to pertain to this type of influence. The Pastoral symphony however is based largely around nature. It is also programmatic, a distinctive element of romantic writing. By 1808, the time of the pastoral symphony, the romantic movement in poetry was in full swing. Instead of the standard classical 4 movements, the pastoral has 5. The 9th symphony seems to be the main piece of writing that crosses the bridge between the classical and romantic periods, and is seen as the missing link bringing the classical period fully to an end.
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