That is called dramatic irony, where the audience has more information than a character in a story, leading to tension or suspense in the narrative.
When the reader knows more than the character in a story, it is known as dramatic irony. This literary technique creates tension and engages the audience as they are aware of information that affects the story but is unknown to the characters.
dramatic irony. This occurs when the audience has more information than the character, creating tension and often leading to unexpected outcomes.
Dramatic irony is when the words and actions of the characters of a work of literature have a different meaning for the reader than they do for the characters. This is the result of the reader having a greater knowledge than the characters themselves.--It is a contradiction between what a character says and what the audience knows.---Dramatic Irony occurs when the reader or spectator knows more about the true state of affairs then the characters themselves.A situation in a play in which the audience knows more than the characters
the character is flat
When the author does a good job of describing the character and his or her motivations and conflicts. Then there is more for the reader to connect with, and in most cases (unless for instance you have a radically evil character with no conscience at all) then it is easy for the reader to relate to, and start identifying with the character.
The reader does not know much about a flat character, which is one that has little information given by the author. This is in contrast to a round character, which is fully described and more realistic to the reader.
Information about the character's social status
This is called dramatic irony, where the audience has knowledge that a character lacks. It can create tension, suspense, and engage the audience by allowing them to anticipate the consequences of the character's actions.
The more a writer knows about a character, the more real or true a character will seem to the reader. It's important not to reveal too much to the reader, and also not to reveal too little, but equally important is simply knowing much more about a character than the reader does when the reader first encounters that character. You might say that a character that has not been developed before it meets the printed page will seem as thin as the paper itself, whereas a character with a deep backstory, personality, ambitions, and fears will appear three-dimensional.
This is called the character's "depth" or "dimensionality." When a character is well-developed and exhibits traits, emotions, and behaviors that make them feel like a fully-fleshed out individual, readers are more likely to connect with and care about that character.
By using the character's actions, interactions, and words to learn more about him or her
This is called indirect characterization, where the characteristics, thoughts, or feelings of the character have to be inferred from his actions, or from how he interacts with the other characters.