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Bertolt Brecht often employed the theme of melodic reprise in his plays which is when he would introduce a subtle melody in a certain scene, and when the themes of that scene would happen again, he would play the music again.
Bertolt Brecht was influenced by Charlie Chaplin's ability to merge comedy with social commentary in a way that engaged and challenged audiences. Brecht admired Chaplin's use of humor to raise awareness about social issues and saw it as a powerful tool for sparking critical thinking and reflection in his own work. Chaplin's blend of entertainment and political messaging inspired Brecht to explore similar techniques in his plays and theatrical experiments.
Brecht disliked naturalism because he believed it focused too much on creating an illusion of reality on stage, which he thought dulled the audience's critical thinking. He preferred to use techniques that would prompt the audience to engage intellectually with the play and think critically about the social and political issues being presented.
Brecht wanted to distance the audience from the actors and therefore by coming out of role and directly addressing the audience, the actors did not have to set the scene.
'Epic' in the context of 'epic theater' refers to the grand, sweeping scale of the narrative and themes presented in the plays. Epic theater focuses on social and political issues, aiming to provoke critical thinking and reflection among the audience through its use of non-linear storytelling, breaking the fourth wall, and alienation techniques.
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Epic relates to episodes, as in a series of independent stories that together form a fuller narrative (with the beginning, middle, and end of a central theme or character). Brecht's plays are structured in such a way that each act conforms an independent story that when placed in a certain order come together to tell a full narrative and thus an epic. Whilst its debatable if TV shows are true epics (e.g. the lack of a central theme/character, retroactive continuity, etc.) some examples include epic poems such as Beowulf or cartoons such as Dragonball.
The fourth wall is an invisible wall that separates the audience from the actors. It is usually at the edge of the stage, unless if the seating is on the stage for a small performance. If you "break" the fourth wall, you are interacting with the audience.
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